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Set I
Casey Jones, China Cat Sunflower-> I Know You Rider, Hard To Handle, Dancin' In The Streets, Me & My Uncle
Set II
Friend Of The Devil, Deep Elem Blues, Candyman, Wake Up Little Susie-> Black Peter, Uncle John's Band, Katie Mae
Set III
Good Lovin'-> Drums-> Good Lovin'-> Cryptical Envelopement-> Drums-> The Other One-> Cryptical Envelopement-> Cosmic Charlie, Not Fade Away-> Turn On Your Love Light-> We Bid You Good Night
Comment
Second Set acoustic
Last Changed By
System
Sources
(3862) View Source
View Archive
SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
(4283) View Source
View Archive
SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via [email protected]
(114569) View Source
View Archive
flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
(114616) View Source
View Archive
flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
(119118) View Source
View Archive
flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
(141217) View Source
View Archive
flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141224) View Source
View Archive
flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141361) View Source
View Archive
flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(3862) View Source
View Archive SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
(4283) View Source
View Archive SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via [email protected]
(114569) View Source
View Archive flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
(114616) View Source
View Archive flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
(119118) View Source
View Archive flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
(141217) View Source
View Archive flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141224) View Source
View Archive flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
(141361) View Source
View Archive flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Gary Field (1/5) | 114569 / 4 | View | 114569 | SBD | ||
| Notes: | flac24; SBD MR>R>FLAC [110731.wd001] | |||||
| Gary Field (1/5) | 114616 / 2 | View | 114616 | SBD | ||
| Notes: | SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac [110731.wd001] | |||||
| Gary Field (1/5) | 119118 / 2 | View | 119118 | SBD | ||
| Notes: | MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source [120316.wd001] | |||||
| Gary Field (1/5) | 141217 / 0 | View | 141217 | |||
| Gary Field (1/5) | 141224 / 0 | View | 141224 | |||
| Gary Field (1/5) | 141361 / 0 | View | 141361 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 3862 | |||
| Notes: | SBD; Monitor Noise throughout show | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 4283 | |||
| Notes: | SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes | |||||
| Marc Deardorff (1/5) | flac16 / 2 | View | 141224 | Soundboard Master Reel > Reel - Provided by Will Boswell | ||
| Marc Deardorff (1/5) | flac24 / 0 | View | 141217 | Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 >... | ||
| phil (1/5) | cd / 2 | b | View | 3862 | sbd>?>cd | |
| Notes: | Shn files (hd) | |||||
| Ed Izsak (1/5) | CDR / 2 | A | View | SDBD | ||
| Notes: | PARTIAL SET | |||||
| Brian C (1/4.7) | SHN / 2 | A | A | View | SBD from bootleg | |
| Notes: | w/wm 8/3/94 | |||||
| Brian C (1/4.7) | SHN / 2 | A | A | View | SBD | |
| Notes: | DVD176 | |||||
| CDJones (1/5) | SHN/CDR / 2 | View | 3862 | |||
| Notes: | 3862 | |||||
| CDJones (1/5) | FLAC/CDR / 2 | View | 114616 | |||
| Notes: | 114616 | |||||
| CDJones (1/5) | FLAC24/DVD / 2 | View | 114569 | |||
| Notes: | 114569 24-bit | |||||
| CDJones (1/5) | FLAC/CDR / 2 | View | 119118 | |||
| Notes: | 119118 | |||||
| woodenalligator (1/5) | CDR / 2 | A | A- | View | SB | |
| thegreatdivide6 (1/0) | flac / 0 | View | SHNid 144809 Soundboard Master Reel > Reel - Provided by Will Boswell | |||
| Notes: | sbd | |||||
| Jim (1/5) | SHN / 0 | View | 4283 | |||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | 119118 | Soundboard | ||
| Notes: | DVD 1818; lineage: MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source. | |||||
| KB Larsen (1/5) | shn / 2 | View | 3862 | |||
| Notes: | Thanks Jerry! Very annoying buzz pretty much ruins most of the acoustic set. *shn files have non-standard file names which creates a problem for Macs on d1t04 "Dancin'", but md5 text is a match. shns not tradeable, can trade audio only. 2 audio | |||||
| Hanf (1/5) | Flac / 0 | View | 119118 | |||
| Kaz (1/5) | cdr / 2 | View | ||||
| x poordevil (1/5) | DVD #117 / 1 | View | DVD #117 = 6 folders | |||
| x poordevil (1/5) | dvd shn / 1 | View | 4283 | SBD | ||
| J Parzych (1/5) | FLAC / 0 | View | 141361 | |||
| OldNeumanntapr (1/5) | FLAC / 0 | A | View | Soundboard Reel (Probably 7" Reel @ 7.5 ips) >Cassette >DAT >CDR >SHN >FLAC | ||
| Notes: | - Transfer - unknown reel-to-reel deck (master reel) ► Tascam 122mkIII Cassette Recorder ► Panasonic SV-3800 DAT (record) @ 16-bits, 44.1 kHz ► unknown means of conversion to 2xCDR ► unknown means of conversion to SHN ► SHN [805 MB]; foobar2000 v0.9.4.2 (write RAFTSv1.3 tags, calculate and store album-level replay gain tags, convert wavs to FLAC Level 8 via libFLAC 1.1.2 , all files bit-verified identical to originals) ► Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 90) ( verify original md5 checksums, verify sector boundaries, verify FLAC fingerprints, compute md5 checksums for the newly tagged files) ► FLAC [741 MB] - Notes from AF - Monitor Noise throughout show - Notes from the deadlists page - This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. There is a Tighten Up Jam starting about 5:50 into Dancin. The opening of Casey Jones is clipped. The tape cuts in on the beginning of Good Lovin', losing around 90 seconds; the Lovelight is virtually intact; some copies do not have the unnecessary tapeflip, which represents a pathetic bit of malicious mischief. The tape in circulation is missing the encore, which is listed as in DeadBase IX. This tape used to circulate labeled "Cincinnati 4/30/70" but Latvala reports that the vault tapes are indeed labeled 4/3/70 and argues for accepting this date. Ken Kesey & The Merry Pranksters and the Lemon Pipers were also on the bill (DeadBase IX). | |||||
| Joe (1/5) | SHN / 0 | View | 4283 | |||