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Set I
Let The Good Times Roll
Feel Like A Stranger
Sugaree
Victim Or The Crime
Mississippi Half Step Uptown Toodleloo
When I Paint My Masterpiece
Bird Song
Feel Like A Stranger
Sugaree
Victim Or The Crime
Mississippi Half Step Uptown Toodleloo
When I Paint My Masterpiece
Bird Song
Set II
Mardi Gras Parade > *
Iko Iko > *
Man Smart (Woman Smarter) > *
Standing On The Moon
Truckin' >
Spoonful >
Drums >
Space >
The Other One >
Morning Dew >
Throwing Stones >
Not Fade Away
Encore:
We Bid You Good Night
Iko Iko > *
Man Smart (Woman Smarter) > *
Standing On The Moon
Truckin' >
Spoonful >
Drums >
Space >
The Other One >
Morning Dew >
Throwing Stones >
Not Fade Away
Encore:
We Bid You Good Night
Set III
Comment
BeauSoleil opened
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Michael Doucet - Fiddle *
Al Tharp - Banjo *
Tommy Alesi - Percussion *
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Michael Doucet - Fiddle *
Al Tharp - Banjo *
Tommy Alesi - Percussion *
Last Changed By
J
Sources
(8569) View Source
View Archive
SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo
(93955) View Source
View Archive
flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
(125838) View Source
View Archive
flac24; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125839) View Source
View Archive
flac16; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(131005) View Source
View Archive
flac16; FOB Digital Audience Recording by Ted Mattes & Rick Katzeff using Schoeps CMC 44's> ? (presumed Oade p/s)> ? (presumed SV-250/255)> L. Deal clone; Transfer: Fosex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
(141692) View Source
View Archive
flac16/48kHz; Recording Info: Ultra Matrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
(141872) View Source
View Archive
flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
(8569) View Source
View Archive SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo
(93955) View Source
View Archive flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
(125838) View Source
View Archive flac24; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125839) View Source
View Archive flac16; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(131005) View Source
View Archive flac16; FOB Digital Audience Recording by Ted Mattes & Rick Katzeff using Schoeps CMC 44's> ? (presumed Oade p/s)> ? (presumed SV-250/255)> L. Deal clone; Transfer: Fosex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
(141692) View Source
View Archive flac16/48kHz; Recording Info: Ultra Matrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
(141872) View Source
View Archive flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| raincooker (1/0) | / 3 | A+ | View | SOUNDBOARD | ||
| Notes: | Pops between tracks. | |||||
| Dario Birindelli (1/3) | CDR / 3 | A | View | SBD | ||
| Mark Gay (1/0) | / 0 | View | 8569 | |||
| Notes: | 8569 | |||||
| Mark Gay (1/0) | / 0 | View | 93955 | |||
| Notes: | 93955 | |||||
| taperBWeed (1/5) | / 3 | View | 8569 | SBD > MC > DAT > CDR > WAV > SHNv3 | ||
| Sandy Cook (1/5) | SHN / 2 | View | 8569 | |||
| Notes: | SBD>DAT>CDr>WAV>SHN w/Michael Doucet & Beausoleil | |||||
| Sigmund BoPs (1/5) | CD-R / 3 | View | 8569 | |||
| Tim Burke (1/5) | shn / 2 | View | 8569 | |||
| Hans Voight (1/5) | SHN / 2 | A | View | 8569 | SBD>DAT>CDR>WAV>SHN | |
| Terence Keating (1/5) | / 0 | View | 8569 | |||
| Mike McD (1/4.9) | cd / 3 | A+ | A+ | View | 16-track SBD>DAT>CDR | |
| Terry Rogers (1/5) | CDR / 3 | View | ||||
| Notes: | Some skips on "LTGTR". | |||||
| Tom Bashara/Eric Linstrom (1/5) | SHN, Audio / 2 | View | 8569 | SBD > DAT > CDR > WAV > SHNv3 | ||
| Notes: | SBD > DAT > CDR > WAV > SHNv3 | |||||
| Kima (1/0) | shn / 0 | View | 8569 | |||
| Django (1/5) | SHN / 2 | View | 8569 | Source: SBD > MC > DAT > CDR > WAV > SHNv3 | ||
| Doug Moog (1/4.3) | shn / 3 | View | 8569 | SDC | ||
| *.* (1/3) | SHN / 2 | View | 8569 | |||
| Ruby Tuesday (1/5) | DVD / 3 | View | ||||
| RC (1/0) | / 0 | View | ||||
| wally-brewing (1/0) | dvd / 3 | View | 8569 | |||
| Notes: | d3 | |||||
| wally-brewing (1/0) | dvd / 3 | View | 93955 | |||
| Notes: | d3 | |||||
| Chip Stokes (1/4.8) | CD-R / 3 | A+ | View | |||
| Lynn S (1/0) | CDR / 3 | A | View | 8569 | ||
| Josh Colky (1/0) | / 0 | View | 8569 | |||
| NAC (1/5) | CDR / 3 | SBD | View | |||
| zerbini mike (1/0) | cd-r / 3 | View | ||||
| MGA (1/5) | CDR / 3 | View | 8569 | |||
| Cranky1 (1/5) | / 0 | View | ||||
| S.D.K. (1/5) | / 3 | View | 8569 | SHN | ||
| motsies (1/0) | CD-R / 3 | View | SBD>MC>DAT>CDR>WAV>SHNv3 | |||