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Phil Lesh & Friends 04/15/99
Warfield Theatre, San Francisco, CA
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Set I
Hello Old Friends *
Viola Lee Blues
Big Railroad Blues
Jack-A-Roe
Cosmic Charlie
Wolfman's Brother
Uncle John's Band
Set II
Alabama Getaway
Sugaree
Like A Rolling Stone
I Know You Rider
Row Jimmy
Shakedown Street
The Wheel
Not Fade Away
Donor Rap
E: Mr. Tambourine Man
Set III
 
Comment
Unbroken Chain Benefit

Phil Lesh - Electric Bass, Vocals
Trey Anastasio - Electric Guitar, Vocals
Steve Kimock - Electric Guitar
Page McConnell - Keyboards
John Molo - Drums

* - Phil Lesh Sings With His Children
Last Changed By J
Sources
(2611) View Source    View Archive
Source: FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz DAT > PC (S/PDIF) > CD-R by Adam Shiffman
(4151) View Source    View Archive
Source Info: SBD > DAT > CDR > EAC > SHN
(6411) View Source    View Archive
Patched soundboard by Syd Schwartz [email protected] ("e-jade" version) using FOB/DFC:ortf bar; Schoeps clamped to drinkrail source by taper R. Clay.
(6412) View Source    View Archive
Analog sbd source with unknown transfers patched with mk21>kc5>cmc6>apogee ad1000 aud source by [email protected]
(18371) View Source    View Archive
Source: SBD
(25295) View Source    View Archive
SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller
(27694) View Source    View Archive
SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan Source info: SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave
(27695) View Source    View Archive
DTS-Audio-CD 5.1 Mix via Dan Source Info: SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > [email protected] > My DAT > M-Audio 24/96 > Wave
(27795) View Source    View Archive
DVD-Audio SBD+AUD Matrix Mix Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > [email protected] > My DAT > M-Audio 24/96 > Wave
(99195) View Source    View Archive
source: Schoeps cmc6/mk41 > Lunatec V2 > Apogee AD-1000 > Sony PCM-M1 (@ 48 kHz) taped from right behind drink rail, all cables were Audio Magic Excaliber transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb 2.0 > pc > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8) recorded by Dave Flaschner transferred by Jason Sobel
(123592) View Source    View Archive
Source: FOB B&K 4022 Transfer: DAT (44.1k) > Sony PCM-R500 > M-Audio 2496 > Wavelab Elements 7.2.1 > CD Wave 1.98 > TLH (flac lvl 8) > Foobar2k Live Show Tagger Transfered by: Jeff Mitchell ([email protected])
(125409) View Source    View Archive
Source: MG M300's > V2 > ADC-20 > D7 Transfer: D8 > Behringer UCA202 > Audacity (@48 Hz) > WAV > FLAC Taper: Unknown Transferred From DAT by Bill Graves
(132891) View Source    View Archive
CSHEB (DPA 4061) > Zefiro Inbox > Sony D100 > 44kdat Transfer 4/24/15 master dat > m-audio audiophile 2496 > cooledit2000 > wav > flac cooledit2000 was used for raising levels and track splitting
(136900) View Source    View Archive
Source:Neuman KM-184
Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 > CD Wave > Flac
Taper:Unknown
Conversion:Patrick Price
(137016) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=25295) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shn id 136900) Source:Neuman KM-184 Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - matrix mixing by Kevin Tobin
(137017) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=25295) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shn id 136900) Source:Neuman KM-184 Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - DTS mixing by Kevin Tobin
(137018) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25295) SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller + AUD (shn id 136900) Source:Neuman KM-184 Conversion:Tascam DA-20 MKII > Tascam HD-P2 > Sony Soundforge 8.0 > CD Wave > Flac Taper:Unknown Conversion:Patrick Price - mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
Eric Mohl (5/0) CDR/SHN / 2 A View 2611 Schoeps CMC6/MK21 (subcardiod) -> Apogee AD1000 @ 44.1khz
Notes: Unbroken Chain Benefit Phil Lesh- bass and vocals, Steve Kimock - Lead guitar, John Molo - Drums, Trey Anastasio- Guitar, Page McConnel - Keyboards *Diffrent md5 than database
organicgroove (5/0) CD-R / 4 A View  
Notes: with trey & page
ian (5/0) / 4 View  
Tyler Bruce (5/4.3) cdr / 4 View  
Notes: SBD > DAT > CDR > EAC > SHN
Connieconcert (5/3.3) CDR / 4 View  
Kevin Christian (5/0) CDR / 2 A A+ View   SBD
Ron (5/5) shn / 2 View   SBD->DAT->CD (via standalone burner)->EAC (tested for accuracy 4 times on 3 separate...
