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Set I
City Of Blinding Lights
Vertigo
Elevation
I Will Follow
I Still Haven't Found What I'm Looking For
In A Little While
Beautiful Day
Angel Of Harlem
Who's Gonna Ride Your Wild Horses
The First Time
Sometimes You Can't Make It On Your Own
Love And Peace Or Else
Sunday Bloody Sunday
Bullet The Blue Sky
Miss Sarajevo
Pride (In The Name Of Love)
Where The Streets Have No Name
One
E1: The Fly
Mysterious Ways
With Or Without You
E2: Window In The Skies
The Saints Are Coming*
Rockin' In The Free World#
All I Want Is You
Vertigo
Elevation
I Will Follow
I Still Haven't Found What I'm Looking For
In A Little While
Beautiful Day
Angel Of Harlem
Who's Gonna Ride Your Wild Horses
The First Time
Sometimes You Can't Make It On Your Own
Love And Peace Or Else
Sunday Bloody Sunday
Bullet The Blue Sky
Miss Sarajevo
Pride (In The Name Of Love)
Where The Streets Have No Name
One
E1: The Fly
Mysterious Ways
With Or Without You
E2: Window In The Skies
The Saints Are Coming*
Rockin' In The Free World#
All I Want Is You
Set II
Set III
Comment
* - w/ Billie Joe Armstrong of Green Day
# - w/ Eddie Vedder & Mike McCready of Pearl Jam
# - w/ Eddie Vedder & Mike McCready of Pearl Jam
Last Changed By
Zoooma
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Karst de Jong (2/5) | / 0 | View | ||||
| Notes: | DVD0021 | |||||
| Greg P (2/5) | cd / 2 | View | ||||
| Greg P (2/5) | dvd / 2 | View | ||||
| Tom (2/0) | / 2 | View | Source: Sound Professional AT933 Hyper Cardioids > Sound Pro Battery Box (Roll off @ 107Hz)... | |||
| Mike Langen (2/4.9) | cdr / 2 | A | View | mtrx | ||
| Notes: | “Flying Into Hawaii” The ultimate version Blend of sources: Chrisedge Bakerstuff Bono IEM Gear: Protools/ Audition Mixing: Bob S. First off this work is dedicated to the tapers and their generosity in making this happen. The mission for this was to make a recording that sounds like you are in the middle of the sweet spot of the stadium. Processes as follows: Bakerstuff was used as the primary source as it had very direct sound. Unfortunately it suffered from 2 people that were constantly screaming. A full master was done within protocols using primarily a 7 band parametric and light multband to add definition to the vocals and bass, and finally a subsonic filter to get the low stuff that was just adding mud to the sound. From that, the track was duplicated and applied a high pass filter at 600hz for use as a bottom end filler for Chris’ version. Chris’ version was used for ambience, as the taping position was further back. First step is to run in a harmonic balancer and match the sound of Bakers’ version from 600hz through 3k for the filler track during Bakers screamers. Duplicating the track, and narrowing the stereo image to 80% took some of the distance sound out of it to use as the ambience track. The IEM obviously is used for vocals. The first step with it was to filter the click track, but because of the style of click it could not be completely removed. Then using eq and aural exciter to fill it out a give it a more natural sound. The big problem with this source was the receiver used to pull it in would loose the frequency every now and again causing static, so this could not be used at all times. The last third of the show the wind came up and affected both audience sources at times. I filtered it as best as possible, but since it was so wide across the low and mid frequencies total removal resulted in a very thin sound, so in these areas I used a high pass to at least get the big rumble reduced. On to the mixing. Bakers source was set to –6db, Chris’ to –12db and the IEM to –4db as base settings. I crossed the two duplicate tracks as fills for each of the main tracks to remove the screamers. This process took 6 months of on and off work, and unfortunately was not fully completed, as the engineering staff at work decided to upgrade the software and it somehow corrupted the file. Due to the complexity of the mix it was impossible to rebuild it and keep going (there are well over 1000 automations).Fortunately I had done a mixdown just to see how things were going. All that was left was the little tweaks, so it’s not that devastating. The final mastering was done on Audition2 using a five band parametric for pre, muliband compressor to really level things out. I set the multiband very mildly to mainly use it as a soft limiter to keep the sound from getting out of hand. The final phase was a 1/3 octave for final smoothing. Cheering between encores is pulled up. Artwork is included, but if anyone has something better to offer go for it! Mike this one’s for you! Thanks for everything. Hope you all enjoy. | |||||
