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Grateful Dead 08/06/71
Hollywood Palladium, Hollywood, CA
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Set I
Bertha, Playin' In The Band, Loser, Mr. Charlie, Cumberland Blues, Brokedown Palace, Me And Bobby McGee, Hard To Handle, Casey Jones
Set II
Saint Stephen, Truckin'-> Drums-> The Other One-> Me & My Uncle-> The Other One, Deal, Sugar Magnolia, Morning Dew, Turn On Your Love Light
Set III
 
Comment
"WRS Prelude' tease after "Me & My Uncle" - Other artist(s): NRPS -full moon -,full lunar eclipse 'Sugaree" appears on some audience tapes, but may be from another show. The stellar Hard to Handle from the circulating AUD can be heard on the commercial release Fallout from the Phil Zone.
Last Changed By System
Sources
(129) View Source    View Archive
updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys
(30224) View Source    View Archive
source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick
(77457) View Source    View Archive
flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected
(88816) View Source    View Archive
flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94261) View Source    View Archive
flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
(96541) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(96668) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009
(97015) View Source    View Archive
flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
(109430) View Source    View Archive
flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC
(110278) View Source    View Archive
DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video)
(114390) View Source    View Archive
flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11
(127690) View Source    View Archive
flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
(130793) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin
(130794) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
John Barnes (4/5) CDR / 2 View   AUD
Notes: Strangely really good sound quality from an Audience recording in 71
deguitarguy (4/5) CDR / 2 View  
Jason Trump (4/5) cdr / 2 View  
Johnny Utah (4/0) / 2 View  
Chris Gallagher (4/5) CDR / 1 View  
Notes: Set 1
Buddy (4/5) CDR / 2 View 129 Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped...
Notes: Incredible sound. My favorite audience ever.
Eric (4/5) SHN / 2 View 129
Notes: v1 p17
Brien (4/5) cdr / 2 View  
Garrett Deloian (4/4.9) CDR / 2 B++ View  
Notes: AUD: AKG 330>SONY 770 REEL TO REEL (50 feet back from stage)>D D>CD: FOSTEX D5>SB LIVE DIGI I/O>COOL EDIT PRO
Doug Henry (4/5) CDR / 2 View  
John (4/0) / 2 View 129 updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet...
Notes: DVD 3
Fishwater (4/0) CDR / 2 A+ B+ View   AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)-> D>CD: Fostex D5->SB Live Digi...
TunaMan (4/5) shn / 2 View  
2-Bit (4/5) CD / 2 A View   AUD
Notes: A real nice Aud. Some applause between songs. Not much crowd noise during songs. Nice mix.
marc cohen (4/0) cdr / 2 B View   aud
John and Becca Witcher (4/5) 2 / 2 View 129
Notes: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D ->Fostex D5->SB Live Digi I/O->Cool Edit Pro
Todd Lackey (4/5) / 3 View  
Will H. (4/5) CDR / 2 View  
Lord Henry (4/0) CDR / 2 A A View   SBD
Todd and Rachel (4/0) CDR / 3 A A View  
Slim (4/4.2) shn / 2 View 129
Notes: Phenomenal...period.
Jeffrey Barbetta (4/0) Analog / 2 View   unknown
Roberlyn (4/5) shn / 2 View   AKG 330 > Sony 770 Reel to Reel (50 ft. back from stage) > DAT
Tim C (4/5) cdr / 0 A- View  
Matt Cechovic (4/0) CDR / 2 A View 129
Notes: Incredible AUD
Chuck Gannon (4/5) CDR / 2 A- View   Sony ECM-22P>FOB 50' from stage>Sony 770 Reel @ 7.5 IPS>D>CD
Notes: Sony ECM-22P>FOB 50' from stage>Sony 770 Reel @ 7.5 IPS>D>CD
Tampa FOC (4/0) cdr / 2 A A View  
Elephante (4/0) / 2 View   AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->DD>CD: Fostex D5->SB Live...
Erik Feick (4/5) CD-R / 2 View 129 Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center
helen (4/5) cd / 2 B+ View   Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D