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Grateful Dead 11/02/85
Richmond Coliseum, Richmond, VA
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Set I
Bertha->
Greatest Story Ever Told
Dupree's Diamond Blues
C.C. Rider->
Althea
My Brother Esau
Candyman
Let It Grow
Set II
Iko Iko
Estimated Prophet->
Uncle John's Band->
China Doll->
Drums->
Space->
Morning Dew->
Throwing Stones->
Turn On Your Love Light

Encore: It's All Over Now, Baby Blue
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(4772) View Source    View Archive
(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd
(14604) View Source    View Archive
SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
(20663) View Source    View Archive
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
(27582) View Source    View Archive
flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell
(32798) View Source    View Archive
Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charles Bandrofcheck
(77525) View Source    View Archive
flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
(77906) View Source    View Archive
flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
(91238) View Source    View Archive
flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue.
(121577) View Source    View Archive
flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(126333) View Source    View Archive
flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(137152) View Source    View Archive
flac16; (original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin
(137205) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin
(137206) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - dts mixing by Kevin Tobin
(137207) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
CARL (3/3.7) / 0 View 27582
steve (3/5) CDR / 2 View 14604
Brad (3/5) shn / 2 View 4772
Up A Creek (3/0) CDR / 2 A View 14604 SBD> ?> DAT> CDR> EAC> WAV> CoolEdit> SHN> CDR
Notes: odd tracking; I was there.
Charlie Connor (3/0) Shn / 3 A View 4772 Cassette Master
Notes: beyerm88.connor.4772.shntool.ok
Charlie Connor (3/0) Shn / 2 View 20663
Notes: oade.remaster.20663.shntool.ok
Charlie Connor (3/0) Shn / 2 View 14604
Notes: sbd.jim.14604.shntool.ok
Tom Conklin (3/0) CDR / 2 A View   Matrix
Tom Conklin (3/0) DVD / 1 View  
Notes: 2nd set only
Scott (3/0) dvd / 1 A View  
Notes: set 2 only
Joey (3/5) .shn / 2 View   oade; see notes
Notes: Grateful Dead Richmond Coliseum Richmond, VA 11-02-1985 Source: Audience (Tapers’ Section) – Digital Master Mics: Schoeps (2 x CMC441, 1 x CMC42) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad Field: Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR *DSP Notes: Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16bit conversions of DAW files. Doug's DSP comments: “The DSP I did was to accomplish three goals, one is to reduce the dynamic range, without making it sound compressed (very low ratio of 1.25 to 1), the second, to apply EQ in order to partially compensate for the LF rolloff of the mics used and finally, I used the C4 processor to reduce PA or source hiss from space that was brought up in level by the use of RCL.” Disc 1 1:13:37 (Omit track 08a. Audience) Alternate - 1:14:23 (Include track 08a. Audience) Set 1: 01. 0:00:41 //Bertha (*1) > 02. 0:05:28 Greatest Story Ever Told 03. 0:08:07 Dupree's Diamond Blues 04. 0:07:31 C.C. Rider > 05. 0:09:26 Althea 06. 0:05:38 My Brother Esau 07. 0:06:41 Candyman (*2) 08. 0:11:11 Let It Grow Set 2: 08a. 0:00:45 Audience 09. 0:07:38 Iko Iko 10. 0:11:13 Estimated Prophet > Disc 2 1:07:06 Set 2 (continued): 01. 0:11:20 Uncle John's Band > 02. 0:06:53 China Doll > 03. 0:16:45 Drums (*3 – 02:58) > 04. 0:11:19 Morning Dew > 05. 0:08:12 Throwin' Stones > 06. 0:04:54 Turn On Your Love Light Encore: 07. 0:07:42 //Baby Blue (*4) Notes: (With Doug Oade's comments marked as D.O.) *1. The majority of the Bertha opener is missing (due to a late arrival/setup - which was unusual for the Oades). D.O.: "...we setup late and did not get the first set startup..." *2. There is a minor pop near the start of Candyman. D.O.: "The Candyman pop is a source pop. I remember it being a problem we had with one mic that was repaired prior to the NYE run in 85." *3. There is a ~3 second dropout in Drums/Space starting near 02:58. D.O.: "...it is a hard drop due to a bad spot on the master tape. My DAT has the same drop on it..." *4. Part of the intro into the "Baby Blue" encore is missing. D.O.: "...Baby Blue ... it was a late start, possible battery death after the second set and Jim did not notice it right away, seems like a rough night for the Oade Taping Team!" Tracked: CD-R > HD > verified mkw signature file - converted mkw to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 > compressed with mkwACT0.97b (SHN trackable - sector boundaries verified with shntool v1.02) > CD-R Comments: Discs were laid out to try to accommodate 74 minute CDs. If track 08a (45 seconds of audience before start of 2nd set) is omitted, timing for Disc 1 will be less than 74 minutes. If you want to include d1t08a, total time for Disc 1 will be 74 minutes and 23 seconds (i.e. consider using 80 minute CD). The decision was made to start Disc 2 with Uncle John’s Band even though Estimated Prophet segues into Uncle John’s. It’s a minor transition from Estimated to Uncle John’s. Estimated ends cleanly on Disc 1 and Uncle John’s starts cleanly on Disc 2. Once you've listened to this recording I think you'll agree that the technical issues (noted above) fade in the light of the magic that was captured in the moment. I trust you'll appreciate the quality and energy of these shows that the Oades documented so faithfully. Thank you Doug, Jim and Carlos, for making this material available - for your tireless efforts and selfless dedication to preserving and sharing the music. ~~Conrad First hosted November 22, 2003 via Bit Torrent by macdaddy.
Derek (3/5) CDR / 3 A A- View   AUD
Jason Smoliak (3/5) Shn / 2 View 14604 SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Barry Smith (3/5) CDR / 2 View  
E Moss (3/5) Flac / 2 View 27582
Rolfe (3/5) CD / 2 View  
jim newcomb (3/5) / 0 View 27582
jim newcomb (3/5) shn / 1 View 14604
Rich Willis (3/0) CDR / 2 View 14604
Notes: SBD
Sin City Hillbilly (3/0) / 0 View  
AlanZ (3/0) DAT / 1 View   SBD>MC>D
Dionysos (3/0) SHN / 2 View 14604 SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Skylab (3/5) / 2 View 14604
Jeff Laqua (3/0) CDR / 3 View 4772
Nick's Cool List (3/5) / 0 View 27582
mcjeff (3/5) shn / 2 View 14604 SBD
Notes: SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
mcjeff (3/5) flac / 2 View 27582 Matrix
Notes: Sick Bits Vol.1
mcjeff (3/5) shn / 2 View 20663 audience
Matty (3/4.9) SHN / 2 View 20663
rickc (3/0) / 0 View 27582
Notes: 12