Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 11/02/85
Richmond Coliseum, Richmond, VA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Bertha->
Greatest Story Ever Told
Dupree's Diamond Blues
C.C. Rider->
Althea
My Brother Esau
Candyman
Let It Grow
Set II
Iko Iko
Estimated Prophet->
Uncle John's Band->
China Doll->
Drums->
Space->
Morning Dew->
Throwing Stones->
Turn On Your Love Light

Encore: It's All Over Now, Baby Blue
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(4772) View Source    View Archive
(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd
(14604) View Source    View Archive
SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
(20663) View Source    View Archive
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
(27582) View Source    View Archive
flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell
(32798) View Source    View Archive
Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charles Bandrofcheck
(77525) View Source    View Archive
flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
(77906) View Source    View Archive
flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
(91238) View Source    View Archive
flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue.
(121577) View Source    View Archive
flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(126333) View Source    View Archive
flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(137152) View Source    View Archive
flac16; (original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin
(137205) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin
(137206) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - dts mixing by Kevin Tobin
(137207) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - mixing by Kevin Tobin
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

<< Previous       1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 807    Next >>

User (active/rating) Media / # Show Sound Details DB Source User Source
Gavin (5/5) cdr / 3 View  
Aaron Starke (5/4) cdr / 3 A- View 4772 fob aud>beyer dynamic m88's>sony tcd5m
Aaron Starke (5/4) cdr / 2 A View   Sbd>pcm>dat>cdr>eac
Rudolf E. Zielinski (5/5) CDR / 3 A+ View   AUD
garret (5/0) Flac / 19 A+ A+ View 27582 Matrix
Notes: General Notes: Often overshadowed by the novelty of the night before, this was always a favorite show of those I attended because of the great performances by all band members. Highlights include a psychadelic ending on Iko (w/Phil on vocals too), a moving China Doll out of a very innovative modal jam post UJB, and a thunderous Dew out of Space. Given the multiple sources available on the Llama, I decided to put the effort into editing a matrix since I was never completely happy with the SBD. The result is a worthwile listen, especially given that none of the existing sources are complete. Music Notes: Everyone seemed to get a late start, thus the first few bars of Bertha are missing, the SBD being the only source for the first 4 seconds. Also, some of the tuning between Greatest Story and Dupree's is missing from all 3 sources, right before Bobby invokes the crowd's assisstance in getting people to stop lighting off fireworks. This timeline is most likely missing about 10 seconds of dead air and a few fireworks, due to everyone pausing their decks. The encore contains virtually no tuning, but other than that the whole show is intact. Tracking Notes: The entire show fits on 2 discs with Iko at the end of disc 1. The transition between the 2 discs can be put together seemlessly. Sector boundaries on the original matrixed wavs are all OK and confirmed by shntool without having to use the fix utility. (see shntool output of flac files below)
garret (5/0) Flac / 19 A++ A++ View 27582 Matrix (see tech notes)
Notes: General Notes: Often overshadowed by the novelty of the night before, this was always a favorite show of those I attended because of the great performances by all band members. Highlights include a psychadelic ending on Iko (w/Phil on vocals too), a moving China Doll out of a very innovative modal jam post UJB, and a thunderous Dew out of Space. Given the multiple sources available on the Llama, I decided to put the effort into editing a matrix since I was never completely happy with the SBD. The result is a worthwile listen, especially given that none of the existing sources are complete. Music Notes: Everyone seemed to get a late start, thus the first few bars of Bertha are missing, the SBD being the only source for the first 4 seconds. Also, some of the