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Set I
Mike's Song > Simple, Beauty of My Dreams, Roggae, Split Open and Melt, Poor Heart, Moma Dance, The Divided Sky, Water in the Sky, Funky Bitch > Cities* > Weekapaug Groove
Set II
The Wedge, Reba, Gumbo -> Sanity, Tweezer > The Horse > Silent In The Morning, Chalk Dust Torture, Slave To The Traffic Light
Set III
NICU > David Bowie**, Strange Design, Limb by Limb, Brian and Robert, Loving Cup, E: Halley's Comet, Cavern > Tweezer Reprise, set IV: Ambient Jam
Comment
*with Alternate lyrics pertaining to the Lemonwheel
**10 minute hi-hat intro
**10 minute hi-hat intro
Last Changed By
System
Sources
(766) View Source
FOB Schoeps CMC521 > Sonosax SX-M2 > Apogee AD-1000; misc pops throughout; pcp tree main branch
(767) View Source
B+K 4006 omnis (about 8' up and 15-20' apart, back of TS) > Audio Magic Sourcerer cables > Lunatec V2 > Apogee A-D 1000@48kHz > Graham-Patten DA-14 digital splitter > DAT > Prodif32 > Samplitude (48>44.1kHz) > Panasonic CW7502 > master CDs; pcp tree alternate branch; note 8/00 to evines via Dan Panice; md5's provided 10/22/01 by Mitch Jareo
(11586) View Source
Schoeps mk4 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch
(12458) View Source
FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee AD-1000; Taped by EP; DAT supplied by Russell Sarquis; Transferred by Rob Garland
(111737) View Source
(FOB) Neumann u89i > Grace Lunatec V2 > Apogee > Sony TCD-D8 (@ 48khz); Tascam DA-40 > M-Audio 2496 @ 48khz > iZotope SRC 64 bit SRC > Adobe Audition 3.0 (tracking) > Trader's Little Helper > FLAC; Transferred by ifthir
(113076) View Source
FM > DAT (@ 48kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp (NOTE: this is a 48 kHz seed)
(113579) View Source
Sony WM-FX50 digital tuned FM radio > Sony D8 @ 48kHz; Tascam DA-20mk II > SPDIF > Avid Digi003 > Pro Tools 7.4 > xACT FLAC 16; Taped by Dave Schall
(113581) View Source
FM > Sony TCD-D8; Tascam DA-30mk II > Digidesign 003 rack > Pro Tools > FLAC; Taped by Dave Schall
(126706) View Source
flac16; FOB; Schoeps MK21 > KC5 > CMC5 > Sonosax SX-M2 > Apogee AD1000 > Tascam DA-P1; DAT(c) @ 44.1k > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X (fades, edits) > TLH(flac 8); Transfer & edits by Jeff Mitchell
(126707) View Source
flac16; Microtech Gefell M210 > Oade > Sony SBM-1 > Tascam DA-P1; DAT(c) @ 44.1k > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X (fades, edits) > TLH(flac 8); Transfer & edits by Jeff Mitchell
(132372) View Source
flac16 48kHz Sennheiser K6RD/ME64>SBM-1>D8 sampled at 48k; Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CD Wave>flac level 8>TLH; Taped and transferred by Greg Nash
(135220) View Source
flac16 Sony WM-FX50 digital tuned FM radio > Sony D8 @ 48kHz (recorded by Dave Schall); master DATS > Tascam DA-20mk II > SPDIF > Avid Digi003 > Pro Tools 7.4 > xACT FLAC 16; all patches and edits executed in Pro Tools
(766) View Source
FOB Schoeps CMC521 > Sonosax SX-M2 > Apogee AD-1000; misc pops throughout; pcp tree main branch
(767) View Source
B+K 4006 omnis (about 8' up and 15-20' apart, back of TS) > Audio Magic Sourcerer cables > Lunatec V2 > Apogee A-D 1000@48kHz > Graham-Patten DA-14 digital splitter > DAT > Prodif32 > Samplitude (48>44.1kHz) > Panasonic CW7502 > master CDs; pcp tree alternate branch; note 8/00 to evines via Dan Panice; md5's provided 10/22/01 by Mitch Jareo
(11586) View Source
Schoeps mk4 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch
(12458) View Source
FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee AD-1000; Taped by EP; DAT supplied by Russell Sarquis; Transferred by Rob Garland
(111737) View Source
(FOB) Neumann u89i > Grace Lunatec V2 > Apogee > Sony TCD-D8 (@ 48khz); Tascam DA-40 > M-Audio 2496 @ 48khz > iZotope SRC 64 bit SRC > Adobe Audition 3.0 (tracking) > Trader's Little Helper > FLAC; Transferred by ifthir
(113076) View Source
FM > DAT (@ 48kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp (NOTE: this is a 48 kHz seed)
(113579) View Source
Sony WM-FX50 digital tuned FM radio > Sony D8 @ 48kHz; Tascam DA-20mk II > SPDIF > Avid Digi003 > Pro Tools 7.4 > xACT FLAC 16; Taped by Dave Schall
(113581) View Source
