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Set I
The Wedge, Beauty Of My Dreams, Dogs Stole Things, Vultures, Water In The Sky, Maze, Bouncing Around The Room > Tweezer > Taste, Carolina
Set II
Down With Disease > Bathtub Gin > Uncle Pen, Also Sprach Zarathustra^ > Harry Hood
Set III
Buffalo Bill > NICU > Weigh > Guyute > Dirt, Scent Of A Mule > Prince Caspian
E: When The Circus Comes To Town, Tweezer Reprise#
E: When The Circus Comes To Town, Tweezer Reprise#
Comment
The Great Went
* - Includes Cities Jam
^ - Includes Art Jam. The band members take turns painting large designs at the side of the stage. Then, the crowd carries the pieces of this design to the side of the venue where it is assembled and hoisted for eveyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As Harry Hood goes into the jam, Trey again asks Chris Kuroda to turn the lights off and the band jams while the front section of the crowd has a gigantic Glow Stick War. Trey tells the crowd at the end of the Jam to "go and get more of those, because that was cool."
# - The entire assembled art design is burned.
* - Includes Cities Jam
^ - Includes Art Jam. The band members take turns painting large designs at the side of the stage. Then, the crowd carries the pieces of this design to the side of the venue where it is assembled and hoisted for eveyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As Harry Hood goes into the jam, Trey again asks Chris Kuroda to turn the lights off and the band jams while the front section of the crowd has a gigantic Glow Stick War. Trey tells the crowd at the end of the Jam to "go and get more of those, because that was cool."
# - The entire assembled art design is burned.
Last Changed By
STLBlues
Sources
(686) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(689) View Source
FOB Schoeps mk21> kc5> CMC6> Sonosax SX-M2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge> CDWav; via EP, A. Gustin; FOB-style crowd noise
(10352) View Source
B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
(13474) View Source
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
(14164) View Source
FM > DAT; DAT > CDR > EAC > SHN; Note: shnid 13474 is preferred to this source. This is NOT the cleanest transfer and complilation of sources as of 12/2002. See comments below and for source 13474.
(25555) View Source
FM > Sony Walkman (digital tuner) > D7 @48kHz; Sony PCM-R300 > M-Audio Delta TDIF > Cool Edit 2000 > Pro Tools (48>44.1kHz) > FLAC; Taped and transferred by John Beatty
(105510) View Source
flac16, 44kHz; (FOB) Neumann TLM170 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1; Sony R500 > Sound Devices 722 > Soundforge > CDWave > FLAC; Source and Transfer by Scott Bernstein
(108553) View Source
flac16, 44kHz; (FOB) Schoeps mk2 > Sonosax SX-M2 > Sony TCD-D7; Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > Audacity > CDWave > FLAC; Source by Dan Haugh, Boris Lvovsky, Brian and Erik; Transfer by Bill Tetzeli
(124565) View Source
flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(124566) View Source
flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(128939) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(130465) View Source
flac16, 48kHz; set2+3 only; Nakamichi CM700's (pointed @ stacks) > Sony TCD-D7; Cass/2 > Yamaha KX530 > Tascam Dr-100 MKII @ 1648 > wav > Izotope > Audacity > xACT(FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(135479) View Source
flac16 FM + (FOB) Neumann TLM170 mix; [shnid 13474 + shnid 105510]
(138140) View Source
flac16 SBD>WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
(686) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(689) View Source
FOB Schoeps mk21> kc5> CMC6> Sonosax SX-M2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge> CDWav; via EP, A. Gustin; FOB-style crowd noise
(10352) View Source
B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
(13474) View Source
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
(14164) View Source
FM > DAT; DAT > CDR > EAC > SHN; Note: shnid 13474 is preferred to this source. This is NOT the cleanest transfer and complilation of sources as of 12/2002. See comments below and for source 13474.
