(5971) View Source    View Archive
Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson

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(35122) View Source    View Archive
flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson

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(76663) View Source    View Archive
flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE)

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(76664) View Source    View Archive
flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)

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(91352) View Source    View Archive
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky

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(115992) View Source    View Archive
flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz

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(115993) View Source    View Archive
flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper

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(120370) View Source    View Archive
flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart

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(120371) View Source    View Archive
flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart

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(141512) View Source    View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48

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(141999) View Source    View Archive
flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci