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Phish 12/18/99
Hampton Coliseum, Hampton, VA
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Set I
Harry Hood, Back At The Chicken Shack, Dog Log, Tube, Heavy Things, Back On The Train, First Tube, The In-Law Josie Wales, You Enjoy Myself
Set II
Also Sprach Zarathustra*, Sand, The Horse > Silent In The Morning, Possum, Mike's Song > Simple > Weekapaug Groove > Buffalo Bill > Weekapaug Groove

E: Ya Mar, Sleeping Monkey
Set III
 
Comment
* - w/ Do You Feel Like We Do Tease/Jam
Last Changed By STLBlues
Sources
(930) View Source   
FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat; Remastered on Behringer DSP 8000; Conversion:? DAT @ 48 > via Zefiro ZA2 > HD @ 44.1; Taper:? E. Lee, C. Barbour; Conversion:? C. Barbour; note pops in d1t1 Hood are from many balloons in vicinity
(931) View Source   
B+K 4011> EAA PSP-2> Apogee [email protected]; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWav> .shn;  Transfer/shn,  E. McRoberts; to PCP via C. Plemons vine
(932) View Source   
taper D. Pecoraro (presumably AKG); via P. Marshall's vine to PCP
(933) View Source   
FOB Schoeps mk4v> kc-y actives> vms> sbm-1> btp@48; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5 (48>44.1)> CDWav> .shn; via E. McRoberts (note Eric likes this version better than the B+K he transferred); note pops in Hood are balloons
(1174) View Source   
Microtech Gefell M210> Oade 248 >Tascam DA-P1; less than one second dropout at 10:16 in Sand (on master DAT); via John Tambroni, who says: "Despite the dropout in Sand, this sounds far better than any other source I've heard."
(12237) View Source   
Schoeps mk4v > VMS021b > SBM-1 > D8 @48kHz; Tascam DA-20mkII > RME 96/8 > Samplitude (48>44.1kHz) > mkwACT > SHNv3
(21428) View Source   
FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0 > CDWav > FLAC; Taped by Carrion Crow
(22278) View Source   
Microtech Geffel m210 > Oade M248 > DAT (behind stage); Sony 59ES > Nomad Jukebox 3 > USB > WAV > SF 5 (48>44.1kHz) > CDWav > SHNv3; DATs provided by Steve Mang; Transferred by Terry Watts
(77313) View Source   
flac16, 44.1kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(89122) View Source   
Schoeps CMC6/mk41 > Apogee AD-1000 > Tascam DA-P1 @48kHz; Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Taylor Caine
(109603) View Source   
Microtech Gefell M210's > Oade M248 > Sony SBM-1 > Sony D8; D8 > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
(113056) View Source   
flac16, 44kHz; Neumann km184 > Lunatec V2 > Sony SBM-1 > DAT (@ 44.1 kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp
(125143) View Source   
flac16, 44kHz; (FOB) Schoeps CCM41 > Oade M248 > Sony SBM-1 > Sony TCD-D7 (44.1 khz); Tascam DA-40 > Tascam CDR 2000 > extract to wav > xACT 2.23 > flac16 (level 8); Source and Transfer by Marc B.; Processed by Lenny Stubbe
(127384) View Source   
flac16, 48kHz; Schoeps cmc6/mk4v's > Lunatec V2 > Apogee AD-1000 > DAT > Sony TCD-D8 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC (16/48); Source by John Schmidt and Walt Ferguson; DAT(m) provided by Walt Ferguson; Transfer by Terry Watts
(129655) View Source   
flac16, 44kHz; Sennheiser K6RD/ME64 > Sony SBM-1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(131281) View Source   
flac16, 48kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony TCD-D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > CF card > usb > pc > .wav > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.0 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(134935) View Source   
