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Set I
Candyman, Uncle John's Band, Attics of My Life, Drums and Phil
Set II
Don't Ease Me In, Deep Elem Blues, Dark Hollow, Friend Of The Devil, The Rub, Black Peter, El Paso, Brokedown Palace> Uncle John's Band
Set III
Casey Jones, Me and My Uncle,
King Bee,
China Cat> Jam> I Know You Rider, Truckin', Candyman, Sugar Magnolia, Drums> Good Lovin'> Drums> Main Ten> Drums> Good Lovin'> Alligator-> Drums-> Jam> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Mountain Jam> Not Fade Away-> Caution (Do Not Stop on Tracks)-> Turn On Your Love Light
King Bee,
China Cat> Jam> I Know You Rider, Truckin', Candyman, Sugar Magnolia, Drums> Good Lovin'> Drums> Main Ten> Drums> Good Lovin'> Alligator-> Drums-> Jam> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Mountain Jam> Not Fade Away-> Caution (Do Not Stop on Tracks)-> Turn On Your Love Light
Comment
Late show - Set One is acoustic soundcheck; Set Two is acoustic dead set; Set Three is electric dead; Other artist(s): NRPS
Last Changed By
Hamilton, Greg & Diana
Sources
(3338) View Source
View Archive
see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley [email protected]; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?)
(17183) View Source
View Archive
Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone
(19922) View Source
View Archive
disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes
(119818) View Source
View Archive
flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger
(3338) View Source
View Archive see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley [email protected]; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?)
(17183) View Source
View Archive Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone
(19922) View Source
View Archive disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes
(119818) View Source
View Archive flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 369 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| al zeffer (2/0) | CDR / 4 | View | AUD CASS> CASS > DAT | |||
| Notes: | includes sound check & NRPS set | |||||
| Chris Christie (2/5) | CDR / 3 | View | ACM>DAT>CDR | |||
| Gary Field (1/5) | 19922 / 1 | View | 19922 | AUD | ||
| Notes: | Patched disc 3: MAR>CD supplies tracks 3 (00:20) through 14 (00:43)The other tracks are MAC>C>D>CD>EAC>SHN | |||||
| Gary Field (1/5) | 17183 / 3 | View | 17183 | AUD | ||
| Notes: | Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone; Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master; From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone | |||||
| Gary Field (1/5) | 3338 / 2 | View | 3338 | AUD | ||
| Notes: | cassette master > cassette copy > my reel copy at 3-3/4 ips > dat except for the small portion during the acoustic set with the quality difference, Brokedown and part of El Paso from cassette master > my reel copy at 3-3/4 ips > dat [081229.1] | |||||
| Gary Field (1/5) | 119818 / 1 | View | 119818 | AUD | ||
| Notes: | partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac [120529.wd001] | |||||
| Marc Deardorff (1/5) | shn / 3 | View | 3338 | |||
| Notes: | Aud- see info file | |||||
| Marc Deardorff (1/5) | shn / 3 | View | 17183 | |||
| Notes: | Complete with NRPS and Soundcheck Normalization, patches, EAC, SHN encoding by Jack Warner. | |||||
| Marc Deardorff (1/5) | shn / 1 | View | 19922 | |||
| Notes: | disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD) | |||||
| phil (1/5) | cd / 4 | b | View | 17183 | aud>?>cd | |
