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Set I
Let The Good Times Roll
Feel Like A Stranger
Finiculi Finicula
Bertha
Just A Little Light
Queen Jane Approximately
Stagger Lee
Cassidy
Tennessee Jed >
The Music Never Stopped
Feel Like A Stranger
Finiculi Finicula
Bertha
Just A Little Light
Queen Jane Approximately
Stagger Lee
Cassidy
Tennessee Jed >
The Music Never Stopped
Set II
Box Of Rain >
Victim Or The Crime >
Foolish Heart >
Dark Star >
Drums >
Space >
All Along The Watchtower >
Dear Mr. Fantasy >
Hey Jude >
Touch Of Grey
Encore:
The Weight
Victim Or The Crime >
Foolish Heart >
Dark Star >
Drums >
Space >
All Along The Watchtower >
Dear Mr. Fantasy >
Hey Jude >
Touch Of Grey
Encore:
The Weight
Set III
Comment
Edie Brickell & New Bohemians Opened
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(2582) View Source
View Archive
SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment
(17688) View Source
View Archive
source, lineage unspecified; Posted to a.b.gd.hs
(21980) View Source
View Archive
Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller [email protected] 1/27/04
(97709) View Source
View Archive
flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009
(121536) View Source
View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(121537) View Source
View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128388) View Source
View Archive
flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump
(130618) View Source
View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130619) View Source
View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133957) View Source
View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(141394) View Source
View Archive
flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
(2582) View Source
View Archive SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment
(17688) View Source
View Archive source, lineage unspecified; Posted to a.b.gd.hs
(21980) View Source
View Archive Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller [email protected] 1/27/04
(97709) View Source
View Archive flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009
(121536) View Source
View Archive flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(121537) View Source
View Archive flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128388) View Source
View Archive flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump
(130618) View Source
View Archive flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(130619) View Source
View Archive flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133957) View Source
View Archive flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(141394) View Source
View Archive flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| chrislaughlin (2/5) | / 3 | View | 2582 | SBD | ||
| charles (2/0) | cdr/data / 3 | View | ||||
| Emily (2/4.8) | cdr / 3 | A | View | DSBD>CDR | ||
| Bill Burton (2/5) | Audio CDR / 3 | A | A | View | SBD>???>CDR | |
| Notes: | final "Hey Jude" finale. very nice "Dark Star". | |||||
| Itsonlyfractured (2/5) | SHN / 2 | View | 2582 | |||
| Chris (2/2.5) | shn / 2 | View | 2582 | |||
| Frank Horowitz (2/0) | CDR / 3 | A | View | SBD | ||
| Arthur Harwood (2/0) | / 0 | View | ||||
| Scott Mauvais (2/0) | DAT / 0 | UNK | View | Unknown | ||
| Notes: | Edie Brickell & New Bohemians Opened | |||||
| Keith Barnett (2/5) | shn / 2 | View | SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master | |||
| Notes: | The "noise" that appears at times is NOT noise, but the heaviest bursts of rain I've ever seen at a show. The source listed to the left is actually a Healy mixed FOB. I do however also have the actual DSBD>DAT recording of the first set and the SBD>Cassette of the second set as well. | |||||
| New Jersey Funk (2/5) | CDR / 3 | A | A | View | DSBD | |
| Notes: | Sounds great, but has a big cut in Touch of Grey. | |||||
| Chris Branas (2/0) | SHN / 3 | View | 21980 | |||
| John Fitzgerald (2/0) | / 3 | View | ||||
| Justin (2/5) | CDR / 3 | View | ||||
| Matt Benway (2/0) | / 3 | View | ||||
| Eric Laskey (2/0) | Mitsui / 3 | A++ | View | SBD>MC>DAT>CDR | ||
| Notes: | SBD>MC>DAT>CDR | |||||
| Joe and Laura (2/5) | cdr / 3 | a | b+ | View | sbd>dat>dat clones>my dat>za-2>wave>cdr | |
| Eric Kravitz (2/0) | / 2 | A | A | View | SBD | |
| Jam (2/0) | CD-R / 3 | A | View | SBD > CD-R | ||
| Rolston (2/0) | / 0 | View | ||||
| David (2/0) | SHN / 2 | View | SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master | |||
| Notes: | Tracking was done the way it was at the request of a dear friend, so don't flame me about the tuning tracks 'cause I don't usually do it that way! Another version of these shortens circulate with an INCORRECT lineage that does not list the EAC stage. It has different track names, but the checksums are the same. The "noise" that appears at times is NOT noise, but the heaviest bursts of rain I've ever seen at a show. | |||||
| Chase Runyon (2/5) | Cdr / 3 | A+ | View | |||
| Notes: | SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master | |||||
| Brent Fraim (2/0) | audio/SHN / 3 | View | 2582 | SBD | ||
| Notes: | Splice in "Touch of Grey"; last few seconds of "The Weight" are cut. | |||||
| Ray Hansen (2/0) | cdr / 3 | A | View | sbd>dat>cdr | ||
| Gary Forrester (2/5) | shn / 2 | A | View | |||
| Tim (2/0) | / 0 | View | ||||
| jason (2/0) | cd / 3 | tbd | tbd | View | sbd | |
| Scott Byhoffer (2/0) | CDR / 3 | A | A | View | ||
| Lee Ascher (2/5) | SHN / 2 | View | 2582 | SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master | ||
| JOE_C (2/5) | AUDIO / 3 | View | SBD:Mcass>dat>cdr | |||