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Set I
Bertha
New Minglewood Blues
Row Jimmy
Queen Jane Approximately
Dire Wolf
Beat It On Down The Line
Loose Lucy
The Music Never Stopped
New Minglewood Blues
Row Jimmy
Queen Jane Approximately
Dire Wolf
Beat It On Down The Line
Loose Lucy
The Music Never Stopped
Set II
Foolish Heart >
Playing In The Band >
Uncle John's Band >
Drums >
Space >
I Need A Miracle >
Wharf Rat >
Around & Around
Encore:
The Mighty Quinn (Quinn The Eskimo)
Playing In The Band >
Uncle John's Band >
Drums >
Space >
I Need A Miracle >
Wharf Rat >
Around & Around
Encore:
The Mighty Quinn (Quinn The Eskimo)
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(8069) View Source
View Archive
sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation
(18581) View Source
View Archive
AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon
(86034) View Source
View Archive
flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(86035) View Source
View Archive
flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(90105) View Source
View Archive
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(110978) View Source
View Archive
flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
(110979) View Source
View Archive
flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
(116122) View Source
View Archive
flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
(134956) View Source
View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(134957) View Source
View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
(137459) View Source
View Archive
flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
(137754) View Source
View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(137755) View Source
View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(139452) View Source
View Archive
flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
(8069) View Source
View Archive sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation
(18581) View Source
View Archive AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon
(86034) View Source
View Archive flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(86035) View Source
View Archive flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(90105) View Source
View Archive flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(110978) View Source
View Archive flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
(110979) View Source
View Archive flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
(116122) View Source
View Archive flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
(134956) View Source
View Archive flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(134957) View Source
View Archive flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
(137459) View Source
View Archive flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
(137754) View Source
View Archive flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(137755) View Source
View Archive flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(139452) View Source
View Archive flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
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Collectors With This Show
1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 311 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Everett (5/4) | cd / 3 | View | sbd | |||
| Everett (5/4) | vcd / 1 | View | vcd | |||
| Notes: | set 1 | |||||
| BudChief (5/5) | cdr / 3 | View | 8069 | |||
| buc2220 (5/5) | CDR / 3 | A | View | SBD | ||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 86035 | 48kHz file-set - Nakamichi CM-300's with CP-4 shotgun capsules > | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 86034 | Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 110978 | Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 110979 | Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 90105 | SBD -> Dat -> Cassette Master (TDK SA-X100) | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | 116122 | Dave Boedicker's source (MM241) | ||
| Notes: | Source: Sony D6 Cassette Master (Dolby B On) > Nakamichi 300 MIcs W/CP4 Shotguns > Sony TC-D5M Cassette Deck (Playback,Dolby Off) > Cd Wav Editor > Traders Little Helper > Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. | |||||
| sean hite (5/0) | FLAC / 0 | View | 90105 | |||
| Notes: | 90105 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| Rick Martin (5/5) | Flac / 3 | A | View | 90105 | Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master... | |
| Notes: | Complete SBD(New SBD source 2-21-08) | |||||
| SpacedDeadhead (5/4.8) | CDR / 3 | View | SBD | |||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 90105 | |||
| Notes: | SBD - Miller | |||||
| Marc Dreilinger (5/2.3) | SHN / 2 | View | 18581 | AUD(unknown mics)> DAT > CDR | ||
| Notes: | Archived Box 1 Disc 388 | |||||
| Marc Dreilinger (5/2.3) | SHN / 2 | View | 8069 | sbd>dat>cass>dat>cdr>wav>shnv3 | ||
| Notes: | Archived Box 1 Disc 388 | |||||
| Steve Sawyer (5/4.6) | SHN / 3 | View | 8069 | SBD | ||
| Blair Waldron (5/0) | / 0 | View | 90105 | |||
| Darryl Hinko (5/5) | FLAC / 2 | View | 90105 | |||
| Notes: | SBD -> Dat -> Cassette Master (TDK SA-X100)
I also have: SHNid=8069 LC016 |
|||||
| Darryl Hinko (5/5) | DVD 9 / 2 | View | ||||
| Notes: | Video: AUD (Tripod) > Master
Audio: SBD I also have the release with the original audio |
|||||
| Michael Mersand (5/0) | / 0 | View | 90105 | |||
| Jeff Mitchell (5/0) | / 0 | View | 86034 | |||
| Jeff Mitchell (5/0) | / 0 | View | 18581 | |||
| Jeff Mitchell (5/0) | / 0 | View | 8069 | |||
| Jeff Mitchell (5/0) | / 0 | View | 90105 | |||
| Jeff Mitchell (5/0) | / 0 | View | 110978 | |||
| Jeff Mitchell (5/0) | / 0 | View | 110979 | |||
| Jon Pavuk (5/4.3) | FLAC / 2 | A | A+ | View | 90105 | SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1)... |
| Jon Pavuk (5/4.3) | FLAC / 2 | A | A | View | 86035 | Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot... |
| Notes: | 48k | |||||
| BEASTAFA (5/4.8) | DVD+R / 1 | A | View | DVD+R | ||
| Notes: | Amateur. Set 1 only. | |||||