| Notes: | Shn files (hd 1970 project part 7) Includes NRPS set | |||||
| Jim O'Brien (1/4.9) | cd / 3 | View | mac>dat>cd | |||
| CDJones (1/5) | SHN/CDR / 4 | View | 17183 | |||
| Notes: | 17183 | |||||
| CDJones (1/5) | SHN/CDR / 1 | View | 19922 | |||
| Notes: | 19922 | |||||
| CDJones (1/5) | SHN/CDR / 4 | View | 3338 | |||
| Notes: | 3338 w/NRPS set | |||||
| Stuart Ferguson (1/4.3) | CDR / 4 | View | 17183 | Audience | ||
| Notes: | DVD 2221; lineage: Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone | |||||
| datdork (1/5) | shn / 3 | View | MAC>R>D>CD>EAC>SHN | |||
| Notes: | Grateful Dead, with New Riders of the Purple Sage Capitol Theater, Port Chester, NY November 6, 1970 Disc One 74:03 Soundcheck 1. Candyman take one 3:33 2. Candyman take two 3:34 3. Uncle John's Band take one 1:26 4. Uncle John's Band take two 3:37 5. Attics of My Life 5:12 6. Drums and bass tuning 7:05 Acoustic set 7. Don't Ease Me In 3:26 8. Deep Elem Blues 6:41 9. Dark Hollow 4:21 10. Friend of the Devil 5:02 11. The Rub 3:24 12. Black Peter 8:44 13. El Paso 5:03 14. Brokedown Palace 7:04 15. Uncle John's Band 5:42 Disc Two 71:43 NRPS set 1. Workin' Man Blues 5:15 2. I Don't Know You 4:11 3. Whatcha Gonna Do 6:37 4. Glendale Train 5:50 5. Portland Woman 6:11 6. Fair Chance to Know 5:19 7. All I Ever//Wanted 7:17 8. Truck Drivin' Man 5:04 9. Lodi 4:36 10. Me and Bobby McGee 4:25 11. Louisiana Lady 4:04 12. The Weight 7:08 13. Honky Tonk Woman 5:39 Grateful Dead November 6, 1970 Capitol Theater - Port Chester, NY This seed is a modified disc three of the original Jack Warner seed (#17183). Marty Weinberg's MAR>CD supplies tracks 3 (00:20) through 14 (00:43). The other tracks are MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. This source also supplies * 3:08 - 3:25 of I Know You Rider * 2:51 - 2:53 of Drums (t13) * all tuning and between-song stuff. * Very minor glitch at 3:42 into Candyman, not worth repairing IMHO. * There is a master tape flip in Ken Leigh's source after Candyman. No music is missing. Disc Three 78:09 Electric Set 01 05:49 Casey Jones 02 04:16 Me and My Uncle 03 08:17 King Bee 04 05:08 China Cat Sunflower > 05 06:07 I Know You Rider 06 08:00 Truckin' 07 01:35 tuning 08 07:49 Candyman 09 05:10 Sugar Magnolia 10 01:43 tuning 11 00:31 Drums > 12 01:37 Good Lovin' > 13 04:50 Drums > 14 04:19 The Main Ten > 15 04:06 Drums > 16 08:52 Good Lovin' The first 10 seconds of Sugar Magnolia have both AUD sources running synchronously, and on Marty's tape you can hear someone close to the microphone saying "that's it, that's it", then calling out "Sugar Magnolia!". Maybe it's Marty himself ? Thanks to Jack Warner for the original seed of Ken Leigh's tape. Thanks to Uli Teute for the source disc of Marty Weinberg's reel. Patches by Hanno Bunjes October 2003 Disc Four 56:33 1. Alligator > 3:30 2. Waggin' His Tail Jam > 10:46 3. Not Fade Away > 2:29 4. Goin' Down the Road Feeling Bad > 4:37 5. Mountain Jam > 0:55 6. Not Fade Away > 2:27 7. Caution > 13:53 8. Turn On//Your Lovelight 17:52 *Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone *There are some small master glitches ~1:30 of Black Peter. *The Tamarkin master is fairly brutal, but it's the only tape which supplies the end of El Paso and Brokedown Palace. There is some serious tape warble on these tunes, and there is some very bad tape crackle between songs, which I have removed where possible without touching the music. Listener beware! For completists only. *There is a master tape flip