(25555) View Source
FM > Sony Walkman (digital tuner) > D7 @48kHz; Sony PCM-R300 > M-Audio Delta TDIF > Cool Edit 2000 > Pro Tools (48>44.1kHz) > FLAC; Taped and transferred by John Beatty
(105510) View Source
flac16, 44kHz; (FOB) Neumann TLM170 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1; Sony R500 > Sound Devices 722 > Soundforge > CDWave > FLAC; Source and Transfer by Scott Bernstein
(108553) View Source
flac16, 44kHz; (FOB) Schoeps mk2 > Sonosax SX-M2 > Sony TCD-D7; Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > Audacity > CDWave > FLAC; Source by Dan Haugh, Boris Lvovsky, Brian and Erik; Transfer by Bill Tetzeli
(124565) View Source
flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(124566) View Source
flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(128939) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(130465) View Source
flac16, 48kHz; set2+3 only; Nakamichi CM700's (pointed @ stacks) > Sony TCD-D7; Cass/2 > Yamaha KX530 > Tascam Dr-100 MKII @ 1648 > wav > Izotope > Audacity > xACT(FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(135479) View Source
flac16 FM + (FOB) Neumann TLM170 mix; [shnid 13474 + shnid 105510]
(138140) View Source
flac16 SBD>WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jeff (1/0) | CDR / 4 | A+ | View | Microtech Gefell m296 > EAA pre-amp | ||
| Notes: | 1: The Wedge, Beauty of My Dreams, Dogs Stole Things, Vultures, Water in the Sky-> Maze, Bouncing Around the Room-> Tweezer*-> Taste, Carolina (1:17) 2: Down With Disease-> Bathtub Gin-> Uncle Pen, Also Sprach Zarathustra->Art Jam**-> Harry Hood (1:35) 3: Buffalo Bill-> NICU-> Weigh-> Guyute, Dirt, Scent of a Mule#-> Prince Caspian (0:57) E: When the Circus Comes-> Tweezer Reprise^ (0:12) The Great Went (Day Two). *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As "Harry Hood" goes into its jam, Trey asks Chris to turn the lights off, and the band jams while the front section has a gigantic Glow Stick War. Trey tells the crowd at the end of the jamto "go and get more of those, because that was cool." #No Muel Duel. ^The entire art tower was burned to the ground | |||||
| Jeff (1/0) | CDR/FLAC / 1 | A- | View | see notes | ||
| Notes: | recording/transfer sources : track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording and transfer by Jon Weber [email protected] able assistance from Darryl Snyder track 2 = Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT | |||||
| Tom Kirk (1/0) | CD* / 4 | A | View | Microtech Gefell m296 > EAA pre-amp | ||
| Notes: | Disc 1: (set 1) 1. The Wedge 2. Beauty of My Dreams 3. Dogs Stole Things 4. Vultures 5. Water in the Sky > 6. Maze 7. Bouncing Around the Room > 8. Tweezer* > 9. Taste 10. Carolina Disc 2: (set 2) 1. Down With Disease > 2. Bathtub Gin > 3. Uncle Pen Disc 3: (set2 cont) 1. 2001 > 2. Art Jam > 3. Harry Hood Disc 4:(set 3) 1. Buffalo Bill > 2. NICU > 3. Weigh > 4. Guyute 5. Dirt 6. Scent of a Mule > 7. Prince Caspian Encore: 8. When the Circus Comes > 9. Tweezer Reprise *With a "Cities" jam | |||||
| funkDebo (1/0) | DVD / 3 | aud | View | Video: aud handheld; Audio: FM SBD | ||
