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Set I
Makisupa Policeman -> Harpua Finale*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye, Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil
Set II
Wolfman's Brother -> Simple** -> My Soul, Slave to the Traffic Light, Rocky Top, Julius
Set III
Halley's Comet -> Cities -> Llama -> Lawn Boy, Limb By Limb, Funky Bitch# E: Contact, Loving Cup
Comment
* Picked up where Harpua left off at Clifford Ball on 8/17/96,
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
Last Changed By
Daniel Shay
Sources
(687) View Source
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
(687) View Source
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Robert and Shawna Margesson (5/4.7) | CD / 5 | A | View | Microtech Gefell m296 | ||
| Danastasio (5/5) | SHN / 4 | View | 11733 | FM | ||
| Martin Bonilla (5/5) | CDR / 4 | View | 947 | Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main... | ||
| Neil (5/5) | SHN / 2 | View | ||||
| Peter (5/0) | shn / 3 | View | 687 | |||
| Doug Desatnik (5/5) | shn / 2 | View | ||||
| Runaway Jay (5/5) | SHN / 5 | View | 947 | |||
| Notes: | Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper: Marc Nutter; Seed: Supplied by John Cocci; | |||||
| ian fenty (5/0) | shn / 3 | a | View | 687 | ||
| Tye Pearson (5/4.9) | SHN / 2 | View | 6090 | pre-fm dat > rme96/8 > cdwav editor > mkw > shn | ||
| allmylovin11981 (5/0) | CDR / 4 | View | ||||
| Notes: | The Great Went | |||||
| brendan c. feeney (5/5) | CDR / 4 | a | a | View | unknown | |
| arnie (5/5) | shn / 4 | View | 947 | |||
| Justin McCabe (5/5) | tape / 3 | View | ||||
| Justin Ballew (5/0) | cd-r / 5 | A+ | View | Microtech Gefell m296>Eaa pre-amp>DA-P1>CDR | ||
| Alex Souza (5/4.6) | shn / 3 | View | 13130 | FM | ||
| Notes: | newest cleanup of this FM source, phasing problems fixed | |||||
| Greg Powell (5/0) | SHN / 2 | View | 11733 | |||
| Adam (5/0) | SHN / 4 | View | 11733 | |||
| jon (5/0) | SHN / 3 | View | 687 | |||
| Notes: | Incoming... | |||||
| George (5/0) | CDR / 5 | View | Microtech Gefell m296 > EAA pre-amp | |||
| Notes: | The 5th disc has just the 8/16 encore, and Set 1 thru Bouncin of the 17th | |||||
| andrew datwyler (5/0) | cd / 5 | A | View | *Great Went Day I* | ||
| andrew datwyler (5/0) | shn / 3 | View | Microtech Gefell m296 > EAA pre-amp | |||
| Notes: | The Great Went 8/16 + 8/17/1997 Loring Air Force Base - Limestone, ME Source: Microtech Gefell m296 > EAA pre-amp Taper: Marc Nutter Seed: Supplied by John Cocci Mastering: John Cocci (DAT > CD) Extraction: Mike Monacella (using WinDAC w/ sector syncronization) **Special Thanks to John Cocci for all his hard work mastering this show** Disc Layout: > Disc 1 - Day 1 Set 1 thru Ginseng Sullivan > Disc 2 - Day 1 Set 1 con't > Disc 3 - Day 1 Set 2 > Disc 4 - Day 1 Set 3 thru Funky Bitch > Disc 5 - Day 1 Encore, Day 2 Set 1 thru Bouncin > Disc 6 - Day 2 Set 1 con't, Set 2 thru DWD>Jam > Disc 7 - Day 2 Set 2 con't > Disc 8 - Day 2 Set 3 **Disc layout chosen was best out of available options in terms of continuety and disc space - otherwise Disc 5 would only include the encore of Day 1 and all filler or other non-desireable options** Show Information: **as supplied by www.phish.net** 08-16-97 Loring Air Force Base, Limestone, ME 1: Makisupa Policeman-> Harpua*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye-> Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil (1:16) 2: Wolfman's Brother-> Simple**, My Soul#-> Slave to the Traffic Light, Rocky Top, Julius (1:08) 3: Halley's Comet-> Cities-> Llama-> Lawn Boy, Limb By Limb^-> Funky Bitch (0:59) E: Contact-> Loving Cup (0:13) 4: Disco Tent Jam The Great Went (Day One). *Starts with the theme and Jimmy story, picking up where the song aborted last year at the end of the Clifford Ball (08-17-96). **With theme from "The Odd Couple" tease/jam. #With a kind of a twisted "Seven Dwarves" sort of jam. ^Major fireworks are let off behind the stage during the song, culminating in a great finale display as Funky Bitch kicks in. 08-17-97 Loring Air Force Base, Limestone, ME 1: The Wedge, Beauty of My Dreams, Dogs Stole Things, Vultures, Water in the Sky-> Maze, Bouncing Around the Room-> Tweezer*-> Taste, Carolina (1:17) 2: Down With Disease-> Bathtub Gin-> Uncle Pen, Also Sprach Zarathustra->Art Jam**-> Harry Hood (1:35) 3: Buffalo Bill-> NICU-> Weigh-> Guyute, Dirt, Scent of a Mule#-> Prince Caspian (0:57) E: When the Circus Comes-> Tweezer Reprise^ (0:12) The Great Went (Day Two). *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As "Harry Hood" goes into its jam, Trey asks Chris to turn the lights off, and the band jams while the front section has a gigantic Glow Stick War. Trey tells the crowd at the end of the jamto "go and get more of those, because that was cool." #No Muel Duel. ^The entire art tower was burned to the ground. | |||||
| Matt Quigley (5/0) | CDR-SHN / 2 | A | View | Microtech Gefell m296 > EAA pre-amp | ||
| Notes: | 2 SHN or 5 Audio The Great Went 8/16/1997 Loring Air Force Base - Limestone, ME Source: Microtech Gefell m296 > EAA pre-amp Day One: Set One: Disc One: 1. Makisupa Policeman-> 2. Harpua*, 3. Chalk Dust Torture, 4. Theme From the Bottom, 5. Punch You in the Eye-> 6. Ghost, 7. Ginseng Sullivan, Disc Two: 1. You Enjoy Myself, 2. Train Song, 3. Character Zero, 4. The Squirming Coil Set Two: Disc Three: 1. Wolfman's Brother-> 2. Simple**, 3. My Soul-> 4. Jam# 5. Slave to the Traffic Light, 6. Rocky Top, 7. Julius Set Three: Disc Four: 1. Halley's Comet-> 2. Cities-> 3. Llama-> 4. Lawn Boy, 5. Limb By Limb^-> 6. Funky Bitch Disc Five: Encore: 1. Contact-> 2. Loving Cup *Starts with the theme and Jimmy story, picking up where the song aborted last year at the end of the Clifford Ball **With theme from "The Odd Couple" tease/jam. #With a kind of a twisted "Seven Dwarves" sort of jam. ^Major fireworks are let off behind the stage during the song, culminating in a great finale display as Funky Bitch kicks in. | |||||
| Gabe Tafoya (5/0) | SHN / 5 | View | 947 | Microtech Gefell m296 (omnis, run split about 10 feet aimed directly between the main stacks and... | ||
| Notes: | 5 .shn/8 audio for both 8/16 and 8/17 | |||||
| TUGBOAT (5/5) | / 0 | View | ||||
| Satyen Thaker (5/5) | CDR / 4 | A+ | View | FM | ||
| Notes: | FM | |||||
| Dr. VanNostrin (5/5) | SHN/CDR / 3 | View | 687 | |||
| Notes: | md5 has been run | |||||
| Jared Rosoff (5/1.5) | cdr / 4 | A | A | View | sbd>?>cdr | |
| Notes: | sbd>?>cdr | |||||
| Aaron Helfand (5/3.5) | CDR / 4 | View | Set 1 source: FM > DAT; Set 2 and 3 Source: FM > DA-P1 | |||
| Drew Cougs (5/5) | FLAC / 3 | A+ | A- | View | 687 | FM |
| Notes: | FM The Great Went, day 1 | |||||
| DRS (5/0) | CD-R / 4 | A | View | |||
| Notes: | The Great Went Day 1 | |||||