at 6:14 of All I Ever Wanted. Very little music seems to be missing. I have smoothed the cut. *There is a master glitch at 2:37 of Candyman. *There are a few level fluctuations in Candyman. *There is a master tape flip after Candyman. No music is missing. *The Easy Wind which has circulated with this date has been determined to be from July 10, 1970, and, as such, has not been included here. Based on the tapes, it does not seem that Easy Wind was played this evening. *There is a small master glitch at 4:03 of Drums following Good Lovin'. *From Dave Tamarkin's recollection, there is a broken string which accounts for the break after Good Lovin'. The electric set was one long set, not two sets as it has sometimes circulated in the past. *There is a master tape flip at 7:30 of Lovelight. Very little music seems to be missing. I have smoothed the cut. **Normalization, patches, EAC, SHN encoding by Jack Warner. Uploaded to tol.etree.org 5.6.03 | |||||
| KB Larsen (1/5) | shn / 3 | View | 17183 | |||
| Notes: | Thanks Torbjorn! 4 audio. Hanno's new d3 shn (19922) archived on shn3 | |||||
| KB Larsen (1/5) | shn / 1 | View | 19922 | |||
| Notes: | Thanks Torbjorn! 1 audio. shns archived on gd70-11-06shn3 | |||||
| Hanf (1/5) | Shn / 0 | View | 17183 | |||
| J Parzych (1/5) | FLAC / 0 | View | 3338 | AUD:MC>C>DAT>CD | ||
| J Parzych (1/5) | FLAC / 0 | View | 17183 | |||
| J Parzych (1/5) | FLAC / 0 | View | 19922 | Mixed Sources | ||
| J Parzych (1/5) | FLAC / 0 | View | 119818 | |||
| Geoff MacNaughton (1/5) | 1 / 1 | B- | View | 19922 | ||
| Geoff MacNaughton (1/5) | 3 / 4 | B- | View | 17183 | ||
| Richard Markley (1/5) | SHN / 3 | View | ||||
| Notes: | Includes NRPS set | |||||
| Richard Markley (1/5) | SHN / 3 | View | 17183 | |||
| Notes: | DVD50 | |||||
| Matt Vernon (1/4.8) | SHN / 4 | A | B | View | 3338 | |
| Notes: | includes nrps set. Fun to hear Pigpen's harmonica in the acoustic set. Electric set - Post drums re-entry into Good Lovin' has some pretty nasty Garcia guitar licks and Bobby is driving hard to boot. GDTRFB Garcia is taking off. They do do Mtn. Jam. They kick into overdrive, inject the nitrous and have a Caution > Lovelight Pig fest to close the show. Pig has good harmonica on Caution and Lovelight contains the "Bear story" with an amzaing song ending creshendo that goes on and on and on ... No soundboard in the vault so this is it for this night folks. | |||||
| Matt Vernon (1/4.8) | SHN / 4 | A- | A/B | View | 17183 | |
| Notes: | aud warner [2007-09-15]Dead acoustic and NRPS sets excellent sound from the Ken Lee portions. Fairly laid back, sit down listening through this portion. Some fidelity loss on the bass that comes across as amplitude distorted. Then this segment comes on and the GD slam into high energy overdrive. Alligator (starts off as usual ) > Waggin' His Tail Jam (here where normally drums would be Jerry stays on stage and jams away with the drummers in an aggressive fashion for about 10 minutes - nust hear material) > NFA (standard but energy level maintained)> GDTRFB > Mountain Jam (brief about 1 minute)> NFA (high energy fanning creshendo)> Caution (amazing version!)> Lovelight (as if it hasn't been funky enough with the Bear story rap). I'd put this on the must hear list especially since it is available as a very good audience tape. | |||||
| Matt Vernon (1/4.8) | SHN / 1 | A- | B+ | View | 19922 | |
| Notes: | disk 3 upgrade via hanno to warner seed [2007-09-15]I have merged this into the prior Warner seed. See that review. | |||||