Set I
Reba, Paul and Silas, The Asse Festival, Dinner and a Movie, Esther, The Landlady, Mike's Song-> I am Hydrogen-> Weekapaug Groove, Eliza, La Grange,
Set II
Funky Bitch, Stash, Uncle Pen, Tube, Lawn Boy, Tweezer, Buried Alive, Tweezer Reprise, E: Golgi Apparatus
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the
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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
David Nazaret (0/0) |
/ 0 |
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|
View |
20616 |
|
Jackson (0/0) |
/ 2 |
|
|
View |
20616 |
|
Notes: |
TAPER: John Redmond
SOURCE Nak 300s > D5
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes) > SNHv3 |
Chris Haddock (0/4) |
cdr / 2 |
|
|
View |
|
|
Steve Glidewell (0/0) |
SHN / 2 |
|
|
View |
20616 |
Nak 300 > D5 > Cass/0 |
matt (aka shakedown) (0/0) |
/ 0 |
|
|
View |
20616 |
|
Mark (0/0) |
/ 2 |
|
|
View |
20616 |
|
Jaaboo (0/0) |
SHN / 2 |
|
|
View |
20616 |
|
Ryan (0/0) |
SHN / 0 |
|
|
View |
20616 |
|
Matt (0/0) |
CD / 2 |
|
A+ |
View |
|
|
Nick Bellows (0/0) |
shn / 1 |
|
|
View |
20616 |
|
Chuck Rowland (0/5) |
CDR / 3 |
|
|
View |
|
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >Art DI/O (48Khz, Input gain +10dB, No |
Notes: |
Archived DVD #9 |
Dan MacNeill (0/5) |
shn / 2 |
|
|
View |
20616 |
|
Jeff Smith (0/0) |
SHN / 2 |
|
|
View |
20616 |
|
Jackson (0/0) |
/ 2 |
|
|
View |
20616 |
|
chris (0/0) |
cdr / 2 |
|
|
View |
|
|
Heather (0/0) |
CDR / 2 |
|
|
View |
|
Nak 300s > D5 |
Notes: |
Phish
Somerville Theater
Somerville, MA
9/21/90
SOURCE Nak 300s > D5
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)
(transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003)
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Mastering Notes:
This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade.
The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage.
The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).
All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03.
DISC ONE
Set I:
01. tuning / stage banter
02. Reba
03. Paul & Silas
04. Asse Festival
05. Dinner and a Movie
06. Foam
07. Esther
08. Landlady
09. Mikes//Song >
10. I Am Hydrogen
11. Weekapaug Groove
12. Eliza
13. La Grange
DISC TWO
Set II:
01. Golgi Apparatus
02. Magilla
03. Stash
04. Col. Forbin > Fly Famous Mockingbird
05. You Enjoy // Myself
06. Highway to Hell
encore:
07. Whipping Post
Notes
// indicates cassette flips
The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used.
WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic.
Seeded to FurthurNet (www.furthurnet.org) by FurthurUserNameFurthurNet (www.furthurnet.org) |
Steve (0/0) |
/ 0 |
|
|
View |
|
|
Jason Bellino (0/5) |
SHN / 2 |
|
A+ |
View |
20616 |
Nak 300s > D5 (cass/0) > Sony TC-WE805S > WAV > FLAC > Mastering > SHN |
Eric (0/0) |
SHN / 2 |
|
|
View |
20616 |
|
jad1420 (0/5) |
shn / 2 |
|
|
View |
20616 |
Nak 300s > D5 |
Dave (0/0) |
CD-R / 2 |
|
|
View |
|
|
Joe (0/0) |
CD / 2 |
|
A+ |
View |
|
Nak 300s > D5 |
Notes: |
Phish
Somerville Theater
Somerville, MA
9/21/90
SOURCE Nak 300s > D5
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)
(transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003)
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Mastering Notes:
This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade.
The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage.
The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).
All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03.
DISC ONE
Set I:
01. tuning / stage banter
02. Reba
03. Paul & Silas
04. Asse Festival
05. Dinner and a Movie
06. Foam
07. Esther
08. Landlady
09. Mikes//Song >
10. I Am Hydrogen
11. Weekapaug Groove
12. Eliza
13. La Grange
DISC TWO
Set II:
01. Golgi Apparatus
02. Magilla
03. Stash
04. Col. Forbin > Fly Famous Mockingbird
05. You Enjoy // Myself
06. Highway to Hell
encore:
07. Whipping Post
Notes
// indicates cassette flips
The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used.
WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic.
Seeded to FurthurNet (www.furthurnet.org) by FurthurUserNameFurthurNet (www.furthurnet.org) |
Dan (0/4) |
CDR / 2 |
|
A |
View |
20616 |
Nak 300s > D5 |
Gus Karlson (0/0) |
shn / 2 |
|
|
View |
20616 |
|
Notes: |
stack 1 show 5 |
Old School Phish Project (0/5) |
/ 0 |
|
|
View |
20616 |
|
Jens Schrader (0/5) |
Tape / 1 |
|
B+ |
View |
|
SBD |
Notes: |
Set 1 |
Jason (0/0) |
shn / 2 |
|
|
View |
|
Nak 300s > D5 |
Notes: |
Phish
Somerville Theater
Somerville, MA
9/21/90
SOURCE Nak 300s > D5
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)
(transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003)
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Mastering Notes:
This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade.
The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage.
The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).
All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03.
DISC ONE
Set I:
01. tuning / stage banter
02. Reba
03. Paul & Silas
04. Asse Festival
05. Dinner and a Movie
06. Foam
07. Esther
08. Landlady
09. Mikes//Song >
10. I Am Hydrogen
11. Weekapaug Groove
12. Eliza
13. La Grange
DISC TWO
Set II:
01. Golgi Apparatus
02. Magilla
03. Stash
04. Col. Forbin > Fly Famous Mockingbird
05. You Enjoy // Myself
06. Highway to Hell
encore:
07. Whipping Post
Notes
// indicates cassette flips
The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used.
WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic.
Seeded to FurthurNet (www.furthurnet.org) by FurthurUserNameFurthurNet (www.furthurnet.org) |
Greg Wellemeyer (0/0) |
CD-R / 2 |
|
A |
View |
|
Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... |
Notes: |
From .shn |
justin (0/0) |
SHN / 2 |
|
|
View |
20616 |
|