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Phish 08/16/97
Loring Air Force Base (Disco Set), Limestone, ME
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Set I
Great Went Disco Set
Set II
 
Set III
 
Comment
Great Went Disco Set
Last Changed By Ben Mohr
Sources
(687) View Source   
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source   
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source   
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source   
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source   
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source   
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source   
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source   
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source   
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source   
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source   
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source   
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source   
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source   
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source   
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
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User (active/rating) Media / # Show Sound Details DB Source User Source
j.j. (3/0) FLAC / 1 View 86503 AUD
Pete Cory (3/0) / 1 View   ? Aud
Brian Connelly (3/0) / 0 View 119821
Sparks (3/0) / 0 View 26164
steve (3/5) CDR / 1 View  
Greg Deutcher (3/2) SHN / 1 View   Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz
Notes: This is not the complete set
Andrew Butler (3/0) SHN / 1 View 688 Nakamichi CM-300
Resin421 (3/0) / 0 View 26164 Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic...
Resin421 (3/0) / 0 View 688 Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps...
Resin421 (3/0) / 0 View 86503 "Disco Set" FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII >...
Corey (3/5) Shn / 2 View   pre-fm dat > rme96/8 > cdwav editor > mkw > shn (44.1)
Notes: From The Archives Radio Show
multipliedspace (3/0) / 0 View 26164
Notes: DAUD
Blane (3/5) DAT60m / 1 View   DAUD
Notes: Incomplete
itsnahtatumahh (3/0) / 0 View 86503
Notes: 86503
Adam Berkowitz (3/4.3) SHN / 2 View   Microtech Gefell m296 > EAA pre-amp
Donny (3/5) SHN / 1 View 688
Notes: Incomplete Disco Set from the Great Went
Donny (3/5) FLAC / 1 View  
Notes: 2 sources spliced together to make a Complete Disco Set from the Great Went.
PhishDMB00 (3/4) AUD / 1 N/A 8.3 View   Track 1:Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT ; Track...
Philzone (3/4.9) / 1 A- A- View   Track One:Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT
Notes: Disco Set
Newk1402 (3/0) CDR / 1 View  
Brad (3/4) SHN / 1 View   Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz
Notes: Late Night Partial Set
Brad (3/4) FLAC / 1 View   Sonic Studio DSM-6's and Nakamichi CM-300 w/CP-1
Notes: Complete Disco set, with patch
Drew Covert (3/0) CDR / 1 A A View   two sources (see tech notes)
alderon planet (3/0) CDR / 1 C+ View   track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT...
Notes: This is the Entire set, two sources spliced together.
Adam Schwartzberg (3/0) / 1 View  
Notes: The DISCO Set
Tracy (3/5) CDR / 1 View   Track 1: Sonic Studio DSM-6's > Sony D7 DAT; Track 2: Nakamichi CM-300 w/CP-1 caps -> Teac...
Notes: DISCO SET
Steve (3/4) SHN / 0 View   Split Sources - see notes (2)
Notes: Phish @ the Great Went "Disco" set 8-16-1997 Late Night (approx 2am morning of 8-17) Loring Air Force Base, Limestone, Maine 1.. unknown > (39:47) 2.. unknown (06:55) note : This is the Entire set, two sources spliced together. recording/transfer sources : track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording and transfer by Jon Weber [email protected] able assistance from Darryl Snyder track 2 = Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT recording and transfer by Adam Shiffman / Justin Brooks [email protected] performance note : This was a latenight set during the Great Went, that took place the morning of August 17. All four members of Phish played keyboards/synthesizers (with occasional vocal forays), sitting on the back of an eighteen-wheeler, which was parked near the entrance to the concert field. There was a small lighting rig. Earlier in the day there were a few thousand rave-style fliers circulating ambiguously advertising a "Disco" featuring MC Neoncellgap, DJ LeMore LaLip, etc, and you can hear some announcements to that effect at the end of the set. Also of note : brief footage of this set can be seen during the film "Bittersweet Motel", during the Great Went "2001" montage. recording note by taper Jon Weber : This is the entire set. For a while now, a partial version (the final 15+ minutes) of this set has been circulating in SHN format. Props to Adam and Justin for getting that out there. I've included the source listing for their source (which was used for track 2) above. Since I feel a little guilty for not circulating *my* source sooner, there are a few things worth noting. First, I was indeed rolling just as the set started. One of my best friends was working for DryGoods at the time, and she tipped me off to exactly where the latenight set was taking place.... so I was standing there with my equipment, waiting for them to start, before any crowd had shown up. Problem is, there were two subsequent "flaws" that prevented me from circulating this tape since then : 1.. the aforementioned DryGoods friend walks up to me early in the set, with her friend (now Paluska's wife), and I'm standing there with mic's on my glasses and wires hanging off of me. I try to play it off cool, as you'll unfortunately hear my attempt on the tape. I felt a little guilty getting the latenight info from her, and then Shushing her for taping purposes. Fortunately there's only about 20 seconds total of conversation. A nice phishstorical footnote is that this same friend is the one whose hearty laugh is featured at the end of the studio version of "Twist". 2... after the show, I got back to my tent and we were checking out Radio WENT. It seemed that they were rebroadcasting the main stage show, so I immediately hooked up my DAT and started recording. A classic stoner move, it turned out that I erased over the final ten minutes of the Disco Set, rendering my source Incomplete! So, for the longest time, and recalling that I saw a tape stand show up about halfway through the show.... I knew there was another source that would eventually surface and could provide the ending to my recording which started at the beginning. I spliced the two sources during a moment of audience applause 39+ minutes into the set -- I made no attempt to EQ or compress anything to match the sources, you will probably notice a difference, but no music was lost in the splice. Thanks to Phish for all the great memories and Went.... Jon Weber - Sept 2003 transfer notes : EAC steps were necessary due to a degrading master DAT (Darryl saved us with an archived CDR). As now, it's as pure as it can be - so enjoy. seeded via bt.etree.org, september 2004 by mudderbug original seed had bad edit on track 2, it cut 45 seconds before the end of the set. This text file was seeded with the corrected and complete version.
Arjen (3/0) shn(1) / 1 View  
Mike (3/0) flac / 1 View 26164
Notes: This was a latenight set during the Great Went, that took place the morning of August 17. All four members of Phish played keyboards/synthesizers (with occasional vocal forays), sitting on the back of an eighteen-wheeler, which was parked near the entrance to the concert field. There was a small lighting rig. Earlier in the day there were a few thousand rave-style fliers circulating ambiguously advertising a "Disco" featuring MC Neoncellgap, DJ LeMore LaLip, etc, and you can hear some announcements to that effect at the end of the set. Also of note : brief footage of this set can be seen during the film "Bittersweet Motel", during the Great Went "2001" montage
bruce (3/0) / 1 View   track 1 =Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT...
Notes: This is the Entire set, two sources spliced together.