Set I
Reba, Paul and Silas, The Asse Festival, Dinner and a Movie, Esther, The Landlady, Mike's Song-> I am Hydrogen-> Weekapaug Groove, Eliza, La Grange,
Set II
Funky Bitch, Stash, Uncle Pen, Tube, Lawn Boy, Tweezer, Buried Alive, Tweezer Reprise, E: Golgi Apparatus
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
Paul R. Giunta (5/5) |
SHN / 2 |
|
A |
View |
20616 |
Nak 300s > D5 |
Kevin Sigafoos (5/1.5) |
shn / 2 |
|
|
View |
20616 |
|
MATT (5/5) |
/ 0 |
|
|
View |
|
|
Aaron (5/4.8) |
SHN / 2 |
|
|
View |
20616 |
|
Notes: |
old school:Nak 300s |
arnie (5/5) |
shn / 2 |
|
|
View |
20616 |
|
dan (5/0) |
/ 0 |
|
|
View |
20616 |
|
nemski (5/5) |
SHN / 2 |
|
|
View |
20616 |
Nak 300 > D5 > Cass/0 (Maxell MX 100 min) |
pheecaspian (5/0) |
/ 0 |
|
|
View |
|
Nak 300s > D5 |
Duvie and Chani (5/5) |
analog / 1 |
|
A |
View |
|
|
Notes: |
Set 1 only |
j0w (5/0) |
CDR / 2 |
|
|
View |
|
|
Brad Foster (4/4.9) |
SHN / 2 |
|
|
View |
|
Nak 300s > D5 |
shakedown80 (4/3.5) |
/ 0 |
|
|
View |
20616 |
|
The Iguana (4/0) |
DataDVD / 1 |
|
|
View |
20616 |
Nak 300s > D5 |
Notes: |
ph1990-09-21.20616.shnf |
Alan Cohen (4/0) |
FLAC / 0 |
|
|
View |
20616 |
Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... |
Thom Mann (4/1) |
CDR / 2 |
|
A |
View |
20616 |
|
Jameson (4/4.9) |
shn / 2 |
|
A |
View |
20616 |
Nak 300s > D5 > AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >Art DI/O (48Khz, Input gain +10dB, No |
Dylan (4/0) |
CDR / 2 |
|
|
View |
20616 |
Nak 300 |
Michael Werner (4/5) |
CDR / 2 |
A |
A |
View |
|
|
Scott (4/5) |
CD, SHN / 2 |
|
|
View |
20616 |
Nak 300s > D5 > AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz,... |
Notes: |
Phish
Somerville Theater
Somerville, MA
9/21/90
SOURCE Nak 300s > D5
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)
(transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003)
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Mastering Notes:
This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade.
The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage.
The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).
All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03.
DISC ONE
Set I:
01. tuning / stage banter
02. Reba
03. Paul & Silas
04. Asse Festival
05. Dinner and a Movie
06. Foam
07. Esther
08. Landlady
09. Mikes//Song >
10. I Am Hydrogen
11. Weekapaug Groove
12. Eliza
13. La Grange
DISC TWO
Set II:
01. Golgi Apparatus
02. Magilla
03. Stash
04. Col. Forbin > Fly Famous Mockingbird
05. You Enjoy // Myself
06. Highway to Hell
Encore:
07. Whipping Post
Notes
// indicates cassette flips
The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used.
WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic.
Seeded to FurthurNet (www.furthurnet.org) by shakedown (www.furthurnet.org) |
deguitarguy (4/5) |
CDR / 2 |
|
|
View |
|
|
Cindy (4/5) |
cd/shn / 2 |
|
|
View |
20616 |
|
Jon (4/0) |
SHN / 2 |
A |
A |
View |
20616 |
Nak 300s > D5 |
Michael Papaleo (4/5) |
CDR / 2 |
|
A |
View |
20616 |
|
Phil (4/0) |
Audio / 2 |
A |
A |
View |
20616 |
|
J (3/0) |
/ 0 |
|
|
View |
20616 |
|
Pete Cory (3/0) |
FLAC / 2 |
|
|
View |
20616 |
Nak 300s>...>FLAC |
Notes: |
TAPER: John Redmond
SOURCE Nak 300s > D5
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes) > SNHv3
Mastering Notes:
This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade.
The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage.
The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).
transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003
All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03.
|
Penguin (3/0) |
CDR / 2 |
|
|
View |
|
|
Sparks (3/0) |
/ 0 |
|
|
View |
20616 |
|
Sloth1976 (3/0) |
/ 0 |
|
|
View |
20616 |
|
steve (3/5) |
CDR / 2 |
|
|
View |
20616 |
|