tom (5/4) / 4 A A View  
Kevin Kachel (5/0) shn / 2 View 2611 FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz, DAT > PC (S/PDIF) > CD-R
Jay Thomson (5/4.9) SHN / 2 View 2611 FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz
Jay Thomson (5/4.9) SHN / 2 View 4151 SBD->DAT->CD (via standalone burner)->EAC (tested for accuracy 4 times on 3 separate computers)->SHN
phishinNYC (5/5) SHN / 2 View 6411 Patched soundboard by Syd Schwartz [email protected] (
Notes: PHIL LESH & FRIENDS Thursday, April 15, 1999 THE WARFIELD, SAN FRANCISCO, CA Trey Anastasio (Phish): Guitars, vocals Page McConnell (Phish): Grand Piano & organ, vocals John Molo (Other Ones): Drums Phil Lesh (Grateful Dead, Other Ones): Lead Bass, vocals Steve Kimock (Zero, SK&F, KVHW, Other Ones): Guitars Special Guests: Phil's kids, Brian and Graham for "Hello Old Friends" (front of stage; the curtain was still down) Set I Disc 1: 1. Hello Old Friends 04:12 2. Viola Lee Blues 33:39 3. Big Railroad Blues 08:02 4. Jack-a-Roe 07:14 Total time: 53:06 Disc 2: 1. Cosmic Charlie 11:30 2. Wolfman's Brother-> 15:34 3. Uncle John's Band 24:52 Total time: 51:57 Set II Disc 3: 1. Alabama Getaway 08:23 2. Sugaree 20:08 3. Like a Rolling Stone-> 11:39 4. I Know You Rider 13:14 5. Row Jimmy 10:57 Total time: 64:22 Disc 4: 1. Shakedown Street 19:40 2. The Wheel 09:13 3. Not Fade Away 14:02 4. Donor Rap/Mr.Tambourine Man* 09:22 Total time: 52:17 Extracted, patched, and SHN by Syd Schwartz [email protected] Source info: SBD->DAT->CD (via standalone burner)->EAC (tested for accuracy 4 times on 3 separate computers)->SHN *Patch info: Mr. Tambourine Man patched from 4:46 to end of show from FOB/DFC:ortf bar; Schoeps mk4> kc5-actives> cmc6> ad1000 (clamped to drinkrail), taper R. Clay; CD mastering McCloskey, SonyR500> AES/EBU monster cable> ZA2> SoundForge/CDArchitect> Plextor8x20->EAC->CD->EAC (tested for accuracy 4 times on 3 seperate computers)->SHN. There are several different soundboard sources of the 4/99 Phil & Phriends run coming into circulation as of early 2001. I have sampled 4 different ones (which are all that I am aware of as of mid-March) and this is by far the sonically superior source and mix. FAQ about this version (the E-Jade Mix) April 1999 Phil & Phriends shows: Q: How does this version differ from other the other soundboards in circulation A: There are at least 3 other versions in circulation that I have heard. 2 of the 3 have one analog gen (one of those is pitched slightly slow). The other DSBD has additional cuts (i.e., Alligator is hacked) and has a different sound to it--the vocals are way out in front and the overall balance between the instruments is less than ideal. Q: So why do you refer to this version as a different mix? A: Conjecture on my part really. I've heard from more than one source that these shows were a good deal closer to official release than most people think. Close enough, that post-production work on the master tapes was underway (though I don't know how much, who did it or what the final sonic vision was supposed to sound like). My guess is that the other full DSBD was probably from the 2-track DAT master or the unmixed multi-track tapes, while this version has undergone some dB adjustments on an individual instrument level to provide the level of balance and overall presence. Again, this is pure guesswork on my part but I my hypothesis is backed up by several "can't confirm nor deny" answers I've gotten from a few folks in the know. If you have further info, conspiracy theories, or a good recipe for Peking duck, please get in touch with me via email. Q: Why didn't you patch the missing parts with one of the