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Phish 08/16/97
Loring Air Force Base, Limestone, ME
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Set I
Makisupa Policeman -> Harpua Finale*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye, Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil
Set II
Wolfman's Brother -> Simple** -> My Soul, Slave to the Traffic Light, Rocky Top, Julius
Set III
Halley's Comet -> Cities -> Llama -> Lawn Boy, Limb By Limb, Funky Bitch# E: Contact, Loving Cup
Comment
* Picked up where Harpua left off at Clifford Ball on 8/17/96,
** Theme from the Odd Couple tease
# Major fireworks display behind the stage as Funky Bitch ends.
Last Changed By Daniel Shay
Sources
(687) View Source   
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source   
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source   
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source   
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source   
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source   
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source   
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source   
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source   
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source   
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source   
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source   
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source   
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source   
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source   
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
john (5/0) / 4 View   Limestone, ME
Todd Langevin (5/5) SHN / 3 View   Set 1 source: FM > DAT: Set 2 & 3 Source [EP]: BTP Schoeps mk21>kc5>cmc6>sonosax...
Notes: Note: Glitch on Wolfmans is on the master
c. carter (5/2) TAPE / 1 View  
Notes: SET III
Alex Stayrook (5/5) cd-r / 5 A A View  
Notes: The Great Went: Day 1
thomas bern (5/5) CDR / 4 View  
Eric (5/5) cdr / 4 A A View  
Notes: Great Went Day 2
John White (5/5) CDR / 4 A A View  
Zack Eidman (5/1) / 4 A A View  
Chente (5/1.8) Digital / 4 A+ A View  
Notes: Great Show!
Chris (5/0) Analog / 3 A-B View  
Notes: Quality varies.All sets sound very good, some better then others.
Brian (5/0) CD / 4 B B+ View  
Notes: The lesser of the two days. If you watch Bittersweet motel, you'll hear them go on about it, but after you hear the show, you'll understand why. They just weren't on today, simple as that.
Scott (5/0) CD / 0 View  
Nick Wonus (5/0) CDR / 4 A- View  
Duffy (5/4.5) SHN / 3 View 687 Set I: FM > DAT; Set 2 & 3 Source [EP]: BTP Schoeps mk21>kc5>cmc6>sonosax sx-m2>...
Trevor Marshall (5/4) SHN / 5 View 947
Notes: MD5's match the DB
Nic (5/0) CD / 4 View  
J.B. Shock (5/0) CDR / 8 A+ View  
Tyler (5/0) CDR / 8 A+ A+ View  
Notes: Great Went!
Tyler (5/4) SHN / 3 A A View   FM > DAT
Adam Redling (5/0) shn / 4 A A View 687
Colonial Forbin (5/1) CDR / 4 View  
M. Ryan Kious (5/0) cdr / 4 A A View   shn from furthur
Notes: Play that funky music white boys!
Joe Stapleton (5/5) cd-r (aud) / 4 A View   Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main...
Notes: The Great Went, Day 1
J.B. (5/0) / 8 A A View  
Jon Wolf (5/0) SHN / 4 View 13130 Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set...
Notes: Fixed phasing on disk 3 and disk 4
Will Donaldson (5/0) CD-R / 4 A+ A View 687 FM
spree (5/0) CDR / 5 View   Microtech M296
Brian Mulroy (5/0) cdr / 4 A View  
Scott Reams (5/0) SHN / 5 A+ A View   Microtech Gefell m296 > EAA pre-amp
Notes: The Great Went 8/16 + 8/17/1997 Loring Air Force Base - Limestone, ME Source: Microtech Gefell m296 > EAA pre-amp Taper: Marc Nutter Seed: Supplied by John Cocci Mastering: John Cocci (DAT > CD) Extraction: Mike Monacella (using WinDAC w/ sector syncronization) **Special Thanks to John Cocci for all his hard work mastering this show** Disc Layout: > Disc 1 - Day 1 Set 1 thru Ginseng Sullivan > Disc 2 - Day 1 Set 1 con't > Disc 3 - Day 1 Set 2 > Disc 4 - Day 1 Set 3 thru Funky Bitch > Disc 5 - Day 1 Encore, Day 2 Set 1 thru Bouncin > Disc 6 - Day 2 Set 1 con't, Set 2 thru DWD>Jam > Disc 7 - Day 2 Set 2 con't > Disc 8 - Day 2 Set 3 **Disc layout chosen was best out of available options in terms of continuety and disc space - otherwise Disc 5 would only include the encore of Day 1 and all filler or other non-desireable options** Show Information: **as supplied by www.phish.net** 08-16-97 Loring Air Force Base, Limestone, ME 1: Makisupa Policeman-> Harpua*, Chalk Dust Torture, Theme From the Bottom, Punch You in the Eye-> Ghost, Ginseng Sullivan, You Enjoy Myself, Train Song, Character Zero, The Squirming Coil (1:16) 2: Wolfman's Brother-> Simple**, My Soul#-> Slave to the Traffic Light, Rocky Top, Julius (1:08) 3: Halley's Comet-> Cities-> Llama-> Lawn Boy, Limb By Limb^-> Funky Bitch (0:59) E: Contact-> Loving Cup (0:13) 4: Disco Tent Jam The Great Went (Day One). *Starts with the theme and Jimmy story, picking up where the song aborted last year at the end of the Clifford Ball (08-17-96). **With theme from "The Odd Couple" tease/jam. #With a kind of a twisted "Seven Dwarves" sort of jam. ^Major fireworks are let off behind the stage during the song, culminating in a great finale display as Funky Bitch kicks in. 08-17-97 Loring Air Force Base, Limestone, ME 1: The Wedge, Beauty of My Dreams, Dogs Stole Things, Vultures, Water in the Sky-> Maze, Bouncing Around the Room-> Tweezer*-> Taste, Carolina (1:17) 2: Down With Disease-> Bathtub Gin-> Uncle Pen, Also Sprach Zarathustra->Art Jam**-> Harry Hood (1:35) 3: Buffalo Bill-> NICU-> Weigh-> Guyute, Dirt, Scent of a Mule#-> Prince Caspian (0:57) E: When the Circus Comes-> Tweezer Reprise^ (0:12) The Great Went (Day Two). *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As "Harry Hood" goes into its jam, Trey asks Chris to turn the lights off, and the band jams while the front section has a gigantic Glow Stick War. Trey tells the crowd at the end of the jamto "go and get more of those, because that was cool." #No Muel Duel. ^The entire art tower was burned to the ground.
levi stair (5/0) / 4 View