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Grateful Dead 06/23/84
City Island, Harrisburg, PA
Set I
Alabama Getaway-> Promised Land, Peggy-O, Little Red Rooster, Brown Eyed Women, My Brother Esau, Big Railroad Blues, The Music Never Stopped-> Don't Ease Me In
Set II
Touch Of Grey > Estimated Prophet > Eyes Of The World > Drums > Space > Truckin' > Spoonful jam > Black Peter > Around And Around, Going Down The Road Feeling Bad > One More Saturday Night, E: Day Job
Set III
 
Comment
 
Last Changed By Hamilton, Greg & Diana
Sources
(14566) View Source    View Archive
AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
(14951) View Source    View Archive
Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
(18226) View Source    View Archive
Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
(81280) View Source    View Archive
flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(81548) View Source    View Archive
flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
(109812) View Source    View Archive
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(124088) View Source    View Archive
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(138873) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(138874) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(139571) View Source    View Archive
flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
(140159) View Source    View Archive
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
(140516) View Source    View Archive
flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
(141597) View Source    View Archive
flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Kyle Gilbert (0/5) flac / 1 View 81548
Notes: **24 bit** Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)
Ron Broman (0/5) SHN / 2 View 18226
Fred (0/0) / 0 View 14951
burdy (0/0) / 2 View   2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M...
Notes: #109812
dms (0/0) SHN / 2 View 14566
Notes: AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy --WD5000AAKS#02
dms (0/0) FLAC24 / 5 View 81548
Notes: flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke --WD5000AAKS#02
dms (0/0) FLAC16 / 2 View 81280
Notes: flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 --WD5000AAKS#02
tom radocha (0/5) / 2 View  
Notes: audience
Eric Richbourg (0/0) shn / 2 View 18226
Eric Richbourg (0/0) flac / 2 View 81280
Eric Richbourg (0/0) flac / 5 View 81548
Eric Richbourg (0/0) shn / 2 View 14566
Eric Richbourg (0/0) shn / 2 View 14951
Bob Abrams (0/5) / 0 View 81280
T Buckley (0/0) shn / 2 View 18226
Notes: Nak 700>D-5>Tascam 122 MK III playback >Tascam DA-40 master DAT(44.1)>Tascam DA-30 playback>Egosys Waveterminal 2496>Cool Edit 2000>shntool v1.01>SHN
Alex (0/0) CD / 3 View  
Bryce Bartley (0/0) SHN / 1 View 18226
sl1pkn0t (0/0) shn / 2 View 18226 Nak 700> D-5 taped by Mark Cohen
ted (0/1) FLAC / 2 View  
gwen (0/0) cdr / 2 View  
Robert Goetz (0/5) shn / 2 View 18226 Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by...
Notes: Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches; shn(2)>cda(2)
Robert Goetz (0/5) shn / 2 View 14951 Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD...
Notes: Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller; shn(2)>cda(2)
David (0/5) SHN / 2 View 14951 Audience
Notes: Audience
shakedown401 (0/0) SHN / 2 View   Nak 700> D-5
Ben Parsons (0/4.9) cdr / 2 A A View  
Adam Weiss (0/0) / 2 View  
Notes: SHN or AUD
Andy (0/0) Wave / 3 View  
Harrison (0/0) CDR / 3 View  
dps (0/0) shn / 2 View 14951 Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam...
Kenneth Garretson (0/5) Analog / 2 View