other soundboard sources? A: First of all, as I mentioned, 2 of the other boards had analog gens. I actually gave it a shot, but found the difference in sound was actually more jarring from the analog gen boards than from the outstanding "drink rail" DAUD. And the other DSBD was missing the donor rap/Box of Rain encore entirely, so it wasn't an option. Q: Do you honestly believe that this is the definitive soundboard source of this show? A: Yes. Q: OK, so lets accept for the moment that your theory on the source of these shows is correct. If they were in post-production, why are there cuts and missing segments? A: My understanding from the Lone PhGunmen is cuts were intentionally introduced when these shows were given to family/friends so that leaks could be tracked. Q: So does the circulation of these show pose a problem for the GD and/or Phish camps? A: From what I've been told, there might have been an eyebrow or two raised a couple of months ago, but at this point its not an issue. Prior to 6 months ago, the widespread trading of this show could have caused utter mayhem, bedlam, chaos and the issuance of small craft advisories. On both coasts. Q: Why call it the "E-Jade mix" A: During the entire comparison process amongst the different versions, and the subsequent patching process, the volume coming from the stereo and computer speakers frequently woke my 18 month-old daughter, Emily Jade Schwartz. As she's had to endure repeated looping of miniscule and titanic excerpts of this music, and I'm a narcissistic proud parent, the moniker seemed only natural.
phishinNYC (5/5) SHN / 2 View 6411 Patched soundboard by Syd Schwartz [email protected] (
Notes: PHIL LESH & FRIENDS Thursday, April 15, 1999 THE WARFIELD, SAN FRANCISCO, CA Trey Anastasio (Phish): Guitars, vocals Page McConnell (Phish): Grand Piano & organ, vocals John Molo (Other Ones): Drums Phil Lesh (Grateful Dead, Other Ones): Lead Bass, vocals Steve Kimock (Zero, SK&F, KVHW, Other Ones): Guitars Special Guests: Phil's kids, Brian and Graham for "Hello Old Friends" (front of stage; the curtain was still down) Set I Disc 1: 1. Hello Old Friends 04:12 2. Viola Lee Blues 33:39 3. Big Railroad Blues 08:02 4. Jack-a-Roe 07:14 Total time: 53:06 Disc 2: 1. Cosmic Charlie 11:30 2. Wolfman's Brother-> 15:34 3. Uncle John's Band 24:52 Total time: 51:57 Set II Disc 3: 1. Alabama Getaway 08:23 2. Sugaree 20:08 3. Like a Rolling Stone-> 11:39 4. I Know You Rider 13:14 5. Row Jimmy 10:57 Total time: 64:22 Disc 4: 1. Shakedown Street 19:40 2. The Wheel 09:13 3. Not Fade Away 14:02 4. Donor Rap/Mr.Tambourine Man* 09:22 Total time: 52:17 Extracted, patched, and SHN by Syd Schwartz [email protected] Source info: SBD->DAT->CD (via standalone burner)->EAC (tested for accuracy 4 times on 3 separate computers)->SHN *Patch info: Mr. Tambourine Man patched from 4:46 to end of show from FOB/DFC:ortf bar; Schoeps mk4> kc5-actives> cmc6> ad1000 (clamped to drinkrail), taper R. Clay; CD mastering McCloskey, SonyR500> AES/EBU monster cable> ZA2> SoundForge/CDArchitect> Plextor8x20->EAC->CD->EAC (tested for accuracy 4 times on 3 seperate computers)->SHN. There are several different soundboard sources of the 4/99 Phil & Phriends run coming into circulation as of early 2001. I have sampled 4 different ones (which are all that I am aware of as of mid-March) and this is by far the sonically superior source and mix. FAQ about this version (the E-Jade Mix) April 1999 Phil & Phriends shows: Q: How does this version differ from other the other soundboards in circulation A: There are at least 3 other versions in circulation that I have heard. 