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Set I
Alabama Getaway-> Promised Land, Peggy-O, Little Red Rooster, Brown Eyed Women, My Brother Esau, Big Railroad Blues, The Music Never Stopped-> Don't Ease Me In
Set II
Touch Of Grey > Estimated Prophet > Eyes Of The World > Drums > Space > Truckin' > Spoonful jam > Black Peter > Around And Around, Going Down The Road Feeling Bad > One More Saturday Night, E: Day Job
Set III
Comment
Last Changed By
Hamilton, Greg & Diana
Sources
(14566) View Source
View Archive
AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
(14951) View Source
View Archive
Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
(18226) View Source
View Archive
Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
(81280) View Source
View Archive
flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(81548) View Source
View Archive
flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
(109812) View Source
View Archive
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(124088) View Source
View Archive
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(138873) View Source
View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(138874) View Source
View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(139571) View Source
View Archive
flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
(140159) View Source
View Archive
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
(140516) View Source
View Archive
flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
(141597) View Source
View Archive
flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
(14566) View Source
View Archive AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
(14951) View Source
View Archive Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
(18226) View Source
View Archive Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
(81280) View Source
View Archive flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(81548) View Source
View Archive flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
(109812) View Source
View Archive flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(124088) View Source
View Archive flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(138873) View Source
View Archive flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(138874) View Source
View Archive flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(139571) View Source
View Archive flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
(140159) View Source
View Archive flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
(140516) View Source
View Archive flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
(141597) View Source
View Archive flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 246 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Scott (2/0) | CDR(DAO) / 2 | View | 18226 | |||
| Bob Harrell (2/4.9) | shn / 2 | View | 14951 | (FOB) Senn 441 -> PCM -> Dat | ||
| Notes: | 2 audio | |||||
| alicia (2/2.5) | Wave / 3 | View | ||||
| William Ferdinandsen (2/5) | CDR / 2 | View | ||||
| Notes: | 2 Different AUD sources | |||||
| Kenneth Barner (2/0) | SHN / 2 | View | 18226 | |||
| Michael Goff (2/5) | cd / 2 | View | 14951 | |||
| Michael Goff (2/5) | cd / 2 | View | 18226 | |||
| Dan Faust (2/5) | cdr / 2 | A- | View | aud | ||
| Notes: | Aud master>Cool Edit> CDR | |||||
| Dan Faust (2/5) | cdr / 2 | A | View | (FOB) Senn 441 -> PCM -> Dat | ||
| KerouacAW (1/0) | FLAC / 0 | View | ||||
| KerouacAW (1/0) | FLAC / 0 | View | ||||
| Gary Field (1/5) | SHN / 2 | View | 18226 | AUD | ||
| Notes: | Nak 700> D-5 taped by Mark Cohen | |||||
| Gary Field (1/5) | SHN / 2 | View | 14566 | AUD | ||
| Notes: | AUD (Nak 100's)>MC>DAT>CDR [060502.2] | |||||
| Gary Field (1/5) | SHN / 2 | View | 14951 | AUD | ||
| Notes: | Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN [060502.2] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 81280 | AUD | ||
| Notes: | Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 [070105.1] | |||||
| Gary Field (1/5) | FLAC / 5 | View | 81548 | AUD | ||
| Notes: | flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke [070117.1] | |||||
| Gary Field (1/5) | 141597 / 0 | View | 141597 | |||
| Gary Field (1/5) | 109812 / 2 | View | 109812 | AUD | ||
| Notes: | Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files [100930.1] | |||||
| Gary Field (1/5) | 124088 / 5 | View | 124088 | AUD | ||
| Notes: | flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit [130501.wd002] | |||||
| Gary Field (1/5) | / 0 | View | 140516 | |||
| Gary Field (1/5) | / 0 | View | 140159 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 14951 | |||
| Notes: | (FOB) Senn 441 -> PCM -> Dat | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 18226 | |||
| Notes: | Nak 700> D-5 taped by Mark Cohen | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 81280 | |||
| Notes: | Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC | |||||
| Marc Deardorff (1/5) | flac24 / 1 | View | 81548 | |||
| Notes: | flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 14566 | |||
| Notes: | AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | |||||
| Boedi-taper (1/4.8) | CDR / 2 | A | A | View | Audience Recording | |
| Notes: | Audience Recording | |||||
| thegreatdivide6 (1/0) | flac / 0 | View | 140159 | |||
| Notes: | sbd | |||||
| Hanf (1/5) | Shn / 0 | View | 14951 | |||
| J Parzych (1/5) | FLAC / 0 | View | 14951 | |||