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Grateful Dead 02/24/71
Capitol Theater, Port Chester, NY
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Set I
Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'
Set II
Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light
Set III
 
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By Hamilton, Greg & Diana
Sources
(114) View Source    View Archive
via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source    View Archive
retracked version of previous shn set, by Bob Clevenger
(6190) View Source    View Archive
seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source    View Archive
flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source    View Archive
flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Chuck Gannon (4/5) CDR / 3 A View   MSR>PCM>PCM>D>CD
Notes: MSR>PCM>PCM>D>CD
Joe (4/5) CDR / 3 A- View  
Notes: SBD
sam fensterstock (4/0) CDR / 0 A View  
Notes: SDB 1&2
sam fensterstock (4/0) / 0 A View  
Notes: SBD 1
Pholkhero (4/0) / 0 View  
Carl Rinehart (4/0) cdr / 2 View  
Jason (4/4) CD-R / 2 A- View  
Mark Dashner (4/0) / 0 View  
Anthony Brown (4/0) CDR / 3 View  
Luke (4/0) CD-R / 3 A View  
Jonathan Kirchner (4/0) CDR / 3 A View   SBD?
Andy F (4/5) / 2 View  
Rodney (4/3) 180 / 2 A- View   Sbd
Notes: Sets 1,2
Joe (4/0) SHN / 3 View 114 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
chucktcounceller (4/0) CDR / 3 View   SBD>BBM Dolby A Reel>Dolby A decode>DAT>SoundForgeNR>CDR
Wesley Best (4/0) CDR / 2 A A- View  
Notes: Cut into Casey Jones d1t1
Wesley Best (4/5) CD / 2 A A View  
Notes: Cut into Casey Jones
matt and jennifer (4/5) SHN / 2 A A View 114 SBD
Gene Rider (3/0) WMA / 3 View  
Notes: total size of shn files: 840184 kB all wav files are the correct length for clean burning! Notes: The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf
Jeff Hyman (3/5) cdr / 3 A View   mr-betty board
Bill d'Angelo (3/5) CDR / 3 View   SBD > Dobly A Reel > Dolby A decode > DAT > Sound Forge NR > CDR
Dave Heenan (3/0) SHN / 2 View 114 The DAT tape, a clone from the "whatever became of the bettys"
Dave Heenan (3/0) FLAC / 0 View 121065 SBD -> Master Reel -> CD
timmy b (3/5) cdr / 3 View  
Carl (3/0) CD-R / 3 View 114 SB:MR> Reel> DAT> CDR
Boisedeadhead (3/0) CDR / 3 View 114 SBD>MR>DAT>Sound Forge > CD
Notes: Disc 1: ====== SET1 1. Casey Jones 2. Me And My Uncle 3. Cumberland Blues 4. Next Time You See Me 5. Bird Song 6. Me And Bobby McGee 7. Bertha 8. Hard To Handle 9. Loser 10. Playing In The Band Disc 2: ====== 1. Good Lovin' > Drums > Good Lovin' SET2 2. tuning 3. Sugar Magnolia 4. I'm A King Bee 5. Greatest Story Ever Told > Johnny B. Goode 6. Deal 7. New Minglewood Blues Disc 3: ====== 1. tuning 2. Truckin' 3. Not Fade Away > 4. Goin' Down The Road Feeling Bad > Jam > 5. Not Fade Away > 6. Turn On Your Lovelight
Marty (3/4.9) CDR / 3 View 114
Notes: shn
joe m (3/5) FLAC / 1 View 87570
Notes: DVD#153
joe m (3/5) FLAC / 1 View 140834
Michael (3/0) FLAC / 2 View 121065