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Phish 12/13/97
Pepsi Arena, Albany, NY
Set I
Ya Mar > Axilla, Theme From the Bottom, Ginseng Sullivan, Strange Design, Sample in a Jar, Vultures, Tube, Good Times Bad Times
Set II
NICU, Punch You in the Eye > Ghost -> Mike's Song# -> Llama, When the Circus Comes, Weekapaug Groove -> Catapult -> Weekapaug Groove, Harry Hood*, Encore: My Soul, The Squirming Coil
J. Willis Pratt and We're Bionic opened

#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".

*With lights off and a glow stick war
Last Changed By Ben Mohr
(714) View Source   
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source   
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source   
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source   
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source   
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source   
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source   
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source   
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source   
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source   
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source   
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source   
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
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