| lenoplaf (2/0) | CDR / 2 | View | AUD | |||
| luke (2/4) | CDR / 2 | View | ||||
| Erick (2/3) | FLAC / 2 | View | ||||
| hanshcv (2/0) | CD-R / 2 | View | ||||
| Ben (2/4.6) | cdr / 2 | View | ||||
| Craig Schnur (2/5) | CD-R / 2 | A+ | A- | View | ||
| hannes (2/5) | CDR/audio / 2 | View | ||||
| For_you (2/0) | CD-R / 2 | View | ||||
| roobah fox (2/0) | DVD / 2 | B+ | A- | View | unk | |
| James Ireland (2/0) | FLAC / 2 | View | CoreSound Binaurals w/bass roll-off > Edirol R-09 > USB Cable > Cool Edit Pro (boost... | |||
| Notes: | Pearl Jam set on same disc. | |||||
| Honey (2/5) | flac / 2 | View | ||||
| Hard2Handell (1/4.3) | CDR / 2 | A+ | View | Audience | ||
| Notes: | Version # 1 | |||||
| Hard2Handell (1/4.3) | CDR / 2 | A+ | View | Audience | ||
| Notes: | Version # 2 | |||||
| Hard2Handell (1/4.3) | CDR / 2 | A+ | View | Audience | ||
| Notes: | Version # 3 | |||||
| Hard2Handell (1/4.3) | CDR / 2 | A+ | View | Audience | ||
| Notes: | Version # 4 | |||||
| demetrios (1/5) | / 0 | View | Flying Into Hawaii (2 aud/IEM blend) | |||
| Notes: | U2 - 2006-12-09 Flying Into Hawaii (2 aud/IEM blend) U2 Aloha Stadium December 9, 2006 “Flying Into Hawaii” The ultimate version Blend of sources: Chrisedge Bakerstuff Bono IEM Gear: Protools/ Audition Mixing: Bob S. First off this work is dedicated to the tapers and their generosity in making this happen. The mission for this was to make a recording that sounds like you are in the middle of the sweet spot of the stadium. Processes as follows: Bakerstuff was used as the primary source as it had very direct sound. Unfortunately it suffered from 2 people that were constantly screaming. A full master was done within protocols using primarily a 7 band parametric and light multband to add definition to the vocals and bass, and finally a subsonic filter to get the low stuff that was just adding mud to the sound. From that, the track was duplicated and applied a high pass filter at 600hz for use as a bottom end filler for Chris’ version. Chris’ version was used for ambience, as the taping position was further back. First step is to run in a harmonic balancer and match the sound of Bakers’ version from 600hz through 3k for the filler track during Bakers screamers. Duplicating the track, and narrowing the stereo image to 80% took some of the distance sound out of it to use as the ambience track. The IEM obviously is used for vocals. The first step with it was to filter the click track, but because of the style of click it could not be completely removed. Then using eq and aural exciter to fill it out a give it a more natural sound. The big problem with this source was the receiver used to pull it in would loose the frequency every now and again causing static, so this could not be used at all times. The last third of the show the wind came up and affected both audience sources at times. I filtered it as best as possible, but since it was so wide across the low and mid frequencies total removal resulted in a very thin sound, so in these areas I used a high pass to at least get the big rumble reduced. On to the mixing. Bakers source was set to –6db, Chris’ to –12db and the IEM to –4db as base settings. I crossed the two duplicate tracks as fills for each of the main tracks to remove the screamers. This process took 6 months of on and off work, and unfortunately was not fully completed, as the engineering staff at work decided to upgrade the software and it somehow corrupted the file. Due to the complexity of the mix it was impossible to rebuild it and keep going (there are well over 1000 automations).Fortunately I had done a mixdown just to see how things were going. All that was left was the little tweaks, so it’s not that devastating. The final mastering was done on Audition2 using a five band parametric for pre, muliband compressor to really level things out. I set the multiband very mildly to mainly use it as a soft limiter to keep the sound from getting out of hand. The final phase was a 1/3 octave for final smoothing. Cheering between encores is pulled up. Artwork is included, but if anyone has something better to offer go for it! Mike this one’s for you! Thanks for everything. Hope you all