| Notes: | Phish 8-17-97 The Great Went, Loring AFB Limestone, ME VIDEO ATTRIBUTES: Source: Audience handheld (low gen VHS) TV system: (NTSC) Aspect Ratio: 4:3 (authored in 4:3, video is in 16:9) Sys Bitrate: 7000 kb/s CBR AUDIO ATTRIBUTES: Source: FM SBD (perfectly legal) Audio Coding mode: DVD_LPCM_AUDIO Sampling Rate: 48kHz Bitrate: 1411 KB/s Disc 1 -set1- 1. Wedge 2. Beauty of my Dreams 3. Dogs Stole Things 4. Vultures 5. Water in the Sky> 6. Maze 7. Bouncing 8. Tweezer> 9. Taste 10. Carolina Disc 2 -set 2- 1. Down w. Disease> 2. Jam*> 3. Bathtub Gin*> 4. Uncle Pen 5. 20//01> 6. Art Jam> 7. Harry Hood (cut)** Disc 3 -set 3- . Buffalo Bill (cut) > 1. NICU> . Weigh (cut) > 2. Guyute 3. Dirt . Scent of a Mule (cut) > 4. Prince Caspian -encore- 5. When the Circus Comes> 6. Tweeprise Notes: * Two angles for the end of DWD and the first 12 minutes of Gin. ** No video of Hood, instead there is 8-9 minutes worth of footage from the way into the festival followed by a slideshow. Set one plus all of DWD and most of Bathtub is very good quality. There is minimal generation loss. The second angle for bathtub eventually becomes the only angle and there are some issues with the tracking on the VHS. Coupling this with the fact that the cameraman sucks, some people may find this to be not up to their standards. This video is handheld, and like I said, the cameraman is not very good (worse than the BC DVD), but this will be present on any copy of the show you could find. Judging by the relative rareness of this VHS, and the quality of the show (and subsequent SBD discs), the DVD was made. Enjoy. Fingerprints: 8dfad6f8ea1378a46aaa80000d135cbf *ph1997-08-17i.dvdf/VIDEO_TS/VIDEO_TS.VOB e3fdccdb8d368617ebd061ba55c65497 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_1.VOB 89257032d097ec4d2e1e54565a04e477 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_2.VOB f70f9aeb6b8cbf5c78530faef840f898 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_3.VOB 5de433b8416879bb0160e912c1baab53 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_4.VOB add96d6a56b51a29c24578363b44bf75 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_5.VOB a2e1604cd13424be1bdcf90d01ac4ef6 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_0.IFO a2e1604cd13424be1bdcf90d01ac4ef6 *ph1997-08-17i.dvdf/VIDEO_TS/VTS_01_0.BUP 9a5f6d23493bbf11e15705b5e35e4836 *ph1997-08-17i.dvdf/VIDEO_TS/VIDEO_TS.IFO 9a5f6d23493bbf11e15705b5e35e4836 *ph1997-08-17i.dvdf/VIDEO_TS/VIDEO_TS.BUP eeb548ede8cb56b9768600de50f80d87 *ph1997-08-17ii.dvdf/VIDEO_TS/VIDEO_TS.VOB fd0c0ab6f1d1bf216bad7cdc89eb8604 *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_1.VOB 9412932d497efd6cc6e5be864fdde19d *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_2.VOB 17b7f6abb2b823408813f637d537ac96 *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_3.VOB f729376b324a306688db71572e26a8be *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_4.VOB b6a57a2932371c75a5b76c4563910259 *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_5.VOB 4351ca3650b954c37262ea87b0c0f856 *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_0.IFO 4351ca3650b954c37262ea87b0c0f856 *ph1997-08-17ii.dvdf/VIDEO_TS/VTS_01_0.BUP 5d1ac227d2f7605c45e95cddb827665c *ph1997-08-17ii.dvdf/VIDEO_TS/VIDEO_TS.IFO 5d1ac227d2f7605c45e95cddb827665c *ph1997-08-17ii.dvdf/VIDEO_TS/VIDEO_TS.BUP dbe01b86bcebcd28a64de11f758efba4 *ph1997-08-17iii.dvdf/VIDEO_TS/VIDEO_TS.VOB a395ce10c7c725a56afadf9c008d0fa2 *ph1997-08-17iii.dvdf/VIDEO_TS/VTS_01_1.VOB a94caf2ffd2d49a62bbffd045a4caf44 *ph1997-08-17iii.dvdf/VIDEO_TS/VTS_01_2.VOB f77c6f547aaa4f0171fa11ce767f6945 *ph1997-08-17iii.dvdf/VIDEO_TS/VTS_01_3.VOB 17f957d172c296eef97133747d5c6507 *ph1997-08-17iii.dvdf/VIDEO_TS/VTS_01_0.IFO 17f957d172c296eef97133747d5c6507 *ph1997-08-17iii.dvdf/VIDEO_TS/VTS_01_0.BUP 98136ef0023cfdbd6338c2b357d59bd9 *ph1997-08-17iii.dvdf/VIDEO_TS/VIDEO_TS.IFO 98136ef0023cfdbd6338c2b357d59bd9 *ph1997-08-17iii.dvdf/VIDEO_TS/VIDEO_TS.BUP | |||||
| kwontour91 (1/5) | cdr / 4 | A+ | View | aud. | ||
| Notes: | 1st. wedge beauty of my dreams dogs stole things>vultures h2o in the sky maze bouncing>tweezer>taste carolina 3rd. buffalo bill>nicu>weigh>guyute>dirt som>caspian E: circus comes to town reprisr | |||||
| Alec (1/0) | SHN / 0 | View | 13474 | |||
| duggy (0/4.1) | SHN / 2 | A | A | View | 689 | BTP Schoeps mk21>kc5>CMC6> Sonosax SX-M2> Technics SV-MD1; DAT@48k->Montego II... |
| Notes: | Set II = Whoah Baby! | |||||
| duggy (0/4.1) | SHN / 3 | View | 13474 | FM(SBD)>Sony WM-FX50>Sony D8; Tascam DA-20mII>SoundForge 4.5>cdQuadrat 3.6 | ||
| Retro (0/0) | / 0 | View | ||||
| Adam (0/0) | shn / 0 | View | 13474 | FM(SBD)>Sony WM-FX50>Sony D8>Tascam DA-20mII>SoundForge 4.5>cdQuadrat 3.6 | ||
| Notes: | FM-SBD | |||||
| tget (0/0) | / 0 | View | 14164 | |||
| Kevin (0/0) | / 0 | View | 13474 | |||
| Lukas Karlsson (0/0) | SHN / 4 | View | 13474 | |||
| Scott Agne (0/5) | SHN / 0 | A | View | 686 | ||
| Notes: | 2 nights, 5 discs | |||||
| Scott Agne (0/5) | SHN / 2 | C | View | BTP Schoeps mk21>kc5>CMC6> Sonosax SX-M2> Technics SV-MD1 | ||
| Notes: | BTP Schoeps mk21>kc5>CMC6> Sonosax SX-M2> Technics SV-MD1 | |||||
| Adam (0/0) | / 0 | View | 13474 | |||
| Robert Scott (0/5) | shn / 4 | View | ||||
| Hoyt Ledet (0/5) | CDR / SHN / 3 | A | A | View | Microtech Gefell m296 > EAA pre-amp | |
| Keith (0/0) | / 0 | B- | View | |||
| Notes: | SBD | |||||
| Frank Colonna (0/0) | CDR / 4 | A | View | 119822 | ||
| Israel (0/0) | / 0 | View | 124565 | |||
| Notes: | 124565 | |||||
| Ken (0/5) | DVD / 1 | ex | View | 108553 | FOB: schoeps mk2 > sonosax sx-m2 > sony TCD-D7 | |
| Ken (0/5) | SHN / 3 | ex | View | FOB: schoeps mk21 > kc5 > cmc6 > sonosax sx-m2 > technics | ||
| Ken (0/5) | DVD / 1 | ex | View | 124565 | FOB: schoeps mk21 > kc5 > cmc6 > sonosax SX-M2 > technics SVMD-1 | |
| Ken (0/5) | DVD / 1 | ex | View | 105510 | FOB: neumann TLM-170 > sonosax sx-m1 > apogee AD500E > tascam DA-P1 | |
| adam Carter (0/0) | shn / 4 | A+ | View | |||
| Notes: | Source: FM(SBD)>Sony WM-FX50>Sony D8 | |||||
| Ryan Beach (0/5) | CD-R / 4 | A | View | 13474 | ||
| Notes: | SHN available | |||||
| Bradley (0/0) | / 0 | View | 13474 | |||
| TG (0/5) | CDR / 4 | View | FM tao | |||
| Notes: | FM tao | |||||
| Steve (0/0) | / 0 | View | 13474 | |||