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Set I
Great Went Disco Set
Set II
Set III
Comment
Great Went Disco Set
Last Changed By
Ben Mohr
Sources
(687) View Source
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
(687) View Source
Set 1 source: FM > DAT; Set 2 & 3 Source [EP]:? FOB Schoeps mk21> kc5> cmc6> sonosax sx-m2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge-> CDWav; via? EP, A. Gustin; glitch on Wolfmans is on the master
(688) View Source
Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz; DAT->PC via TB Fiji digi I/O; Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter; via A. Shiffman, J. Brooks; sound imporves after first min; to fit Disco set on the Went discs, see Anthony Marco's additional tracking suggestions
(947) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(6090) View Source
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
(11733) View Source
Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transfered by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(13130) View Source
Note: this SHN set fixed phasing problems in Set 2,E (d3,d4) but is the same source as the previously released full FM source; Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(22227) View Source
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
(25554) View Source
flac16, 44kHz; FM Broadcast > Sony Walkman > Sony TCD-D7; Sony PCM-R300 > M-Audio Delta > Cool Edit 2000 > Pro Tools > FLAC; Source and Transfer by John Beatty
(26164) View Source
Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks
(86503) View Source
FOB AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain v1.9 (48>44.1kHz) > WaveLab 5.01b > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(105230) View Source
flac16, 44kHz; Set I: (FOB) Neumann TLM170 > Tascam DA-P1; Set II & IIIe: (FOB) Neumann TLM170 > Sonosax SX-M1 > Apogee AD500E > Tascam DA-P1; Sony R500 > Sound Devices sd-722 > Soundforge> CDWave > FLAC; Source & Transfer by Scott Bernstein
(119821) View Source
flac16, 44kHz; [matrix] FM + (FOB) Neumann TLM170 (db#11733 + db#105230); Matrix by Dave Anderson
(128836) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(135332) View Source
flac16, 48kHz; [Set II, IIIe:]; (FOB/ortf/Hat) Schoeps mk21 > kc5 > cmc6's > Sonosax SX-M2 > Technics SVMD-1 > DAT(m); DAT(m) > Sony PCM-2600 > Egosys Waveterminal 2496 > Audacity > Wavbreaker > Sox > FLAC; fenningenarius
(138139) View Source
flac16 SBD > WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| mashedpotatoes (5/5) | CDR / 1 | View | ||||
| Notes: | i dont know if this is incomplete or not... just a bunch of noise to me. | |||||
| Bouwser (5/5) | CD-R / 1 | A | View | Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic... | ||
| David (5/5) | flac16 / 1 | View | ||||
| Notes: | track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording and transfer by Jon Weber [email protected] able assistance from Darryl Snyder track 2 = Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT recording and transfer by Adam Shiffman / Justin Brooks [email protected] | |||||
| Corey (5/4.1) | CDR / 1 | A+ | B | View | see notes | |
| Notes: | Phish @ the Great Went "Disco" set 8-16-1997 Late Night (approx 2am morning of 8-17) Loring Air Force Base, Limestone, Maine 1.. unknown > (39:47) 2.. unknown (06:55) note : This is the Entire set, two sources spliced together. recording/transfer sources : track 1 = Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording and transfer by Jon Weber [email protected] able assistance from Darryl Snyder track 2 = Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT recording and transfer by Adam Shiffman / Justin Brooks [email protected] performance note : This was a latenight set during the Great Went, that took place the morning of August 17. All four members of Phish played keyboards/synthesizers (with occasional vocal forays), sitting on the back of an eighteen-wheeler, which was parked near the entrance to the concert field. There was a small lighting rig. Earlier in the day there were a few thousand rave-style fliers circulating ambiguously advertising a "Disco" featuring MC Neoncellgap, DJ LeMore LaLip, etc, and you can hear some announcements to that effect at the end of the set. Also of note : brief footage of this set can be seen during the film "Bittersweet Motel", during the Great Went "2001" montage. recording note by taper Jon Weber : This is the entire set. For a while now, a partial version (the final 15+ minutes) of this set has been circulating in SHN format. Props to Adam and Justin for getting that out there. I've included the source listing for their source (which was used for track 2) above. Since I feel a little guilty for not circulating *my* source sooner, there are a few things worth noting. First, I was indeed rolling just as the set started. One of my best friends was working for DryGoods at the time, and she tipped me off to exactly where the latenight set was taking place.... so I was standing there with my equipment, waiting for them to start, before any crowd had shown up. Problem is, there were two subsequent "flaws" that prevented me from circulating this tape since then : 1.. the aforementioned DryGoods friend walks up to me early in the set, with her friend (now Paluska's wife), and I'm standing there with mic's on my glasses and wires hanging off of me. I try to play it off cool, as you'll unfortunately hear my attempt on the tape. I felt a little guilty getting the latenight info from her, and then Shushing her for taping purposes. Fortunately there's only about 20 seconds total of conversation. A nice phishstorical footnote is that this same friend is the one whose hearty laugh is featured at the end of the studio version of "Twist". 