tuning between Greatest Story and Dupree's is missing from all 3 sources, right before Bobby invokes the crowd's assisstance in getting people to stop lighting off fireworks. This timeline is most likely missing about 10 seconds of dead air and a few fireworks, due to everyone pausing their decks. The encore contains virtually no tuning, but other than that the whole show is intact. Tracking Notes: The entire show fits on 2 discs with Iko at the end of disc 1. The transition between the 2 discs can be put together seemlessly. Sector boundaries on the original matrixed wavs are all OK and confirmed by shntool without having to use the fix utility. (see shntool output of flac files below) Editing Notes: - Pitch All 3 sources were pitched differently, the SBD being the sharpest, and the Oade AUD being the flatest. Since the FOB AUD was also the most intact, I used this as my master timeline and pitch reference to which the other two sources were synched. The SBD had to be pitched down on average about -.20 (20 cents) while the OADE AUD was pitched up on average about +.12 (12 cents) - 1.00 being 100 cents which is a semitone. Thus the SBD was about a fifth of a semitone sharp. It is possible that the Oade Brothers' source is closest in pitch to A=440, but since I used this source sporadically, it was easier to pitch everything to Charlie Connor's FOB AUD. My guess is that A=440 lies somewhere between the 2 AUD sources. Antares auto-tuner would reveal the truth, but I care not to know, whatever sounds good is best. - Speed Fluctuation Remember that all 3 field recording devices employed the reel (even the Sony BetaMax) which resulted in speed fluctuation and thus pitch variations. The most noticeable is the SBD source because the cassette deck used to record it is powered by the same juice as the whole Front Of House, and combined with ELF from Phil the volts going to the deck definately varied - not to mention pausing, which takes a while for the reels and the motor to settle on a constant speed. The SBD speed flux could also be attributed to multiple generations from late 80's tape decks. Since the AUDs were running off of battery power, much less speed fluctuation exists. - Synch Even after pitch correcting the other two sources to the FOB AUD, because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the FOB was my master pitch and time ref, the SBD was synched to the FOB (too many edits to list). - Sonic Quality/Matrix ratio The SBD suffers from many issues, the main one being that it is extremely compressed which not only kills the dynamic response, but introduces hiss and some serious peak-shaving. The FOB AUD is nice and balanced, while the Oade AUD has some low end added in post by Doug due to the bass roll-off used on the Schoep mics (see txt below). As a result, I employed no EQ nor Compression finding the blend between the SBD and the FOB AUD to be quite full. T
barry bryson (5/4.3) analog/180 / 2 View   aud/1
Ryan (5/5) shn/cdr / 3 View   Can't remember shotgun mics > Sony D6 > Maxel MX 90s
MattMan_audio (5/0) SHN / 2 View 14604 SBD
Andrew Murawa (5/5) cd / 1 View   SBD>?>D>CD>EAC>SHN
Notes: edited
Bouwser (5/5) CD-R / 2 A View   SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Cappy (5/0) DVD / 1 View  
Notes: Set 2 only
Steve's DVD's (5/0) DVD / 1 A- A View   handheld
Notes: SET 2 ONLY
Michael Polites (5/0) / 0 View   sick bits vine
Michael Polites (5/0) / 0 View   from bt.etree.org
Toto (5/5) DVD / 1 View   Video: Aud (Tripod) > Unknown Gen VHS / Audio: Beyer M88's
Notes: Set 2
Reverend Alex Lagusis (5/0) / 3 View 27582
Sean McIntyre (5/0) CDR / 2 View 27582 Matrix
Notes: SBD - > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) > SHN AUD - Connor (FOB) Mics: Beyer Dynamic M88's > Sony TCD5M(CM) AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42) > Sony PCM-F1 > Sony Portable BetaMax
E_Z_Wind (5/5) DVD / 1 View   Mattman single cam aud
Tim Durand (5/5) CD-R / 2 View 20663
Notes: Bertha
etreewv (5/5) SHN / 2 View  
Notes: unknown SHN
MeltN2aDream (5/5) cdr / 2 View 27582 matrix
Jeff Riney (5/5) cdr / 2 View 20663
Notes: Oade
EricS (5/0) CDR / 2 View   SBD
Pat (5/5) / 3 A A View   sbd
Joey Browning (5/4.9) cdr / 3 A View 4772
DaffiDuck (5/5) shn / 2 View   Schoeps (2 x CMC441, 1 x CMC42) Sony PCM-F1 (Oade Modified Sony Portable BetaMax
Notes: Taper: Oades Tracked: Conrad Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR
CTDEADHEAD (5/5) SHN / 2 View 14604
Notes: SBD
Lloyd H (5/5) CDR / 3 A A View  
Jill (5/3.6) CDR / 0 View  
Notes: on the way!!!