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Grateful Dead 10/05/84
Charlotte Coliseum, Charlotte, NC
Set I
Bertha-> Promised Land, West L.A. Fadeaway, Little Red Rooster, Dupree's Diamond Blues, My Brother Esau, Brown Eyed Women, Feel Like A Stranger, Might As Well
Set II
China Cat Sunflower-> I Know You Rider, Estimated Prophet-> Eyes Of The World-> Drums-> The Other One-> Black Peter-> Sugar Magnolia-> Johnny B. Goode, E: It's All Over Now Baby Blue
Set III

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Last Changed By System
Sources
(2591) View Source    View Archive
updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream
(15528) View Source    View Archive
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
(77703) View Source    View Archive
flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
(83188) View Source    View Archive
flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: [email protected]; this file set fixes errors in shn id 83161
(87757) View Source    View Archive
flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station
(103309) View Source    View Archive
flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand
(109982) View Source    View Archive
flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(124130) View Source    View Archive
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(127551) View Source    View Archive
flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
(132574) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132575) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(133026) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Richard Warren (3/5) flac / 2 View 83188
Notes: 83188
Mike Pageau (3/0) AUD 10 / 3 View 87757
Mike Pageau (3/0) SBD 12 / 3 View 2591
Mike Pageau (3/0) AUD 15 / 3 View 103309
ziko (3/5) / 0 View 2591
ziko (3/5) / 0 View 77703
ziko (3/5) / 0 View 83188
ziko (3/5) / 0 View 87757
Pierluigi Tomaselli (3/5) cd / 3 View  
Ken Berry (3/5) SHN / 2 View 15528
CARL (3/3.7) / 0 View 87757
Brad (3/5) shn / 2 View 15528
keith martin (3/0) CD-R / 3 View   FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony...
Notes: Disks from Alan Matta Editing and Seeding by MattMan ([email protected]) Very nice audience recording. The only edting I did was retracking, fixing loud burst at 0:01 of Promised Land, fades, and cleaning up the dropouts. Although there was a nice piece of cassette his at the end of Might as Well that I could have used for NR, I opted not to as the overall signal-to-noise ratio is high, precluding any need for NR. A few words from the recordists, in their own words: -Mike Grace "I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder."
jackoroses (3/0) / 3 A View   FOB
Notes: FOB>Nak300 mics>SonyD5>D>Cdr..Static on master,End of S.Mag cut
Charlie Connor (3/0) shn / 3 View 15528
Notes: nak300.grace-cole.15528.sbeok
Charlie Connor (3/0) flac16 / 3 View 77703
Notes: .fob-beyerM88.suraci.77703.sbeok.
Joey (3/5) .shn / 2 View   SBDMC> [no Cass?]> DATs> CDRs> SHN
Notes: Grateful Dead Charlotte Coliseum; Charlotte, NC October 5, 1984 updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN (had been marked Source: SBDMC>Cass>DATs>CDRs>SHN) Disk 1: Set I 1. Bertha -> 2. Promised Land 3. West L.A. Fade Away 4. Rooster 5. Dupree's 6. Brother Esau 7. Brown-Eyed Women 8. Stranger 9. Mighty Swell Disk 2: Set II 1. China -> Rider 2. Estimated -> 3. Eyes -> 4. Drums -> Disk 3: Set II, cont. 1. Space -> 2. The Other One -> 3. Black Peter -> 4. Sugar Magnolia (3) -> 5. Johnny B. Goode 6. E: Baby Blue [6:50] COMMENTS: (1) Audience Splice in BE Women by Scott Clugston (from FOB Nak 300>d5 source) (2) Audience Splice in Space by Scott Clugston (from FOB Nak 300>d5 source) (3) no Sunshine Daydream Thanks to Blacula for the source shns. Soundforge editing (a few pops/zaps removed) and retracking by Darrin ([email protected]. Seeded to etree on 1.22.2001.
Jonathan Miller (3/0) shn / 2 View 2591 SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches
Notes: 1.06 Gb
Scott Herring (3/0) SHN / 3 View 2591 SBD
Notes: DVD #165
Chad Hensley (3/5) / 0 View 2591
Ryan Stearns (3/0) CDR / 3 A A- View   AUD
Sin City Hillbilly (3/0) / 0 View  
(~);-) (3/0) CDR / 3 A+ View  
AlanZ (3/0) CDR / 3 View   AudMC>D>CDR
Dionysos (3/0) SHN / 2 B+ View 15528 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony...
obaaron (3/0) DAT / 1 A View   FOB 90m NAK 300>MC>DAT
Todd (3/0) SHN / 2 View 15528
Matty (3/4.9) SHN / 2 View 2591
tommy_hawk1 (3/0) CDR / 2 A A View   SDBD
Notes: 2ND SET
Ryan (3/0) 3WAV / 0 View 2591