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Set I
Runaway Jim
Funky Bitch
Tube
I Didn't Know
Punch You In The Eye
Bouncing Around The Room
Poor Heart
Roggae
Split Open & Melt >
Catapult
Back On The Train
Horn
Guyute
After Midnight*
Funky Bitch
Tube
I Didn't Know
Punch You In The Eye
Bouncing Around The Room
Poor Heart
Roggae
Split Open & Melt >
Catapult
Back On The Train
Horn
Guyute
After Midnight*
Set II
Meatstick >
Auld Lang Syne
Down With Disease >
Llama
Bathtub Gin
Heavy Things
Twist Around >
Prince Caspian >
Rock & Roll
You Enjoy Myself
Crosseyed & Painless
The In-Law Josie Wales
Sand ->
Quadrophonic Topplings
Slave To The Traffic Light
Albuquerque
Reba
Axilla
Uncle Pen
David Bowie
My Soul
Drowned >
After Midnight Reprise
The Horse >
Silent In The Morning
Bittersweet Motel
Piper >
Free
Lawn Boy
HYHU >
Love You >
HYHU
Roses Are Free
Bug
Also Sprach Zarathustra >
Wading In The Velvet Sea
Meatstick
Auld Lang Syne
Down With Disease >
Llama
Bathtub Gin
Heavy Things
Twist Around >
Prince Caspian >
Rock & Roll
You Enjoy Myself
Crosseyed & Painless
The In-Law Josie Wales
Sand ->
Quadrophonic Topplings
Slave To The Traffic Light
Albuquerque
Reba
Axilla
Uncle Pen
David Bowie
My Soul
Drowned >
After Midnight Reprise
The Horse >
Silent In The Morning
Bittersweet Motel
Piper >
Free
Lawn Boy
HYHU >
Love You >
HYHU
Roses Are Free
Bug
Also Sprach Zarathustra >
Wading In The Velvet Sea
Meatstick
Set III
Comment
* First Time Played
Last Changed By
Shawnee
Sources
(960) View Source
afternoon and evening sets; FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000; Conversion: E. Pearson: DAT (44.1k master) >Montego II Plus >HD via Soundforge >CDWav >Plextor 820; d5t1 ~2:30 crackles apparently fireworks; left channel louder than right; see Rattie's archiving tips for Neumann 12/30,31
(961) View Source
afternoon set; B&K 4011, 6-7 foot split aimed at each stack> Lunatec V2> Apogee A/D 500, position just to the left of the Earthworks; Conversion: DA302> ZA2> CD; taped? (or by Ron?) and mastered by S. Fry; note Poor Heart is in Bouncin track d1t6; some fades between songs, but only dead spaces removed
(962) View Source
afternoon set; Earthworks SR-77> Lunatec V2> ADC-20> DA-P1 & M1 (concurrent); from front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract); via M. Vernal
(964) View Source
evening set, aka "ph2000-01-01"; Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent); Location: Front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2; Panasonic 7502 (burn/extract); taped and mastered by M. Vernal; no music missing; d4t1 ~:23 noise is fireworks; alternate tracking using 6 discs, with 2x80 and an overburn
(966) View Source
AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; circulated with 12/30 (d1-5 of the shn set)
(21760) View Source
"From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras
(74677) View Source
Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1
(76533) View Source
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(98248) View Source
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D100 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, level adjustments, track splits, splices, resample to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available)
(106552) View Source
[midnight set only] - (FOB) Schoeps MK4V > KC5 actives > CMC6 > Lunatec V2 > Apogee AD1000 @ 48khz; Sony D8 > Firewire Audiophile > Samplitude 24/96 (downsampled on highest setting) > CD Wave > FLAC; Transferred by Jeff Patton
(123836) View Source
flac16; (FOB) AKG 460b/ck8 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
(131440) View Source
flac16, 44kHz; (FOB/omni/split 12') Neumann u89's > Apogee AD-1000 > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Eric Pearson; DAT(c) provided by Gordon Wilson; Transfer by Terry Watts
(132492) View Source
flac16, 44kHz; ProShot VHS Soundboard > "Restoration and Remastering" > FLAC; Transfer by BigCypressNYE
(138124) View Source
flac16 44.1kHz Neumann U89(FOB/Omni/Split 12’) > Apogee AD1000; Sony 59ES > Optical > Audacity 44.1 (MacMini)
(138529) View Source