flac16 AKG ck61/c480b[DIN-ish/OTS/ROC] >>> Audio Magic XStream XLR's >>> Graham Patten DMIC-20[16/48] >>> Sony 7-Pin Cable >>> Sony TCD-D8; Tascam DAP1[DAT Master] > Hosa ODL-276 > Creative Labs Nomad JB3 > PC > FLAC Frontend[FLAC/Level 6] > DVDR > PC[12.18.2015] > FLAC Frontend[WAV] > WaveLab 6.1[Gain/MBC/Crystal Resampler(Ultra)] > CD Wave 1.98[Tracking] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5] > MP3Tag v2.73 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
(139623) View Source   
flac16 48khz Source: Audio Technica 815 shotguns (OTS/PAS) > D8 @ 16/48 Transfer: DAT/m > Sony PCM-R300 > optical > MacMini(Audacity) > IzotopeRX > xACT(FLAC/TAG) 16/48. Taper: Matt “Lazy Lightning” Lazor. Transfer: DiGiHoArDeRs
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Jared Rosoff (5/1.5) cdr / 3 A View   unknown source TAO
Notes: AKG 480/CK63> Graham Patten DMIC-20> Tascam DA-P1; PCM-M1>oade i/o> ZA2> SF4.5> CDWAV> SHN
Aaron Helfand (5/3.5) CDR / 3 View  
Clown (5/0) / 0 View  
Clown (5/0) / 0 View  
Clown (5/0) cdr / 4 View  
travis (5/0) CD-R / 3 A View   Schoeps MKZH +kc2.5+cmc6>Sonosa, sx-mz>Hhb Portadat
Nick Demitropoulos (5/4) CDR / 3 A A View   Sonosax SX-M2 HHB Portadat CDR
Notes: OH YEAH
Mickey (5/1.7) CDR / 3 A A View  
Chad Fields (5/0) / 2 View 1174 Microtech Gefell M210> Oade 248 >Tascam DA-P1; less than one second dropout at 10:16 in...
Notes: .Shn 2
jesse itzkowitz (5/0) CDR / 3 View 1174
Chase Stewart (5/0) CD-R / 3 A+ View   SCHOEPS MK2H>KC 2.5>CMC 6>SONOSAX SX-M2> HHB PORTADAT>DAT AT 48>HD AT 441
Josh Ehrlich (5/0) CD / 4 View   minidisc
Notes: minidisc source
Ti-jean (5/3) Fuji / 3 A A View 931 B+K 4011>EAA PSP-2>Apogee [email protected];
Seth (5/0) CDR / 3 View  
Jason Pasco (5/0) CDR / 3 View  
The Solar Garlic (5/5) CDR / 3 A- View 1174 Microtech Gefell M210> Oade 248 >Tascam DA-P1
Chris Huffaker (5/4.9) SHN / 2 View 1174 Microtech Gefell M210>Oade 248 >Tascam DA-P1
Jared (5/0) Audio / 4 A B View  
Bob McGinness (5/5) CDR / 3 View  
Jimmy Cronk (5/5) cdr / 3 A View  
Notes: unknown source
Matt Jenkins (5/0) SHN / 3 View   FOB Schoeps mk2h (in hat spaced 7
trplthreat (5/0) CDR / 3 A View   SBD
Notes: 1: Harry Hood, Back at the Chicken Shack, Dog Log*, Tube, Heavy Things, Get Back on the Train, First Tube, The Inlaw Josie Wales, You Enjoy Myself 2: Also Sprach Zarathustra**, Sand, The Horse -> Silent In The Morning, Possum, Mike's Song -> Simple -> Weekapaug Groove -> Buffalo Bill -> Weekapaug Groove E: Ya Mar, Sleeping Monkey *Dedicated to Paul Languedoc; possibly played for a front row sign; after, Trey says, "in fact, he [Paul] likes that one so much, we're gonna play it again!"; band plays a few seconds and stops. **"Do You Feel Like We Do" (Peter Frampton) tease (a banner was hung from the upper level requesting the song, which may have been played during the previous night's soundcheck). Trey called Page "Bob Mayonnaise."
DJ (5/0) SHN / 2 View 1174 Microtech Gefell M210>Oade 248 >Tascam DA-P1
Notes: Microtech Gefell M210>Oade 248 >Tascam DA-P1
pheecaspian (5/0) / 0 View   FOB DFC (in hat) Schoeps mk4v -> kcy actives-> VMS02iB -> SBM1 -> DAP1
Cody (5/1) shn / 2 A View 931
Karl Morse (5/5) CDR / 3 A View   Schoeps MK4v>vs021b>SBM1>d8 @ 48KHZ
Paul Mertz (5/0) CD / 3 A View   DAUD
Notes: DAUD
kjkturtle (5/0) CDR / 2 View  
Scott D Larson (5/5) SHN / 2 View 930 FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat
Scott D Larson (5/5) SHN / 2 View 1174 Microtech Gefell M210>Oade 248 >Tascam DA-P1