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Grateful Dead 02/26/90
Oakland-Alameda County Coliseum, Oakland, CA
Set I
Hell In A Bucket
Peggy-O
Walkin' Blues
Ramble On Rose
Just Like Tom Thumb's Blues
The Music Never Stopped >
Don't Ease Me In
Set II
Scarlet Begonias >
Fire On The Mountain
Playing In The Band >
Terrapin Station >
Drums >
Space >
I Need A Miracle >
Stella Blue >
Turn On Your Lovelight

Encore:
It's All Over Now Baby Blue
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(451) View Source    View Archive
SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected]; note revision in txt file for d1t8
(16946) View Source    View Archive
Snbd > Dat> cdr >Dat > sblive > cd wave > mkw Audio tools > Shn; Unknown seeder
(93841) View Source    View Archive
flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
(131004) View Source    View Archive
flac16; Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
(137905) View Source    View Archive
flac16/48kHz; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT
(137963) View Source    View Archive
flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)
(141871) View Source    View Archive
flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Ray Hansen (2/0) CDr / 3 View   SBD>DAT>Montego II>cdr>eac>shn>cd
Gary Forrester (2/5) shn / 2 View 451
Scott Benson (2/5) SHN / 2 View 451 SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN
Scott Benson (2/5) VCD / 3 View   Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000...
Scott Byhoffer (2/0) CDR / 2 A A View  
Sara Bean (2/0) / 2 View  
Marc Pujol (2/5) SHN / 2 View 451 SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected];...
Scott Garrison (2/5) cdr / 2 View   sbd
Michael Goff (2/5) cd / 2 View 16946
Notes: 90 dvd #1
Chris Rawding (2/5) CD-R / 2 A- View   SBD
Tony C. (2/0) VCD / 3 A A View  
Notes: 02-26-90 Oakland-Alameda County Coliseum Arena Oakland, CA Disc 1 Set I: 1. Hell in a Bucket 2. Peggy-O 3. Walkin' Blues 4. Ramble on Rose 5. (Just Like) Tom Thumb's Blues 6. The Music Never Stopped 7. Don't Ease Me In Disc 2 Set II: 1. Scarlet Begonias > 2. Fire on the Mountain 3. Playin' in the Band > 4. Terrapin Station > Disc 3 Set II (cont): 1. Drumz...>..Space > 2. I Need A Miracle > 3. Stella Blue > 4. Turn on Your Lovelight Encore: 5. (It's All Over Now) Baby Blue SOURCE Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD > VCD > VCD-compliant MPEG-1 Audio: Source: DSBD > DAT > D100 > Montego II > CD > HD via EAC > SHN > wave > Cool Edit Pro > Video Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to rendering the video file as either a vcd or svcd. The video was captured at 480x480 resolution (SVCD) and 24bit RGBT compression for a fairly clean picture. The camera was on a tripod, a little shakey at times but not too bad. A 50-200mm lens was used for some great closeups. The SVCD format will play on most DVD players otherwise the VCD will. The SVCD format also includes a song menu. VCD format (352x240) was rendered from the svcd file and does not have the song menu, but does have the imported sbd audio as part of the file. The .dat files from the VCD were processed by VCDEASY, removing the riff headers to produce VCD-Compliant MPEG-1 files for seeding. Flaws: 1) 11.462 seconds was added after Don't Ease Me In to include Bob saying we'll be right back - I used the video audience soundtrack to fill in. 2) First 40.190 seconds of start of 2nd set was added from the audience video to give a better lead in. 3) 4.011 seconds was missing from sbd at the beginning of Space (possible tape flip) - I used the video audience soundtrack to fill in. 4) 27.967 seconds was missing from the video during space right before the transition to Miracle. I filled in using the last frame before the gap that transitioned into the first frame after the gap with no cut in the music. Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on. Video Conversion by Kevin Tobin Audio SBD imported and synced by Kevin Tobin Audio cds provided with thanks by Jorge Rivas MPEG-1 preparation and seeding by MattMan
James Fugh (2/0) CDR / 3 A View   SBD
bob (2/5) CDR / 3 A A View 451 SBD>DAT>D100>MONTEGO II>CDR>EAC>SHN
jim mcguire (2/5) shn/cdr / 2 A View 451
Charles Camacho (2/0) SHN / 2 View 451
Notes: SBD
Jay Gerland (2/5) 2 / 3 A+ A View 451 SBD > DAT
Brian Egger (2/0) / 3 View   SBD
Robert Kussy (2/0) / 0 View 451 SBD
Bob McDonough (2/5) Shn / 2 View 451
Notes: Sbd
al zeffer (2/0) CDR / 3 View   DSBD>DAT
Kat (2/0) / 2 View  
Kat (2/0) / 2 View  
hobbs (2/0) cdr / 3 View   sbd>dat>cd>eac>shn
Gary Feldman (2/5) shn / 3 View   SBD > DAT
MarkMcG (2/0) CDR/SHN / 3 View 451
Notes: SHNS ON 2 CDS
Edward L. Leiken (2/5) CD / 3 A+ A+ View   SBD > DAT >D100 > Montego II > CD > HD via EAC > SHN
Don Corleone (2/0) SHN / 2 View 451
Dan Streetman (2/0) / 0 ? View  
Jeff (2/4) CDR / 3 A View   SBD
Notes: Excellent show...this was one of their later peaks i think...
Jeff (2/4) CDR / 3 A View   SBD