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Set I
The Wedge, Beauty Of My Dreams, Dogs Stole Things, Vultures, Water In The Sky, Maze, Bouncing Around The Room > Tweezer > Taste, Carolina
Set II
Down With Disease > Bathtub Gin > Uncle Pen, Also Sprach Zarathustra^ > Harry Hood
Set III
Buffalo Bill > NICU > Weigh > Guyute > Dirt, Scent Of A Mule > Prince Caspian
E: When The Circus Comes To Town, Tweezer Reprise#
E: When The Circus Comes To Town, Tweezer Reprise#
Comment
The Great Went
* - Includes Cities Jam
^ - Includes Art Jam. The band members take turns painting large designs at the side of the stage. Then, the crowd carries the pieces of this design to the side of the venue where it is assembled and hoisted for eveyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As Harry Hood goes into the jam, Trey again asks Chris Kuroda to turn the lights off and the band jams while the front section of the crowd has a gigantic Glow Stick War. Trey tells the crowd at the end of the Jam to "go and get more of those, because that was cool."
# - The entire assembled art design is burned.
* - Includes Cities Jam
^ - Includes Art Jam. The band members take turns painting large designs at the side of the stage. Then, the crowd carries the pieces of this design to the side of the venue where it is assembled and hoisted for eveyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As Harry Hood goes into the jam, Trey again asks Chris Kuroda to turn the lights off and the band jams while the front section of the crowd has a gigantic Glow Stick War. Trey tells the crowd at the end of the Jam to "go and get more of those, because that was cool."
# - The entire assembled art design is burned.
Last Changed By
STLBlues
Sources
(686) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(689) View Source
FOB Schoeps mk21> kc5> CMC6> Sonosax SX-M2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge> CDWav; via EP, A. Gustin; FOB-style crowd noise
(10352) View Source
B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
(13474) View Source
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
(14164) View Source
FM > DAT; DAT > CDR > EAC > SHN; Note: shnid 13474 is preferred to this source. This is NOT the cleanest transfer and complilation of sources as of 12/2002. See comments below and for source 13474.
(25555) View Source
FM > Sony Walkman (digital tuner) > D7 @48kHz; Sony PCM-R300 > M-Audio Delta TDIF > Cool Edit 2000 > Pro Tools (48>44.1kHz) > FLAC; Taped and transferred by John Beatty
(105510) View Source
flac16, 44kHz; (FOB) Neumann TLM170 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1; Sony R500 > Sound Devices 722 > Soundforge > CDWave > FLAC; Source and Transfer by Scott Bernstein
(108553) View Source
flac16, 44kHz; (FOB) Schoeps mk2 > Sonosax SX-M2 > Sony TCD-D7; Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > Audacity > CDWave > FLAC; Source by Dan Haugh, Boris Lvovsky, Brian and Erik; Transfer by Bill Tetzeli
(124565) View Source
flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(124566) View Source
flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(128939) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(130465) View Source
flac16, 48kHz; set2+3 only; Nakamichi CM700's (pointed @ stacks) > Sony TCD-D7; Cass/2 > Yamaha KX530 > Tascam Dr-100 MKII @ 1648 > wav > Izotope > Audacity > xACT(FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(135479) View Source
flac16 FM + (FOB) Neumann TLM170 mix; [shnid 13474 + shnid 105510]
(138140) View Source
flac16 SBD>WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
(686) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(689) View Source
FOB Schoeps mk21> kc5> CMC6> Sonosax SX-M2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge> CDWav; via EP, A. Gustin; FOB-style crowd noise
(10352) View Source
B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
(13474) View Source
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
(14164) View Source
FM > DAT; DAT > CDR > EAC > SHN; Note: shnid 13474 is preferred to this source. This is NOT the cleanest transfer and complilation of sources as of 12/2002. See comments below and for source 13474.
