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Grateful Dead 04/03/90
The Omni, Atlanta, GA
Set I
Shakedown Street
Hell In A Bucket >
Sugaree
We Can Run
When I Paint My Masterpiece
Row Jimmy
Picasso Moon >
Tennessee Jed >
Promised Land
Set II
Estimated Prophet >
Scarlet Begonias >
Crazy Fingers >
Playing In The Band >
Drums >
Space >
I Will Take You Home >
Goin' Down The Road Feeling Bad >
Throwing Stones >
Not Fade Away

Encore:
We Bid You Good Night
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(3577) View Source    View Archive
Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner
(3732) View Source    View Archive
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned by Estim8ted
(17811) View Source    View Archive
Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source
(97566) View Source    View Archive
flac16; matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools
(106904) View Source    View Archive
flac16; Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(131206) View Source    View Archive
flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
(133277) View Source    View Archive
flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
(135201) View Source    View Archive
flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
(142003) View Source    View Archive
flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
(142216) View Source    View Archive
flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Teladog (2/4.9) CDR / 3 View  
Eric Kravitz (2/0) CDR / 3 A A View   AUD
Notes: AUD
Jam (2/0) CD-R / 3 A View   AUD > CD-R
Gary Forrester (2/5) shn / 2 View 17811
Comanche (2/0) audio / 2 View 17811 master cassette> TC 2000@ 24 bits> Sonic Solutions> SBM2 CD
Paul Moreno (2/5) SHN / 2 View  
Jay von Lehe_SHN (2/5) SHN / 2 View 17811 SBD
Jay von Lehe_SHN (2/5) SHN / 2 View 3577 AUD
Jay von Lehe_SHN (2/5) SHN / 2 View 17811 SBD/aud splices
Notes: Audience spliced in between: Sugaree and We Can Run We Can Run and Masterpiece Masterpiece and Row Jimmy Row Jimmy and Picasso Moon Not Fade Away and We Bid You Goodnight Patch in Drums from 3:39 - 4:08
Sara Bean (2/0) / 3 View  
Marc Pujol (2/5) SHN / 2 View 3577 Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of...
Scott Garrison (2/5) cdr / 3 View   sbd>shn
Michael Goff (2/5) cd / 3 View 17811
Notes: 90 dvd #5
steve butler (2/5) CDR / 3 A+ A- View   Aud>DAT>CDR
Notes: Shakedown>Bucket to start with a NFA>Bid You Goodnight to close. This is the best audience recording that I've heard and I was there!
steve butler (2/5) Fuji / 3 A+ A+ View   SBD>DAT>?
Notes: Get the audience if you were there. The sbd is truly amazing but the audience was into this, the final show of the '90 spring tour.
jim mcguire (2/5) shn/cdr / 2 B- View 3732
Charles Camacho (2/0) SHN / 2 View 3577
Notes: AUD
al zeffer (2/0) CDR / 3 View 3732 DAUD FOB > dat > cdr
Barrett (2/0) CDR / 3 A View   Master Cassette -> Sonic Solutions @ 24 bits -> CD
Don Corleone (2/0) SHN / 2 View 3577
Gary Field (1/5) SHN / 2 View 17811 SBD
Notes: Source - Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable)
Gary Field (1/5) SHN / 2 View 3577 AUD
Notes: Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R [060525.5]
Gary Field (1/5) SHN / 2 View 3732 AUD
Notes: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro [060613.3]
Gary Field (1/5) 97566 / 2 View 97566 MTX
Notes: matrix of SBD: shnid=17811 and AUD: shnid=3732 using ProTools [090415.1]
Gary Field (1/5) 106904 / 2 View 106904 AUD
Notes: Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions) [100525.3]
Gary Field (1/5) 142216 / 0 View 142216
Gary Field (1/5) FLAC / 2 View   SBD
Notes: SBD; Official Release; Not For Trade [140926.wd002]
Gary Field (1/5) 131206 / 2 View 131206 AUD
Notes: Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5) [150412.wd002]
Gary Field (1/5) 142003 / 0 View 142003
Marc Deardorff (1/5) shn / 2 View 3577
Notes: Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing