(3577) View Source    View Archive
Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner

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(3732) View Source    View Archive
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned by Estim8ted

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(17811) View Source    View Archive
Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source

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(97566) View Source    View Archive
flac16; matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools

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(106904) View Source    View Archive
flac16; Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.

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(131206) View Source    View Archive
flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty

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(133277) View Source    View Archive
flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed

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(135201) View Source    View Archive
flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24

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(142003) View Source    View Archive
flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

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(142216) View Source    View Archive
flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land