2 of the 3 have one analog gen (one of those is pitched slightly slow). The other DSBD has additional cuts (i.e., Alligator is hacked) and has a different sound to it--the vocals are way out in front and the overall balance between the instruments is less than ideal. Q: So why do you refer to this version as a different mix? A: Conjecture on my part really. I've heard from more than one source that these shows were a good deal closer to official release than most people think. Close enough, that post-production work on the master tapes was underway (though I don't know how much, who did it or what the final sonic vision was supposed to sound like). My guess is that the other full DSBD was probably from the 2-track DAT master or the unmixed multi-track tapes, while this version has undergone some dB adjustments on an individual instrument level to provide the level of balance and overall presence. Again, this is pure guesswork on my part but I my hypothesis is backed up by several "can't confirm nor deny" answers I've gotten from a few folks in the know. If you have further info, conspiracy theories, or a good recipe for Peking duck, please get in touch with me via email. Q: Why didn't you patch the missing parts with one of the other soundboard sources? A: First of all, as I mentioned, 2 of the other boards had analog gens. I actually gave it a shot, but found the difference in sound was actually more jarring from the analog gen boards than from the outstanding "drink rail" DAUD. And the other DSBD was missing the donor rap/Box of Rain encore entirely, so it wasn't an option. Q: Do you honestly believe that this is the definitive soundboard source of this show? A: Yes. Q: OK, so lets accept for the moment that your theory on the source of these shows is correct. If they were in post-production, why are there cuts and missing segments? A: My understanding from the Lone PhGunmen is cuts were intentionally introduced when these shows were given to family/friends so that leaks could be tracked. Q: So does the circulation of these show pose a problem for the GD and/or Phish camps? A: From what I've been told, there might have been an eyebrow or two raised a couple of months ago, but at this point its not an issue. Prior to 6 months ago, the widespread trading of this show could have caused utter mayhem, bedlam, chaos and the issuance of small craft advisories. On both coasts. Q: Why call it the "E-Jade mix" A: During the entire comparison process amongst the different versions, and the subsequent patching process, the volume coming from the stereo and computer speakers frequently woke my 18 month-old daughter, Emily Jade Schwartz. As she's had to endure repeated looping of miniscule and titanic excerpts of this music, and I'm a narcissistic proud parent, the moniker seemed only natural.
Gary McRoberts (5/5) CDR / 3 A View   Aud
Marko (5/0) CDR / 4 View  
Kevin Wasik (5/0) flac / 2 a a View  
Erin (5/5) CDR/SHN / 3 View 4151 SBD
Ratdog910 (5/5) cdr / 3 View 18371 SBD
Notes: SBD
Ratdog910 (5/5) cdr / 4 View 25295 SBD
Notes: SBD 24 Track Mix
Ratdog910 (5/5) cdr / 4 View 27694 SBD/AUD Matrix
Notes: SBD / AUD Matrix Mix
Ratdog910 (5/5) cdr / 4 View 27695 SBD
Notes: DTS-Audio-CD 5.1 Mix
longdistancerunner (5/5) CDR / 4 A A View  
jlaughli (5/0) shn / 0 View 4151
thebiggestfro (5/4) / 4 A+ View  
saul goldstein (5/0) cdr / 3 View  
Notes: sbd
andrew (5/0) CD / 4 View  
Mike Woellert (5/4.6) CD-R / 4 View   Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000
Notes: Schoeps CMC6/MK21 > Apogee AD1000
Mike Woellert (5/4.6) CD-R / 4 View   SBD > DAT
Notes: SBD
Mike Woellert (5/4.6) CD-R / 4 View 27694 SBD/AUD Matrix
Notes: SBD/AUD Matrix
A.J. Howard (5/5) / 4 View