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Set I
Hell In A Bucket >
Sugaree
New Minglewood Blues
Jack A Roe
Black-Throated Wind
Ramble On Rose
When I Paint My Masterpiece
Bird Song >
Promised Land
Sugaree
New Minglewood Blues
Jack A Roe
Black-Throated Wind
Ramble On Rose
When I Paint My Masterpiece
Bird Song >
Promised Land
Set II
China Cat Sunflower >
I Know You Rider
Saint Of Circumstance >
Crazy Fingers >
Playing In The Band >
Drums >
Space >
Playing In The Band Reprise >
Stella Blue >
Throwing Stones >
Not Fade Away
Encore:
One More Saturday Night
I Know You Rider
Saint Of Circumstance >
Crazy Fingers >
Playing In The Band >
Drums >
Space >
Playing In The Band Reprise >
Stella Blue >
Throwing Stones >
Not Fade Away
Encore:
One More Saturday Night
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accorion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accorion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(9373) View Source
View Archive
SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman
(21254) View Source
View Archive
sbe-fixed version of the SBD>DAT>CD source
(84288) View Source
View Archive
flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F.
(90800) View Source
View Archive
flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008
(113534) View Source
View Archive
flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
(139118) View Source
View Archive
flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
(141604) View Source
View Archive
flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
(141693) View Source
View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
(9373) View Source
View Archive SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman
(21254) View Source
View Archive sbe-fixed version of the SBD>DAT>CD source
(84288) View Source
View Archive flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F.
(90800) View Source
View Archive flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008
(113534) View Source
View Archive flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
(139118) View Source
View Archive flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
(141604) View Source
View Archive flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
(141693) View Source
View Archive flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| suds (3/0) | shn / 3 | View | SBD>DAT>CD>SHN | |||
| Bill D. (3/5) | CDR / 3 | A | View | |||
| michael falzone (3/0) | / 0 | View | ||||
| michael falzone (3/0) | / 0 | View | ||||
| Kenn Kerper (3/4) | shn / 0 | View | 21254 | SBD | ||
| RichB (3/5) | Cdr / 3 | A | View | |||
| Notes: | Set 1 & 2 | |||||
| Brent (3/0) | shn / 2 | View | 9373 | SBD>DAT>CD | ||
| Notes: | held on DVD-shn #48 | |||||
| Zachary (3/0) | / 2 | A | A | View | ||
| David Finney (3/0) | CDR / 3 | View | sbd | |||
| Scott Bernstein (3/0) | CDR / 3 | View | 9373 | DSBD | ||
| Notes: | 27) | |||||
| Scott Bernstein (3/0) | cDR / 3 | View | 9373 | sbd | ||
| Notes: | 31 | |||||
| BigBeahner (3/0) | CD Audio / 3 | View | 9373 | SBD>DAT>CD | ||
| BigBeahner (3/0) | CD Audio / 3 | View | 9373 | SBD>DAT>CD | ||
| Peter Butts (3/0) | CDR / 3 | View | 9373 | |||
| Don Turner (3/5) | cdr / 3 | A | View | Sound Board | ||
| Notes: | 2nd set on dat also. | |||||
| Tripp Wojohn (3/4) | SHN / 2 | View | SBD>DAT> CD> SHN | |||
| Darkstar (3/4.3) | cdr / 3 | A+ | View | |||
| Notes: | All | |||||
| ropegun (3/4.8) | CDR / 3 | A- | A | View | Sndbrd > DAT > SHN > CDR | |
| Notes: | This has a surprising amount of life for a ninetees show. I especially like the stella blue and the throwing stones > NFA on disc three | |||||
| Martin Novak (3/0) | / 0 | A+ | View | SBD | ||
| John Licari (3/5) | SHN / 2 | View | 9373 | (TMNSP) | ||
| Grateful Greg (3/0) | shn / 2 | View | 9373 | |||
| Torbj�rn Olofsson (3/0) | / 0 | View | 9373 | |||
| Notes: | shn | |||||
| Pete Hutchinson (3/4.8) | CDR / 3 | A+ | View | |||
| Todd (3/0) | shnf / 0 | View | ||||
| Lee Rosenbaum (3/5) | SHN / 2 | A | View | 9373 | SBD > DAT> CD> SHN | |
| gideon mosler (3/0) | / 3 | View | Sennheiser FOB | |||
| troyc (3/0) | wav/cdr / 3 | A | A | View | 9373 | |
| Frank Garrison (3/0) | cdr / 3 | View | SBD->Dat | |||
| TLEO (3/0) | shnf / 0 | View | sbd | |||
| Jim Van Houten (2/5) | / 0 | View | 141604 | https://archive.org/details/gd1990-10-27.141604.miller.sbd.flac2496 | ||