2... after the show, I got back to my tent and we were checking out Radio WENT. It seemed that they were rebroadcasting the main stage show, so I immediately hooked up my DAT and started recording. A classic stoner move, it turned out that I erased over the final ten minutes of the Disco Set, rendering my source Incomplete! So, for the longest time, and recalling that I saw a tape stand show up about halfway through the show.... I knew there was another source that would eventually surface and could provide the ending to my recording which started at the beginning. I spliced the two sources during a moment of audience applause 39+ minutes into the set -- I made no attempt to EQ or compress anything to match the sources, you will probably notice a difference, but no music was lost in the splice. Thanks to Phish for all the great memories and Went.... Jon Weber - Sept 2003 | |||||
| phoompapa (5/5) | / 1 | View | ||||
| Jeremy (5/4.4) | CDR / 1 | A | View | |||
| Feel the Heat (5/5) | FLAC/CDR / 1 | B | View | |||
| Notes: | MD5's match etree on 7/14/91 | |||||
| netwerkingyuppie (5/0) | CD / 1 | View | 26164 | Entire set, two sources spliced together | ||
| Notes: | ph037 | |||||
| Timothy Henningsen (5/5) | FLAC / 1 | A | A | View | 26164 | Nakamichi CM-300 w/CP-1 caps & Sonic Studio DSM-6 |
| harryhood3441 (5/0) | / 0 | View | ||||
| Hank Schandel (5/5) | FLAC / 1 | View | 26164 | Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20 | ||
| Notes: | Latenight Disco Set; | |||||
| William Gardner (5/0) | cdr / 1 | View | 26164 | |||
| Notes: | FLAC16 | |||||
| organicgroove (5/0) | CD-R / 4 | A | View | |||
| Erik Van Hauer (5/0) | cdr / 4 | A+ | A | View | ||
| angela (5/5) | CDR / 1 | View | ||||
| Notes: | Not the complete set | |||||
| chris ventura (5/0) | / 0 | View | ||||
| Ron (5/5) | shn / 0 | View | 688 | Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz | ||
| Notes: | On same dvd as 08/17/97, and 08/16/97. | |||||
| cambodi (5/0) | flac / 1 | View | t01 Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT | |||
| Notes: | complete | |||||
| tom (5/4) | / 1 | A | A | View | ||
| Notes: | Disco Set | |||||
| Jay Thomson (5/4.9) | SHN / 1 | View | Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz | |||
| phishinNYC (5/5) | SHN / 1 | View | Disco set (incomplete but better than some other sources; 20 min); Nakamichi CM-300 w/CP-1 caps... | |||
| Notes: | original info below, followed by additional tracking comments: Phish 8-16-97b 'Great Went Disco' Loring Air Force Base, Limestone, ME Source: Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 @ 48khz DAT->PC via TB Fiji digi I/O Resampling via CoolEdit Pro @ 999 quality w/ Pre/Post Filter Notes: - This is not the complete set - They actually played over half an hour, but the complete copies I've heard had other problems.. - Sound quality improves after the first minute (we moved closer) Recording/Transfer: Adam Shiffman [email protected] Justin Brooks [email protected] -- tracking comments: Date: Thu, 11 Nov 1999 17:10:00 -0500 From: Anthony Marco To: [email protected] Subject: [etree] Went SHN tracking Those downloading and burning the current circulation of Went may want to consider the following shift in tracks to save a disc. This only works if you have the edited version of the Disco Tent Jam (about 17:00) that seems to be on some ftps. Add "Disco Tent Jam" as d5t3 (after Loving Cup) Move "Bouncing" to d6t1 (before Tweezer) Disc 5 - 72:26 Disc 6 - 63:16 This shift retains set integrity AND puts the "Disco" in its proper chronological place... everything on 8 instead of 9. | |||||
| Paul (5/0) | cd-r / 1 | DAO | View | |||
| Marko (5/0) | CDR / 1 | View | ||||
| Erin (5/5) | CDR/SHN / 4 | View | Gefell m296 | |||
| Erin (5/5) | CDR/SHN / 1 | View | Sonic studio DSM-6 | |||
| jlaughli (5/0) | shn / 0 | View | Sonic Studio DSM-6's (on glasses on 6'4" dude, ~20' from stage) > Sony D7 DAT recording... | |||
| andrew (5/0) | CD / 1 | View | ||||
| Mike Woellert (5/4.6) | CD-R / 1 | View | source 1: SS DSM-6 > D7 (DAT)....source 2: Nak CM300/CP1 > DA-P20 (DAT) | |||
| Notes: | source 1: SS DSM-6 > D7 (DAT)....source 2: Nak CM300/CP1 > DA-P20 (DAT) | |||||
| Devin B (5/0) | cdr / 1 | A | View | |||
| Grant (5/1) | CD-R/SHN / 1 | View | 26164 | Sonic Studio DSM-6's > Sony D7 DAT + Nakamichi CM-300 w/CP-1 caps -> Teac DA-P20 DAT | ||