flac16 44.1khz Neumann U89i(FOB/Omni/Split 12’/65-70’Back/65”Up/PAS approx. 30degrees) > Apogee AD1000 @ 44.1k > Tascam DA-P1 Transfer: DAT/c > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Transfer/Seed: DiGiHoArDeRs: 6/6/17 DATs Provided by: Matt Lazor & funk_lin
(960) View Source
afternoon and evening sets; FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000; Conversion: E. Pearson: DAT (44.1k master) >Montego II Plus >HD via Soundforge >CDWav >Plextor 820; d5t1 ~2:30 crackles apparently fireworks; left channel louder than right; see Rattie's archiving tips for Neumann 12/30,31
(961) View Source
afternoon set; B&K 4011, 6-7 foot split aimed at each stack> Lunatec V2> Apogee A/D 500, position just to the left of the Earthworks; Conversion: DA302> ZA2> CD; taped? (or by Ron?) and mastered by S. Fry; note Poor Heart is in Bouncin track d1t6; some fades between songs, but only dead spaces removed
(962) View Source
afternoon set; Earthworks SR-77> Lunatec V2> ADC-20> DA-P1 & M1 (concurrent); from front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract); via M. Vernal
(964) View Source
evening set, aka "ph2000-01-01"; Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent); Location: Front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2; Panasonic 7502 (burn/extract); taped and mastered by M. Vernal; no music missing; d4t1 ~:23 noise is fireworks; alternate tracking using 6 discs, with 2x80 and an overburn
(966) View Source
AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; circulated with 12/30 (d1-5 of the shn set)
(21760) View Source
"From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras
(74677) View Source
Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1
(76533) View Source
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(98248) View Source
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D100 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, level adjustments, track splits, splices, resample to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available)
(106552) View Source
[midnight set only] - (FOB) Schoeps MK4V > KC5 actives > CMC6 > Lunatec V2 > Apogee AD1000 @ 48khz; Sony D8 > Firewire Audiophile > Samplitude 24/96 (downsampled on highest setting) > CD Wave > FLAC; Transferred by Jeff Patton
(123836) View Source
flac16; (FOB) AKG 460b/ck8 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
(131440) View Source
flac16, 44kHz; (FOB/omni/split 12') Neumann u89's > Apogee AD-1000 > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Eric Pearson; DAT(c) provided by Gordon Wilson; Transfer by Terry Watts
(132492) View Source
flac16, 44kHz; ProShot VHS Soundboard > "Restoration and Remastering" > FLAC; Transfer by BigCypressNYE
(138124) View Source
flac16 44.1kHz Neumann U89(FOB/Omni/Split 12’) > Apogee AD1000; Sony 59ES > Optical > Audacity 44.1 (MacMini)
(138529) View Source
flac16 44.1khz Neumann U89i(FOB/Omni/Split 12’/65-70’Back/65”Up/PAS approx. 30degrees) > Apogee AD1000 @ 44.1k > Tascam DA-P1 Transfer: DAT/c > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Transfer/Seed: DiGiHoArDeRs: 6/6/17 DATs Provided by: Matt Lazor & funk_lin
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Brad Eppert (5/5) | cdr / 10 | A+ | A+ | View | ||
| Richie Sasala (5/0) | Cdr / 10 | A | View | FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000 | ||
| Notes: | Set 1: Runaway Jim+ Funky Bitch Tube I Didn't Know* Punch You in the Eye Bouncing Around the Room Poor Heart Roggae Split Open and Melt** -> Catapult Get Back on the Train Horn Guyute After Midnight*** Set 2: #Meatstick^ -> Auld Lang Syne Down with Disease -> Llama Bathtub Gin^^ Heavy Things^^^ ^^^^Twist Around > Prince Caspian > Rock and Roll You Enjoy Myself% Crosseyed and Painless The Inlaw Josie Wales%% Sand -> Quadrophonic Topplings%%% Slave to the Traffic Light Albuquerque Reba Axilla Uncle Pen David Bowie My Soul Drowned -> After Midnight reprise The Horse > Silent in the Morning Bittersweet Motel Piper** -> Free Lawn Boy Hold Your Head Up > Love You%%%% > Hold Your Head Up Roses are Free Bug $Also Sprach Zarathustra > Wading