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Set I
Casey Jones, China Cat Sunflower-> I Know You Rider, Hard To Handle, Dancin' In The Streets, Me & My Uncle
Set II
Friend Of The Devil, Deep Elem Blues, Candyman, Wake Up Little Susie-> Black Peter, Uncle John's Band, Katie Mae
Set III
Good Lovin'-> Drums-> Good Lovin'-> Cryptical Envelopement-> Drums-> The Other One-> Cryptical Envelopement-> Cosmic Charlie, Not Fade Away-> Turn On Your Love Light-> We Bid You Good Night
Comment
Second Set acoustic
Last Changed By
System
Sources
(3862) View Source
View Archive
SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
(4283) View Source
View Archive
SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via [email protected]
(114569) View Source
View Archive
flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
(114616) View Source
View Archive
flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
(119118) View Source
View Archive
flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
(141217) View Source
View Archive
flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141224) View Source
View Archive
flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141361) View Source
View Archive
flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(3862) View Source
View Archive SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
(4283) View Source
View Archive SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via [email protected]
(114569) View Source
View Archive flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
(114616) View Source
View Archive flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
(119118) View Source
View Archive flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
(141217) View Source
View Archive flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141224) View Source
View Archive flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141361) View Source
View Archive flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| BudChief (5/5) | cdr / 2 | View | ||||
| Jud (5/5) | SHN / 2 | B | View | 3862 | Unknown SBD | |
| Notes: | SHNs Available | |||||
| David Bennett (5/5) | cd / 2 | A | A | View | ||
| michael kass (5/5) | cdr / 2 | View | ||||
| Charles Bandrofcheck (5/5) | SHN / 2 | View | 4283 | SBD from bootleg | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | 114616 | soundboard source (BB187) | ||
| Kelendris (5/0) | / 0 | View | 4283 | |||
| Kelendris (5/0) | / 0 | View | 114616 | |||
| Kelendris (5/0) | / 0 | View | 119118 | |||
| Brian Donohue (5/5) | / 2 | View | 114569 | SBD MR>R>FLAC | ||
| Brian Donohue (5/5) | / 0 | View | 141224 | Soundboard Master Reel > Reel - Provided by Will Boswell | ||
| Brian Donohue (5/5) | / 0 | View | 141361 | Soundboard Master Reel > Reel - Provided by Will Boswell | ||
| Brian Donohue (5/5) | / 0 | View | 141217 | Soundboard Master Reel > Reel - Provided by Will Boswell | ||
| Notes: | 24 bit | |||||
| sean hite (5/0) | SHN / 0 | View | 4283 | |||
| Notes: | 4283 SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via [email protected] | |||||
| sean hite (5/0) | SHN / 0 | View | 3862 | |||
| Notes: | 3862 SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth | |||||
| Rick Martin (5/5) | CDR / 2 | A | View | SBD>MR>R>PCM>DAT>CDR | ||
| Notes: | Most(missing encore'And We Bid You Goodnight' | |||||
| Rick Martin (5/5) | Flac / 2 | A | View | 114569 | SBD MR>R>FLAC | |
| Notes: | 24 bit | |||||
| afterdinnermint (5/5) | CDR / 2 | A | View | |||
| Notes: | "China Cat". Really nice soundboard recording that has aged very well. The only downside here is that Casey Jones is joined in progress and there is is a similar fade-in before Set III which loses part of Good Love. Good stuff though. | |||||
| SpacedDeadhead (5/4.8) | CDR / 2 | View | SBD | |||
| Notes: | first "Candyman" | |||||
| Gary (5/4.3) | CDR / 2 | View | 4283 | |||
| Notes: | SBD>?>Silver>CDR | |||||
| Gary (5/4.3) | CDR / 2 | View | 114616 | |||
| Notes: | SBD>MR>R>Flac [114616 Boswell Smith] | |||||
| Holden Caulfield (5/5) | flac / 0 | View | 119118 | |||
| Keith Deshane (5/0) | / 0 | View | 119118 | |||
| Mat Brewster (5/5) | CDR / 2 | View | SBD from bootleg "Cincinnati 1970" | |||
| tpace (5/0) | FLAC / 0 | View | MR>R>FLAC | |||
| Douglas Tunstall (5/5) | / 2 | View | 4283 | SBD from bootleg "Cincinnati 1970" | ||
| Notes: | SBD from bootleg "Cincinnati 1970" | |||||
| Shane M. Rockey (5/3) | CD-R / 2 | A+ | View | 3862 | ||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 4283 | |||
| Notes: | SBD - Cotsman | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 3862 | |||
| Notes: | SBD - Farnsworth | |||||
| Marc Dreilinger (5/2.3) | SHN / 2 | View | 4283 | SBD > ?> bootleg CD> pitch correction and retracking > SHN; | ||
| Notes: | Archived Box 1 Disc 221 | |||||