User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
dan (5/0) | / 0 | View | 20967 | |||
nemski (5/5) | SHN / 1 | View | 20967 | Nak 100s | ||
The Solar Garlic (5/5) | SHN / 1 | A | View | 6178 | Nak CM100 > Sony D6 (Cass/0) > DAT; Sony DTC-690 > Sek'd Prodif Plus > Samplitude... | |
Adam DeLaughter (5/5) | cd-r / 1 | B | View | |||
Ryan (5/0) | CDR / 1 | View | ||||
Mike Gent (5/3) | TDK / 1 | B(v | View | (????) | ||
Notes: | . | |||||
Lazlo (5/5) | CDR / 1 | A | View | sbd | ||
larzwassel (5/0) | SHN / 1 | View | 6178 | |||
Todd Langevin (5/5) | SHN / 1 | View | 6178 | Nak CM100 > Sony D6 (Cass/0) > DAT | ||
Krismarn (5/0) | SHN/FLAC / 2 | View | ||||
Brad Foster (4/4.9) | SHN / 1 | View | Nak 100s > D5 | |||
shakedown80 (4/3.5) | / 0 | View | 112215 | |||
shakedown80 (4/3.5) | / 0 | View | 20967 | |||
The Iguana (4/0) | DataDVD / 1 | View | 20967 | Nak 100s > D5 | ||
Notes: | ph1990-09-16.20967.shnf | |||||
Thom Mann (4/1) | CDR / 2 | A | View | 20967 | ||
Mark Beswick (4/5) | mkw / 1 | View | daud | |||
Dylan (4/0) | CDR / 2 | View | 20967 | Nak 100 | ||
Scott (4/5) | CD / 2 | View | Nak 100s > D5; MCass (Maxell MX 100)> Sony TC-WE805S >Art DI/O (48Khz, Input gain +12dB,... | |||
Notes: | Phish Wesleyan University Middletown, CT 09/16/90 Taper: John Redmond SOURCE Nak 100s > D5 AUD MCass (Maxell MX 100)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: X-Noise was used to remove the noise floor and the 24/48 WAVs were assembled in the Wavelab Audio Montage window, crossfades were made at tapeflips. A Level adjustment during Landlady was compensated for. It sounded like tape was stopped between the final section of Reba and the reprise, as well as Tube & Tweezer, I edited out some silence and performed crossfades. 3dB was added to compensate for an overall level change from Paul & Silas thru Magilla. The following mastering processes were applied: X-Noise, Waves REQ (2-band, top secret settings), Blue Tubes FA770, BBE Sonic Maximizer (2, 2, unity), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/22/2003 All mastering was peformed at Bunker 8 Digital Labs, all edits were performed on on Doomtooth, both by [email protected] DISC ONE 01. Dinner and a Movie 02. Bouncin' 03. The Sloth 04. The Landlady 05. Reb/a 06. //Yamar 07. Tube 08. /Tweezer 09. Paul and Silas 10. Mike's Song > 11. I Am Hydrogen > 12. Weekapaug Groove DISC TWO 01. Magilla// 02. // Run Like An Antelope encore: 03. Contact Notes: NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet by shakedown | |||||
Cindy (4/5) | cd/shn / 2 | View | 6178 | |||
Jon (4/0) | SHN / 2 | A | A | View | 6178 | Nak CM100 > Sony D6 (Cass/0) > DAT |
Matt Sullivan (4/0) | cdr / 2 | View | ||||
Chad Oesterreich (4/5) | SHN / 2 | View | 6178 | Nak CM100 > Sony D6 (Cass/0) > DAT | ||
mike toda (3/5) | cd-r / 2 | View | mp3 sourced | |||
J (3/0) | / 0 | View | 20967 | |||
Robert Pervere (3/5) | SHN / 1 | View | 20967 | AUD | ||
Notes: | AUD MC>Sony TC-WE805S>Art DI/O>Delta DIO 2496>WaveLab v4.0>WAV>FLAC>Mastering>SHN | |||||
Sparks (3/0) | / 0 | View | 20967 | |||
Sloth1976 (3/0) | / 0 | View | 112215 | |||
steve (3/5) | CDR / 2 | View | 20967 | |||
Bill Mitchell (3/5) | shn / 2 | View | 20967 | |||
Notes: | Good sound quality. see source file for flaws. | |||||
Aaron Barger (3/0) | / 0 | View | 112215 |