in the Velvet Sea Meatstick$$ Show Notes: Set 2 was played from midnight to sunrise, non-stop. + With marshmallow war, lots of balloons, and aerial tortillas. * With Fish on vacuum. ** Unfinished. *** First time played; J.J. Cale cover from the album "Naturally" (best known for the Eric Clapton version). # Set begins around 11:35 pm with Father Time on stage pedaling away at a stationary bike, powering a large clock, with the sound of the gears on the PA (possibly a Siket Disc track?). At approximately 11:50 pm, Father Time collapses from exhaustion and the clock stops. At this time, with appropriate sound effects, a large fan boat entered the field from halfway back, stage right. Soon the sides and top of the fan boat were blown off to reveal the band riding in the hot dog from 12-31-94. The hot dog approached the stage as the band threw leis and other goodies into the crowd. Once the hot dog reached the stage, the band disembarked carrying several meatsticks. They fed these to Father Time, reviving him to drive to clock to midnight. ^ Instrumental version, with the band picking up the song from a pre-recorded version played during the hot dog ride. ^^ With vocal jam, as Trey, Mike, and Page sang the notes as they played them. ^^^ Recorded live for ABC's Millennium coverage; Trey instructed the crowd to chant the word "Cheesecake" after the song (instead of applauding), in an attempt to confuse TV viewers; Trey introduced the band for the recorded footage and offered a message of peace and harmony for the world ("The right lane is for driving. The left lane is for passing. So stay in the right lane unless you're passing."). ^^^^ Preceded by "Meatstick" tease (possibly as Central Time hit midnight). % With "Cheesecake" vocal jam. %% Trey solo acoustic. %%% With Mike holding up a voice box, repeating the phrase "Quadrophonic Toppling." %%%% With Fish on vacuum; Fish introduced Page before the song, and Mike and Trey afterwards, and the band as "Phish 2000." $ Preceded by a tease of the "Harry Hood" intro. $$ No encore; post-show music was the Beatles' "Here Comes the Sun." | |||||
| Christian (5/5) | CD-R / 10 | A- | View | |||
| Trader benny (5/0) | DVD / 4 | View | ||||
| Notes: | 4 Dual layer DVD's huge compliation | |||||
| Matt Wooddy (5/2) | audio / 7 | View | ||||
| Pete (5/0) | / 0 | View | ||||
| Alex Tamargo (5/5) | CD-R / 10 | A | View | |||
| William Glass (5/0) | CD-R / 10 | A | View | |||
| Steve (5/0) | / 0 | View | ||||
| Todd (5/3) | / 7 | View | ||||
| Notes: | Big Cypress slave to the traffic light and albuquerque skip | |||||
| matt eiting (5/5) | CD / 10 | A | A | View | ||
| kevin (5/5) | cd-r / 16 | View | ||||
| Craig (5/5) | DVD / 1 | A | View | |||
| Notes: | 45 Minutes of Big Cypress footage that was taped for an ABC Broadcast. Plus Filler. Worth having. | |||||
| Nathan Smith (5/0) | CDR / 11 | A | B | View | ||
| maury (5/0) | cdr / 9 | a | a | View | ||
| Brandon (5/3) | / 0 | View | ||||
| Mark Moran (5/5) | / 9 | A- | View | |||
| Notes: | missing disk #5 (damnit) | |||||
| John Coulter (5/4) | CDR / 2 | View | DAUD | |||
| John Coulter (5/4) | CDR / 8 | View | DAUD | |||
| mge (5/0) | SHN / 10 | View | 960 | |||
| Eric Mohl (5/0) | CDR/SHN / 5 | View | 960 | Neumann U89(omni Setting) Split 12' -> Apogee AD1000 | ||
| Notes: | Entire afternoon and Midnight sets-10 audio discs. | |||||
| Mike (5/0) | DVD / 1 | View | 21760 | ABC Feed>VHS?>DVD | ||
| Notes: | ABC Feed,Partial | |||||
| organicgroove (5/0) | CD-R / 10 | A | View | |||
| ian (5/0) | / 10 | View | ||||
| Erik Van Hauer (5/0) | cdr / 10 | A+ | A | View | ||
| Tyler Bruce (5/4.3) | cdr / 10 | View | ||||
| funknyem (5/5) | CD-R / 10 | View | ||||
| Notes: | Set 1, Disc 1, fill Greyboy Allstars, 6/26/96 set 2 from the Stonecoast Brewery, Portland, ME. Disc 2 fill, Victor Wooten with DJ Blair. 10/7/98 Little Brothers, Columbus, OH. Set 2 Disc 8 Fill: Miles Davis 11/5/71, Concert Haus Wein Austria. | |||||
| PsillyT (5/0) | DVD / 1 | A | A | View | ProShot | |
| chris ventura (5/0) | / 0 | View | ||||
| Zac DeBrun (5/4.8) | CDR / 8 | A | View | |||