(25555) View Source
FM > Sony Walkman (digital tuner) > D7 @48kHz; Sony PCM-R300 > M-Audio Delta TDIF > Cool Edit 2000 > Pro Tools (48>44.1kHz) > FLAC; Taped and transferred by John Beatty
(105510) View Source
flac16, 44kHz; (FOB) Neumann TLM170 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1; Sony R500 > Sound Devices 722 > Soundforge > CDWave > FLAC; Source and Transfer by Scott Bernstein
(108553) View Source
flac16, 44kHz; (FOB) Schoeps mk2 > Sonosax SX-M2 > Sony TCD-D7; Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > Audacity > CDWave > FLAC; Source by Dan Haugh, Boris Lvovsky, Brian and Erik; Transfer by Bill Tetzeli
(124565) View Source
flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(124566) View Source
flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(128939) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(130465) View Source
flac16, 48kHz; set2+3 only; Nakamichi CM700's (pointed @ stacks) > Sony TCD-D7; Cass/2 > Yamaha KX530 > Tascam Dr-100 MKII @ 1648 > wav > Izotope > Audacity > xACT(FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(135479) View Source
flac16 FM + (FOB) Neumann TLM170 mix; [shnid 13474 + shnid 105510]
(138140) View Source
flac16 SBD>WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Drav (5/5) | CDR / 4 | View | FM - SBD | |||
| Mike Ryan (5/0) | CDR / 4 | A | A | View | ||
| Stretch (5/0) | / 0 | View | 686 | Microtech Gefell m296 > EAA pre-amp | ||
| Milliegrayce (5/0) | c / 4 | View | ||||
| Larry (5/5) | CDR / 4 | View | ||||
| Jon Clark (5/0) | CDR / 4 | A+ | A | View | Microtech Gefell M296>EAA Pre-Amp | |
| Jason Westerfeld (5/4.9) | shn / 3 | View | 13474 | FM(SBD)>Sony WM-FX50>Sony D8 | ||
| Justin (5/0) | SHN / 4 | View | 686 | |||
| Ford (5/0) | flac / 3 | A+ | A+ | View | 13474 | FM(SBD)>Sony WM-FX50>Sony D8 |
| CLIF FISHER (5/5) | DVD / 3 | View | ||||
| Scott (5/4.4) | CDR / 2 | View | ||||
| Shane (5/0) | SHN / 0 | View | 686 | Microtech Gefell m296 > EAA | ||
| Notes: | The Great Went 8/16 + 8/17/1997 Loring Air Force Base - Limestone, ME Source: Microtech Gefell m296 > EAA pre-amp Taper: Marc Nutter Seed: Supplied by John Cocci Mastering: John Cocci (DAT > CD) Extraction: Mike Monacella (using WinDAC w/ sector syncronization) **Special Thanks to John Cocci for all his hard work mastering this show** 08-17-97 Loring Air Force Base, Limestone, ME 1: The Wedge, Beauty of My Dreams, Dogs Stole Things, Vultures, Water in the Sky-> Maze, Bouncing Around the Room-> Tweezer*-> Taste, Carolina (1:17) 2: Down With Disease-> Bathtub Gin-> Uncle Pen, Also Sprach Zarathustra->Art Jam**-> Harry Hood (1:35) 3: Buffalo Bill-> NICU-> Weigh-> Guyute, Dirt, Scent of a Mule#-> Prince Caspian (0:57) E: When the Circus Comes-> Tweezer Reprise^ (0:12) The Great Went (Day Two). *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As "Harry Hood" goes into its jam, Trey asks Chris to turn the lights off, and the band jams while the front section has a gigantic Glow Stick War. Trey tells the crowd at the end of the jamto "go and get more of those, because that was cool." #No Muel Duel. ^The entire art tower was burned to the ground. | |||||
| Shane (5/0) | FLAC / 3 | View | 25555 | FM > Sony Walkman | ||
| Shane (5/0) | SHN / 0 | View | 13474 | FM (SBD) > WM-FX-50 > D8 | ||
| Len Oteri (5/5) | shn / 3 | View | 13474 | |||
| Notes: | Attended | |||||
| Justin McCabe (5/0) | Analog Tape / 3 | A | View | |||
| Scott Sandler (5/5) | SHN / 2 | A | A | View | BTP Schoeps mk21>kc5>CMC6> Sonosax SX-M2> Technics SV-MD1 | |
| dave schaeffer (5/5) | CDR / 4 | A | View | |||
| Notes: | Great Went | |||||
| Jesse Martin (5/4.5) | cdr / 4 | View | ||||
| Mike Morrison (5/4.9) | CDR / 4 | View | ||||
| Adam Fox (5/5) | CD-R / 4 | View | 686 | Microtech Gefell m296 | ||
| Notes: | 1997-08-17 The Great Went - Loring Air Force Base, Limestone, ME | |||||
| Derick Andrade -- (5/5) | / 0 | View | 13474 | FM(SBD)>Sony WM-FX50>Sony D8 | ||
| Notes: | This is a killer source of a killer show. ENJOY!!! | |||||
| ted1079 (5/5) | CD / 4 | View | 25555 | |||
| davyp (5/4.3) | shn / 3 | View | 686 | Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main... | ||
| Adam (5/0) | shn / 4 | View | 689 | |||
| Rob (5/5) | SHN/CD / 2 | View | 689 | |||
| Notes: | 4 CDR | |||||
| Bret Magdasy (5/0) | / 0 | View | ||||
| Wayne and Sarah (5/4.6) | CDR / 4 | View | ||||
| Notes: | FM > DAT; DAT > CDR > EAC > SHN; | |||||
| Curt (5/5) | / 0 | View | ||||
| Bill Conrad (5/5) | SHN / 4 | A | A+ | View | 14164 | |
| Notes: | 12/02 | |||||