FM > Sony TCD-D8; Tascam DA-30mk II > Digidesign 003 rack > Pro Tools > FLAC; Taped by Dave Schall
(126706) View Source
flac16; FOB; Schoeps MK21 > KC5 > CMC5 > Sonosax SX-M2 > Apogee AD1000 > Tascam DA-P1; DAT(c) @ 44.1k > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X (fades, edits) > TLH(flac 8); Transfer & edits by Jeff Mitchell
(126707) View Source
flac16; Microtech Gefell M210 > Oade > Sony SBM-1 > Tascam DA-P1; DAT(c) @ 44.1k > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X (fades, edits) > TLH(flac 8); Transfer & edits by Jeff Mitchell
(132372) View Source
flac16 48kHz Sennheiser K6RD/ME64>SBM-1>D8 sampled at 48k; Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CD Wave>flac level 8>TLH; Taped and transferred by Greg Nash
(135220) View Source
flac16 Sony WM-FX50 digital tuned FM radio > Sony D8 @ 48kHz (recorded by Dave Schall); master DATS > Tascam DA-20mk II > SPDIF > Avid Digi003 > Pro Tools 7.4 > xACT FLAC 16; all patches and edits executed in Pro Tools
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Friedemann Rothfuchs (4/5) | SHN / 3 | DAN | View | Schoeps MK21 > VMS021B > [email protected] > DAT | ||
| Notes: | Phish 08/15/1998 The Lemonwheel Limestone, ME Source: Schoeps MK21 > VMS021B > [email protected] > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 (trim and fade sets only) > CDWAV1.53 > MKW0.97b > SHN w/seek tables appended Recording by Derek Gregory Transfer by Jamie Lutch 2/2002 Transfer done twice, inverted over itself to determine transfer errors. All errors were inaudible. ___________________________________________________________________________ *Dankseed Certification received 2002-08-13* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-08-16/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK Passes SHNTool- OK negative criteria met: DAE- NO Unecessary resampling- NO Diginoise- NO ___________________________________________________________________________ Disc 1 50:44 ~Set I~ 1. Mike's Song > 09:53 2. Simple 11:57 3. Beauty of My Dreams 03:20 4. Roggae 09:07 5. Split Open and Melt* 12:01 6. Poor Heart 04:27 Disc 2 60:37 1. Moma Dance 13:00 2. Divided Sky 16:55 3. Water in the Sky 03:29 4. Funky Bitch > 07:50 5. Cities** 08:28 6. Weekapaug Groove*** 10:55 Disc 3 74:16 ~Set II~ 1. The Wedge 06:58 2. Reba 17:02 3. Gumbo > 13:31 4. Sanity 05:36 5. Tweezer 16:09 6. The Horse > 01:37 7. Silent In The Morning 05:22 8. Chalkdust Torture 08:01 Disc 4 70:27 1. Slave To The Traffic Light@@ 10:50 ~Set III~ 2. NICU > 05:40 3. Bowie Intro > 08:56 4. David Bowie 16:28 5. Strange Design 03:03 6. Limb by Limb 11:34 7. Brian and Robert 03:42 8. Loving Cup 10:15 Disc 5 71:37 ~Encore~ 1. Halley's Comet > 07:00 2. Cavern > 04:09 3. Tweezer Reprise+ 09:06 ~Set IV~ 4. Ambient Jam 51:23 *Played for Sam, little kid freaking out in the front row **With lyrics about the Garden of Infinite Pleasantries'. Trey tries to make ferris wheel patrons sick with loop jam *** Fishman sped it up and at the end the boys basically gave him a solo... "Bob Weaver ladies and gentlemen" @@ With Glowstick War + - After Tweezer Reprise, Trey explained that the band wanted to do something to combine ideas from The Clifford Ball and The Great Went, going into detail about the band/fan artwork from last year, and announced that the band would do a freeform ambient jam (lyric-less; nearly an hour long; "in the Brian Eno style of ambient music"), surrounded by candles that were made by the audience throughout the day. There were no lights used during the jam, the band using only the light from the candles, which Trey explained is similar to the idea of what happens during a glow-stick war, with the light for the band coming from the fans. Because candles were placed around and througout the stage, Trey explained that they were in fact playing in a "temple of fire" as the advertisements for summer tour shows announced. After finishing the jam, the band picked up tiki torches, lit them using the candles on stage and lit a small stone (?) temple at the edge of the stage, which was left burning overnight and throughout the band's performance on Sunday Last Sanity 10/31/96 (139 shows) Thanks to Gadiel.com for the setlist | |||||
