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Set I
Bertha
New Minglewood Blues
Row Jimmy
Queen Jane Approximately
Dire Wolf
Beat It On Down The Line
Loose Lucy
The Music Never Stopped
New Minglewood Blues
Row Jimmy
Queen Jane Approximately
Dire Wolf
Beat It On Down The Line
Loose Lucy
The Music Never Stopped
Set II
Foolish Heart >
Playing In The Band >
Uncle John's Band >
Drums >
Space >
I Need A Miracle >
Wharf Rat >
Around & Around
Encore:
The Mighty Quinn (Quinn The Eskimo)
Playing In The Band >
Uncle John's Band >
Drums >
Space >
I Need A Miracle >
Wharf Rat >
Around & Around
Encore:
The Mighty Quinn (Quinn The Eskimo)
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(8069) View Source
View Archive
sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation
(18581) View Source
View Archive
AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon
(86034) View Source
View Archive
flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(86035) View Source
View Archive
flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(90105) View Source
View Archive
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(110978) View Source
View Archive
flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
(110979) View Source
View Archive
flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
(116122) View Source
View Archive
flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
(134956) View Source
View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(134957) View Source
View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
(137459) View Source
View Archive
flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
(137754) View Source
View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(137755) View Source
View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(139452) View Source
View Archive
flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
(8069) View Source
View Archive sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation
(18581) View Source
View Archive AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon
(86034) View Source
View Archive flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(86035) View Source
View Archive flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
(90105) View Source
View Archive flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(110978) View Source
View Archive flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
(110979) View Source
View Archive flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
(116122) View Source
View Archive flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
(134956) View Source
View Archive flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(134957) View Source
View Archive flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
(137459) View Source
View Archive flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
(137754) View Source
View Archive flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(137755) View Source
View Archive flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
(139452) View Source
View Archive flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Lost Sailor (2/0) | Flac 16 / 0 | View | 116122 | flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony... | ||
| Bill Tetzeli (2/5) | FLAC / 3 | View | 90105 | Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master... | ||
| Brian DeLong (2/5) | FLAC / 2 | View | 90105 | SBD | ||
| Uncle J (2/5) | shn / 2 | View | 8069 | |||
| Michael McMullan (2/5) | CDR/FLAC / 3 | A- | View | 86034 | Aud | |
| Michael McMullan (2/5) | CDR/FLAC / 3 | A | View | 90105 | SBD | |
| dogsinapile (2/0) | CDR / 3 | View | 90105 | 90105 | ||
| Uncle Duke (2/0) | CD / flac / 3 | View | 90105 | SBD | ||
| Lew (2/5) | cdr / 3 | A | A | View | 18581 | |
| Amy Booth & Jim Himmelein (2/3) | / 0 | View | ||||
| Notes: | FOB unknown source, but likely B&K 4011>DAT CD's provided from Charlie Miller. EAC>SHN w/MKW (seekable) by [email protected] | |||||
| Scott (2/0) | CDR(DAO) / 0 | View | ||||
| Richard D. Jordan (2/5) | flac / 2 | View | 90105 | (90105) SBD -> Dat -> Cassette Master (TDK SA-X100) | ||
| Dean Thole (2/0) | SHN / 2 | View | 8069 | |||
| William Ferdinandsen (2/5) | CDR / 3 | View | ||||
| Vic Ames (2/0) | / 0 | View | 8069 | |||
| JeffD. (2/0) | FLAC / 0 | View | ||||
| chrislaughlin (2/5) | / 3 | View | 8069 | SBD | ||
| Kenyon Hall (2/0) | / 0 | View | 86034 | |||
| Eric Kravitz (2/0) | CDR / 3 | A | A | View | AUD | |
| Notes: | Band Grateful Dead Venue Knickerbocker Arena Location Albany, NY Date 6/11/92 - Thursday Source: AUD(unknown mics)> DAT > CDR Conversion: EAC(secure) > Cool Edit Pro > CDWAV > mkwact(secure) > SHN by Matt Vernon | |||||
| Brian (2/5) | SHN/CDR / 3 | View | SBD | |||
| Michael Goff (2/5) | cd / 3 | View | 8069 | |||
| Notes: | 92 dvd #8 | |||||
| Michael Goff (2/5) | cd / 3 | View | 18581 | |||
| Notes: | 92 dvd #8 | |||||
| Adam Cron (2/5) | SHN / 2 | View | ||||
| TJay (2/5) | cdr / 3 | A+ | View | sdb>dat>cass>dat>cdr>shnv>cdr | ||
| Notes: | missing drums | |||||
| RJ (2/5) | CDR / 3 | A | View | DSBD | ||
| Notes: | Grateful Dead 06/11/92 Knickerbocker Arena Albany, NY Source: sbd>dat>cass>dat>cdr>wav>shnv3 Disc 1 - Set 1 01 Bertha 02 New Minglewood Blues 03 Row Jimmy 04 Queen Jane Approximately 05 Dire Wolf 06 Beat it on Down the Line 07 Loose Lucy 08 The Music Never Stopped Disc 2 - Set 2 01 Foolish Heart > 02 Playin' in the Band > 03 Uncle John's Band > 04 Drums > 05 Space > Disc 3 - Set 2 (cont'd) 01 Space > 02 I Need a Miracle > 03 Wharf Rat > 04 Around and Around encore 05 The Mighty Quinn (Quinn the Eskimo) comments: i'm hard pressed to hear the analog gen. thanks to cozmic chuck for the seeds. DAE>shntool>mkwact via neo_levo. . DAE>shntool>mkwact via neo_levo. | |||||
| KerouacAW (1/0) | FLAC / 0 | View | ||||
| Gary Field (1/5) | SHN / 2 | View | 18581 | AUD | ||
| Notes: | Source: AUD(unknown mics)> DAT > CDR Conversion: EAC(secure) > Cool Edit Pro > CDWAV > mkwact(secure) > SHN [060314.1] | |||||
| Gary Field (1/5) | SHN / 2 | View | 8069 | SBD | ||
| Notes: | sbd> dat> cass> dat> cdr> wav> shnv3 [060504.3] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 86034 | AUD | ||
| Notes: | AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. [070703.2] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 86035 | AUD | ||
| Notes: | AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. (48kHz files) [070703.2] | |||||