enjoy. Please share! And as usual please don’t sell this. CD 1 Wake Up/Everyone City of Blinding Lights Vertigo Elevation I Will Follow I Still Haven't Found What I'm Looking For Beautiful Day Angel of Harlem Who's Gonna Ride Your Wild Horses The First Time Sometimes You Can't Make it on Your Own Love and Peace or Else Sunday Bloody Sunday Bullet the Blue Sky CD 2 Miss Sarajevo Pride (In the Name of Love) Where the Streets Have no Name One The Fly Mysterious Ways With or Without You Window in the Skies The Saints are Coming Rockin' in the Free World All I Want is You Bonus disc: Pearl Jam Interstellar Overdrive Corduroy Life Wasted Do The Evolution Elderly Woman…. Big Wave Even Flow Hawaii 78 Better Man World Wide Suicide Given To Fly Crazy Mary Alive Baba O’Riley 301 intro.flac:341dd30ebe4032adcbdbeaae3bfcd700 302 Interstellar Overdrive.flac:5fef63d8cd3b4ce8c463929e7b036c18 303 Corduroy.flac:3f9b75b35779df33d830a47c3b3b25df 304 Life Wasted.flac:250726e0576278cf4b819e68258cab6a 305 Do The Evolution.flac:6cbb83b37c871521cd7dcefe2edaa9ce 306 Elderly Woman.flac:be38e0773906a2fd4af0f095ffcf5f8a 307 Big Wave.flac:5baafdc814fc6b55954c5c2cc6171b8c 308 Even Flow.flac:2a39d4046f478410f965c332d19b5d51 309 Hawaii 78.flac:f724dab4acff3c2304e800296f798b53 310 Better Man.flac:1093351e6132dad51657cadf9ca3c041 311 World Wide Suicide.flac:fbe3da9dad1566b4398e880f39b690be 312 Given To Fly.flac:e438d99cade0e4ecced25ec00db0819a 313 Crazy Mary.flac:bcc7670de958658cd8a51735b631b7b8 314 Alive.flac:291807c8be8c74abcaa0dcb86b539667 315 Baba O'riley.flac:dc2277f69a207d5a59ba70d5847bb62a 101 Intro.flac:5546fe3973778757ffb10b719170f2ec 102 City Of Blinding Lights.flac:4f3eeafea9d5a9e39dbbd25ee5fe6d27 103 Vertigo.flac:6cb07454e8d94a3557accd3920ccf3fe 104 Elevation.flac:7ec8cfae1e42fd4b0b9ec4b30729c6ed 105 I Will Follow.flac:9a359048c4d0079c1840b35bfa34d223 106 I Still Haven't Found What I'm Looking For.flac:3f2890471b9b850b23ab2c7f5b957d22 107 Beautiful Day.flac:98fff11dcc587573120e6e596fcf4050 108 Angel Of Harlem.flac:c3f67cf9ea628faca30ea4d228507305 109 Who's Gonna Ride Your Wild Horses.flac:ea2a339c70b9f418521804ccd3911335 110 The First Time.flac:1b47a61c7b014978c739c3347d4d5843 111 Sometimes You Can't Make It On Your Own.flac:df98b2d62073183acad37b522d49fde8 112 Love And Peace Or Else.flac:8d456db1a62a4618eb599fc9400ff111 113 Sunday, Bloody Sunday.flac:c8d07286b2854a9fe28b848b8d92073b 114 Bullet The Blue Sky.flac:39a9f29f71a011e73a0d1a2c2e497dfd 201 Miss Serajevo.flac:d0e3214d8161140b068f53deef749764 202 Pride.flac:8c92ae0cdde355d9cb141fbb3b08cb38 203 Where The Streets Have No Name.flac:3412433d87962da4983d34a0f2d331d9 204 One.flac:bb9a6306fd4c00a2998afd14c8b7296e 205 The Fly.flac:e28b616fe4cf4c1774f4cbaac5560089 206 Mysterious Ways.flac:5748400c4a6c73056257ddad722665c3 207 With Or Without You.flac:cdb75548a388f95db21e2ba86f06a1c8 208 Window To The Skies.flac:683b4ce5f7bb886bb14f308349807b86 209 The Saints Are Coming.flac:7eea659f3b86fabda09bbec31c8c8e83 210 Keep On Rocking In The Free World.flac:07172bfc7a1b541a2657f5052505286a 211 All I Want Is You.flac:de7344241cd830a00c72c9c3b46aa058 | |||||
| get_christie_love (1/5) | FLAC / 2 | A+ | A- | View | Audience | |
| Notes: | Source: Sound Professional AT933 Hyper Cardioids > Sound Pro Battery Box (Roll off @ 107Hz) > Sony PCM-M1 (@ 44.1khz) Location: KK - 34 Row Transfer: Sony PCM-M1 > Core-Sounds 7 Pin to Coax > Zoltrix Nightingale Pro 6 > Cool Edit (Hard Limited / Normalized and fades) > CDWav (for track splitting) > Flac Frontend (FLAC) | |||||
| get_christie_love (1/5) | DVD / 2 | A | A- | View | Audience | |
| Notes: | 1-cam audience. screens & stage | |||||
| Jayson (1/5) | FLAC / 0 | View | matrix of Chrisedge and bakerstuff | |||
| RBrands (1/0) | Flac / 0 | View | SEF 4 source MIX | |||
| Notes: | SEF 4 source MIX | |||||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | IEM/Audience matrix | |||
| Notes: | DVD 337; lineage: “Flying Into Hawaii” The ultimate version. Blend of sources: Chrisedge, Bakerstuff, Bono IEM. Gear: Protools/ Audition. Mixing: Bob S. Includes Pearl Jam opening set. | |||||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience | |||
| Notes: | DVD 3548; lineage: Audience recording. "Aloha Stadium" (The Godfatherecords, G.R. 181/182) Silver bootleg ->Nero ->Trader Little Helper ->FLAC8 | |||||
| C Montana (1/4) | DVDR / 2 | A | View | |||
| Matthew (1/4.8) | CD / 2 | View | ||||
| Matthew (1/4.8) | DVD / 2 | View | ||||