| Maury (4/0) | / 5 | View | ||||
| chris weaver (4/0) | / 1 | B | View | |||
| Notes: | Divided sky through Reba only | |||||
| Doug Nawrocki (4/4.8) | SHN / 3 | View | 11586 | Schoeps MK21 > VMS021B > SBM-1 > DAT | ||
| Brian Carroll (4/5) | CDR / 5 | A | View | Schoeps MK4 > VMS021B > [email protected] > DAT > DAT > SPDIF > VX Pocket >... | ||
| Brian (4/0) | SHN / 3 | A | A | View | B&K 4006 omnis>Audio Magic Sourcerer cables >Lunatec V2 pa >Apogee A-D 1000... | |
| Notes: | B&K 4006 omnis | |||||
| Tony Kimm (4/5) | shn / 3 | View | 767 | B+K 4006 omnis (about 8' up and 15-20' apart, back of TS) > Audio Magic Sourcerer cables >... | ||
| Rev_St_Penis (4/0) | / 0 | View | 11586 | |||
| Timothyjh18 (4/5) | mp3 cdr / 1 | View | ||||
| Jared in D.M. (4/5) | cdr 5 / 5 | View | ||||
| reid (4/0) | CDR / 5 | View | DFM | |||
| Notes: | 74 min CDR's | |||||
| Levi Hunt (4/5) | cdr / 5 | A+ | A | View | Schoeps CMC6/MK21's > VMS021B > SBM1> D8 | |
| Notes: | etree | |||||
| Mike Simpson (4/4.4) | shn / 3 | View | ||||
| Notes: | Source: Schoeps MK21 > VMS021B > [email protected] > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 (trim and fade sets only) > CDWAV1.53 > MKW0.97b > SHN w/seek tables appended Recording by Derek Gregory Transfer by Jamie Lutch 2/2002 Transfer done twice, inverted over itself to determine transfer errors. All errors were inaudible. | |||||
| Logan (4/0) | CDR / 5 | View | ||||
| Chewie (4/0) | shn / 3 | View | 11586 | |||
| Mark Beswick (4/5) | shn / 3 | View | 767 | B&K 4006 omnis (about 8' up and 15-20' apart, back of taper's section) > | ||
| Notes: | PHISH *** LEMONWHEEL *** Loring Air Force Base, Limestone, Maine August 15 & 16, 1998 ** Source info ** B&K 4006 omnis (about 8' up and 15-20' apart, back of taper's section) > Audio Magic Sourcerer cables > Lunatec V2 pa > Apogee A-D 1000 (48kHz)> Graham-Patten DA-14 digital splitter > DAT > Pr0dif32 > Samplitude Master (44.1kHz) > Panasonic CW7502 > master CDs | |||||
| Jake (4/0) | / 0 | View | ||||
| chris (4/5) | cdr / 5 | A | View | |||
| Chris Heck (4/5) | SHN / 3 | View | 11586 | |||
| Jason Rothfeld (4/0) | cdr + shn / 5 | View | 767 | B&K 4006 omnis (about 8' up and 15-20' apart, back of taper's section) >Audio Magic Sourcerer... | ||
| Patrick (4/5) | CDR / 5 | A | A+ | View | B&K 4006 omnis (about 8' up and 15-20' apart, back of taper's section) > Audio Magic Sourcerer... | |
| Notes: | PCP seed. includes Ring Of Fire set. | |||||
| Rob Berg (4/4.5) | SHN / 3 | View | 767 | |||
| Notes: | Lemonwheel. | |||||
| Matt Lewis (4/5) | .shn / 3 | A | View | 11586 | ||
| Notes: | *Dank Seed* | |||||
| Ryan (4/0) | cdr / 5 | View | ||||
| ben (4/0) | SHN / 3 | View | ||||
| Daniel (4/0) | cdr / 4 | A | A | View | ||
| chemist (4/5) | SHN / 3 | View | 11586 | |||
| Dylan (4/0) | CDR / 5 | View | 766 | (FOB) Schoeps CMC521 | ||
| Michael Werner (4/5) | CDR / 5 | A+ | A | View | Schoeps MK4 > VMS021B > [email protected] > DAT > DAT > SPDIF >VX Pocket >... | |
| Notes: | Last Sanity 10/31/1996 (139 shows)After Tweezer Reprise, Trey explained that the band wanted to do something to combine ideas from The Clifford Ball and The Great Went, going into detail about the band/fan artwork from last year, and announced that the band would do a freeform ambient jam (lyric-less; nearly an hour long; "in the Brian Eno style of ambient music"), surrounded by candles that were made by the audience throughout the day. There were no lights used during the jam, the band using only the light from the candles, which Trey explained is similar to the idea of what happens during a glow-stick war, with the light for the band coming from the fans. Because candles were placed around and througout the stage, Trey explained that they were in fact playing in a "temple of fire" as the advertisements for summer tour shows announced. After finishing the jam, the band picked up tiki torches, lit them using the candles on stage and lit a small stone (?) temple at the edge of the stage, which was left burning overnight and throughout the band's performance on Sunday. | |||||
| David Malone (4/5) | CDR / 5 | View | 11586 | |||
| Notes: | dankseed | |||||