<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 521 Next >>
User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
J (1/5) | DVD / 2 | View | Video: 1st gen vhs from Hi8 master (killer's stash) / Audio: Schoeps CMC64V>Sonosax>Apogee... | |||
Notes: | SYF8 | |||||
openpath (1/5) | FLAC / 0 | View | 102284 | Neumann km140 > Beyerdynamic MV100 > DAT (@ 48 kHz) | ||
openpath (1/5) | FLAC / 0 | View | 115695 | flac16; (FOB) Schoeps cmc6/mk4v's > Sonosax SX-M2 > Apogee AD-500e > Tascam DA-P1 (48 kHz) | ||
John Peters (1/0) | FLAC / 1 | View | 115695 | (FOB) Schoeps cmc6/mk4v's > Sonosax SX-M2 > Apogee AD-500e > Tascam DA-P1 (48 kHz); Sony PCM-R500... | ||
Matt Vernon (1/4.8) | SHN / 2 | View | 655 | |||
SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 115695 | ||
Notes: | AUD TB18 | |||||
SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 655 | ||
Notes: | AUD TB18 | |||||
SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 2062 | ||
Notes: | AUD TB18 | |||||
SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 92599 | ||
Notes: | AUD TB18 | |||||
SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 92599 | ||
Notes: | AUD TB18 | |||||
SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 102284 | ||
Notes: | AUD TB18 | |||||
Peterphan (1/0) | SHN / 2 | View | Schoeps CMC64V>Sonosax>Apogee AD-500>DA-P1 | |||
Dustin B. (1/0) | CD-R / 2 | View | ||||
Glenn Moses (1/5) | shn / 2 | View | 655 | aud | ||
Notes: | cmc64 | |||||
Will Petty (1/0) | cdr/wav / 2 | View | cmc64v>sxm2>ad500e>dap1 | |||
FutureAge (1/5) | / 0 | View | 2062 | |||
MaxPaine (1/0) | CD / 2 | View | 102284 | |||
Jibboo (1/5) | WAV / 0 | View | 92599 | |||
Notes: | SCHOEPS MK 4's... | |||||
STLBlues (1/5) | DVD / 2 | B | A | View | 655 | Hi8mm Master > VHS > mastering/editing(?) > DVD (6500 kbps) synced w/ Schoeps cmc64v, LPCM |
Notes: | AUD-Shot tripod | |||||
STLBlues (1/5) | CDR/FLAC / 2 | View | 92599 | FOB Schoeps mk4 (see db link) | ||
Notes: | FOB Schoeps mk4 (Vol. 121) | |||||
Trey (1/5) | flac / 0 | View | 115695 | |||
brett garvey (1/5) | DVD / 2 | A | View | 655 | video: 1st gen VHS & tripod; audio: Schoeps CMC64V | |
Notes: | menu | |||||
brett garvey (1/5) | SHN / 2 | A | View | 2062 | Schoeps CMC6/mk4v > Sonosax SX-M2 > Apogee AD500e > DAP1 | |
Notes: | ph1997 2 of 25 | |||||
brett garvey (1/5) | FLAC / 2 | A | View | 92599 | (FOB) Schoeps mk4 > DAT (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1... | |
Notes: | ph 002 | |||||
brett garvey (1/5) | FLAC / 2 | A | View | 102284 | Neumann km140 > Beyerdynamic MV100 > DAT (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain... | |
Notes: | ph 026 | |||||
LossLess Legs (1/0) | CDR / 2 | View | 655 | Schoeps CMC64V>Sonosax>Apogee AD-500>DA-P1>Turtle Beach Fiji SPDIF> Samplitude... | ||
Notes: | 4/29/2007 - augustus | |||||
Augustus. (1/5) | / 0 | View | 655 | |||
Notes: | Schoeps CMC64V> Sonosax> Apogee AD-500> DA-P1> Turtle Beach Fiji SPDIF> Samplitude 48> 44.1 Resample> CdWav> SHN; via lemon2; note d2 tracked for 80 min | |||||
Augustus. (1/5) | *Disc 11 / 0 | View | 92599 | |||
Notes: | (FOB) Schoeps mk4 > DAT (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, 48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions available) | |||||
Augustus. (1/5) | Disc 63 / 0 | View | 102284 | |||
Notes: | Neumann km140 > Beyerdynamic MV100 > DAT (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > Samplitude SE v9.1.1 (fades, splices) > CD Wave v1.98 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel | |||||
Augustus. (1/5) | Disc 215 / 0 | View | 115695 | |||
Notes: | (FOB) Schoeps cmc6/mk4v's > Sonosax SX-M2 > Apogee AD-500e > Tascam DA-P1 (48 kHz); Sony PCM-R500 > Tascam HD-P2 > r8brain (16/48 > 16/44.1) > CD Wave > FLAC; Taped by Federico Cribiorel Transferred by Terry Watts |