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Grateful Dead 07/15/88
Greek Theatre, U. Of California, Berkeley, CA
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Set I
Shakedown Street
Walkin' Blues
Friend Of The Devil
Queen Jane Approximately
Dire Wolf
Never Trust A Woman
Cassidy >
Bertha
Set II
Scarlet Begonias >
Fire On The Mountain
Man Smart (Woman Smarter)
Ship Of Fools
Estimated Prophet >
Drums >
Space >
I Need A Miracle >
The Wheel >
Gimme Some Lovin' >
Morning Dew

Encore:
Turn On Your Lovelight
Set III

Comment
Rex Benefit
FM Broadcast KPFA

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(9244) View Source    View Archive
2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
(10079) View Source    View Archive
Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
(10343) View Source    View Archive
Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor
(34751) View Source    View Archive
flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(137888) View Source    View Archive
flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH
(138063) View Source    View Archive
flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz
(138064) View Source    View Archive
flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes
(140749) View Source    View Archive
flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(141922) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141959) View Source    View Archive
flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin
(141960) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin
(141961) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin
(141962) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin; Fixed version in circulation
(141964) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(142014) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin
(143091) View Source    View Archive
flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
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User (active/rating) Media / # Show Sound Details DB Source User Source
RamblinBear (5/0) DVD / 1 View 9244 2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply...
Notes: .9244.
RamblinBear (5/0) DVD / 1 View 34751 flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC
Notes: .34751.
Jim Bennett (5/5) SHN / 2 View 10343
Aaron Starke (5/4) cdr / 3 A View 10079 ultramatrix(sbd/aud)>dat>?>cd
Rudolf E. Zielinski (5/5) CDR / 3 A+ View   Ultramix
KYHub (5/5) SHN / 2 A A View   2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply...
Jay (5/5) CD / 3 all A View   SBD
Mark Page (5/4.7) CDR / 3 A View   2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split -->
Notes: Philzone: Warmup Vine #1 - GD - 7/15/88 Greek Theatre #2
garret (5/0) SHN / 24 A A++ View 9244 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony...
Notes: Comment: Rex Benefit, FM Broadcast KPFA Berkeley. Quick level change at beginning of Shakedown. Notes: This was a great show for me opening with a scorching Shakedown Street. From the first few minutes of the show I knew it was going to be a good Phil show, as the Greeks usually were. The Morning Dew has a dangerous Phil note. Please use with care! I remember having a tough time getting set up the first night as I did not have the real estate I wanted. After some bartering, nudgeing and kanoodling, I was able to set one mic stand on the isle (which runs exactly through the middle of the Greek) and clamped onto a friends stand about 13' to 14' down the row. Believe it or not (oh that was the third day...) I would use a white piece of rope (capsule to capsule) to try and judge if the mics were "close" to being on-axis to the speaker arrays. The mics were essentially directly behind Dan Healy's mixing console. From past experience I knew Dan would ride his right main fader to compensate for being on the left hand side of the isle. Standing behind him was clearly the center. I also intentionally chose the second row behind the soundboard due to the bands' guests who often were chatty at the most inapropriate times! There was nothing like a Greek Show. For anyone who saw the Dead at the Greek and for anyone who wishes they had, this ones for you. Turn back the clock to a simpler time by dropping disc one into your player and hearing a very good representation of what it sounded like at the Greek this particular Friday night. - SWS sounded like at the Greek this particular Friday night. - SWS S another one of those supreme audience recordings :)
garret (5/0) SHN / 20 A+ A View 10343 Ultramatrix (SBD/AUD mix)
john (5/5) / 2 View 10343 Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean...
Notes: DVD 40
barry bryson (5/4.3) analog/180 / 2 View   aud
joe gaglione (5/3) TDK / 3 A A View  
Tico Van Zant (5/4) shn / 2 View 10079
Notes: 3 audio disks
Andrew Murawa (5/5) cd / 3 A View   Ultramatrix (SBD/AUD mix)> DAT> ?> CD
Matt Bertollo (5/5) CDR / 3 S/A View 10079 Ultramatrix (SBD/AUD mix) ->DAT> ?> CD> SHN
Notes: 3 Audio or 2 SHN
RamblinRose (5/5) CD-R / 3 View   Ultramatrix (SBD/AUD mix)> DAT> ?> CDR
David D (5/0) SHN / 2 View 9244 Schoeps CMC42S (Spaced Omni 14' Split -->
jamestowne (5/0) CD / 3 View  
etreewv (5/5) SHN / 2 View 9244 Schoeps CMC42S>Oade PS>Sony PCM-F1 w/ Apogee modified A/D filters
Jeff Riney (5/5) cdr / 2 View 10079
Notes: Ultramatrix
Jeff Riney (5/5) cdr / 2 View 10079
Notes: Ultramatrix
EricS (5/0) CDR / 3 View   AUD
Pat (5/5) / 3 a View   sbd
Joey Browning (5/4.9) fm / 0 A View  
Notes: 1,2
spencer jones (5/0) cd / 2 a a View   sbd
CTDEADHEAD (5/5) SHN / 2 View 10079
Notes: Ultramatrix SBD/AUD
Doug Rozsa (5/4.5) CDR / 3 A View   DFM
Notes: Some static during Bertha and Scarlet FIRe..but you can barely tell..Great Recording..
AoXoMoXoA (5/5) SHN / 2 View 10079
Notes: Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.)
Hank Schandel (5/5) SHN / 2 View 9244 Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee...