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Grateful Dead 10/05/84
Charlotte Coliseum, Charlotte, NC
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Set I
Bertha-> Promised Land, West L.A. Fadeaway, Little Red Rooster, Dupree's Diamond Blues, My Brother Esau, Brown Eyed Women, Feel Like A Stranger, Might As Well
Set II
China Cat Sunflower-> I Know You Rider, Estimated Prophet-> Eyes Of The World-> Drums-> The Other One-> Black Peter-> Sugar Magnolia-> Johnny B. Goode, E: It's All Over Now Baby Blue
Set III

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Last Changed By System
Sources
(2591) View Source    View Archive
updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream
(15528) View Source    View Archive
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
(77703) View Source    View Archive
flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
(83188) View Source    View Archive
flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: [email protected]; this file set fixes errors in shn id 83161
(87757) View Source    View Archive
flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station
(103309) View Source    View Archive
flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand
(109982) View Source    View Archive
flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(124130) View Source    View Archive
flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(127551) View Source    View Archive
flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
(132574) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132575) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(133026) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
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User (active/rating) Media / # Show Sound Details DB Source User Source
Tony Handmaker (5/5) SHN / 2 View 2591
Notes: SBDMC>Cass>DATs>CDRs>SHN
Steve Oliver (5/0) / 3 View  
Notes: AUD Nak 300>Sony TCD5-M>DAT>CD
Steve Herman (5/0) / 0 View  
mjlaurent (5/4.7) cd / 3 View   fob>mc>dat>cd
ALAN DOUGLAS (5/3.9) / 3 View  
clint (5/5) shn / 3 View   SBDMC>Cass>DATs>CDRs>SHN
Notes: SBDMC>Cass>DATs>CDRs>SHN
Jeff Arellano (5/0) SHN / 2 View 15528 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony...
Tom Buder (5/5) shn / 2 View   FOB Nak 300 mics>Sony TCD5-M>DAT
Notes: from Alan Matta -Editing and Seeding by MattMan ([email protected]) -Very nice audience recording. -The only edting I did was retracking, fixing loud burst at 0:01 of Promised Land, fades, and cleaning up the dropouts. Although there was a nice piece of cassette his at the end of Might as Well that I could have used for NR, I opted not to as the overall signal-to-noise ratio is high, precluding any need for NR. A few words from the recordists, in their own words: -Mike Grace "I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder."
Vern Suter (5/1) shn / 2 View 15528
Drew (5/0) CD-R / 3 View   FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony...
doubleA (5/0) / 0 View  
tom kunz (5/5) shn / 2 View 15528
Anthony (5/5) CDR / 3 A View   AUD
B KLUSMAN (5/5) CDR / 3 A A View   AUD
Mike Ashley (4/0) BitTorrent / 0 View 124130
Brad Foster (4/4.9) SHN / 2 View   SBD>MC>Cass>DATs>CDRs>SHN
Taylor73 (4/5) flac / 0 View 133026 133026
Bruce Svoboda (4/0) Audio CDR / 3 View 2591
bugboyfjp12 (4/0) flac / 0 View 2591
sideshowbob (4/5) DAT / 2 A View  
Bruce O'Neil (4/0) shn / 0 View 2591 sbd
Notes: gd84-10-05.sbd.sacks.2591.sbeok.shnf
Bruce O'Neil (4/0) shn / 0 View 15528 aud
Notes: gd1984-10-05.aud.grace.15528.sbeok .shnf
Bruce O'Neil (4/0) flac / 0 View 77703 aud
Notes: gd1984-10-05.beyer-m88.fob.77703.flac
Bruce O'Neil (4/0) flac / 0 View 83188 aud
Notes: gd84-10-05.fob.garage.83188.sbeok.flac16
Bruce O'Neil (4/0) flac / 0 View 87757 aud
Notes: gd84-10-05.GEMS.FOB.naks.Holtz.87757.flac16
Bruce O'Neil (4/0) flac / 0 View 83161 aud
Notes: gd1984-10-05.fob.garage.GEM.83161.sbeok.flac16
Bruce O'Neil (4/0) flac / 0 View 103309 aud
Notes: gd1984-10-05.ecm23f.cohen.103309.sbeok.flac16
Michael Hughey (4/0) shn / 2 View 15528
Michael Hughey (4/0) shn / 2 View 2591
Thom Mann (4/1) CDR / 3 View 77703