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Set I
Soundcheck:
Vince on piano solo, It’s All Too Much, It’s All Too Much, It’s All Too Much
Vince on piano solo, It’s All Too Much, It’s All Too Much, It’s All Too Much
Set II
Hell In A Bucket, Loser, Take Me To The River, Row Jimmy, Broken Arrow, Promised Land
Set III
Scarlet Begonias-> Fire On The Mountain, Women Are Smarter, It's All Too Much, Playin' In The Band-> Drums-> Space-> Easy Answers-> Morning Dew, E: U.S. Blues
Comment
Last Changed By
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(5971) View Source
View Archive
Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson
(35122) View Source
View Archive
flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson
(76663) View Source
View Archive
flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE)
(76664) View Source
View Archive
flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)
(91352) View Source
View Archive
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
(115992) View Source
View Archive
flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
(115993) View Source
View Archive
flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
(120370) View Source
View Archive
flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
(120371) View Source
View Archive
flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
(141512) View Source
View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
(141999) View Source
View Archive
flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
(5971) View Source
View Archive Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson
(35122) View Source
View Archive flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson
(76663) View Source
View Archive flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE)
(76664) View Source
View Archive flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)
(91352) View Source
View Archive flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
(115992) View Source
View Archive flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
(115993) View Source
View Archive flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
(120370) View Source
View Archive flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
(120371) View Source
View Archive flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
(141512) View Source
View Archive flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
(141999) View Source
View Archive flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 342 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| dfries (2/0) | DVDR / 1 | View | ||||
| Notes: | Set 1 | |||||
| dfries (2/0) | DVDR / 1 | View | ||||
| Notes: | Set 1 | |||||
| Shawn Desmond (2/5) | CD-R / 3 | View | 5971 | Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7 | ||
| Shawn Desmond (2/5) | CD-R / 3 | View | 76663 | Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 | ||
| Eric Kravitz (2/0) | / 2 | B | A | View | AUD | |
| Notes: | Jerry is way off | |||||
| Weave (2/0) | SHN / 2 | View | unknown FOB DAUD source: EAC'd by [email protected] secure, no errors | |||
| Notes: | My 2nd to last dead show This source not listed on Etree (4/20/03): unknown FOB DAUD source EAC'd by [email protected] secure, no errors | |||||
| Scott Garrison (2/5) | cdr / 3 | View | aud | |||
| Notes: | drums and space cut | |||||
| Michael Goff (2/5) | cd / 3 | View | 5971 | |||
| Notes: | GD 95 dvd#10 | |||||
| Roger Eichorn (2/5) | CDR / 2 | View | 5971 | |||
| Notes: | I used Soundforge to almost entirely eliminate the "Tuning" tracks that open Disc 1 and Disc 2. That way, the show fits on two 80-min discs instead of three 74-min ones, with "Scarlet/Fire" closing out Disc 1. | |||||
| Ivo (2/0) | CD-R / 3 | A- | View | AUD - Nak 300's>DAT>WAV>SHN>CDR | ||
| Notes: | Bad show :-( | |||||
| andydevs (2/0) | / 3 | View | ||||
| batola (2/0) | SHN / 2 | View | ||||
| RJ (2/5) | CDR / 3 | A | View | DAUD | ||
| Notes: | Grateful Dead Knickerbocker Arena Albany, NY June 21, 1995 Source: Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7 DAT > WAV > SHN: Dan Stephens ([email protected]) Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW Audio Compression Tool Disc 1, set one: 01 - Tuning -> - 06:13 02 - Hell in a Bucket - 08:12 03 - Loser - 08:47 04 - Take Me to the River - 06:18 05 - Row Jimmy - 15:37 06 - Broken Arrow -> - 05:13 07 - Promised Land - 05:10 Total: 55:30 Disc 2, set two: 01 - Tuning -> - 04:09 02 - Scarlet Begonias -> - 10:40 03 - Fire on the Mountain - 18:08 04 - Women Are Smarter - 07:37 05 - All Too Much -> - 06:01 06 - Playin' in the Band -> - 03:56 07 - Supplication Jam -> - 10:54 08 - Drums -> - 06:40 Total: 67:59 Disc 3, set two continued: 01 - Space -> - 12:35 02 - Easy Answers -> - 06:43 03 - Morning Dew - 13:59 04 - E: U.S. Blues - 06:11 Total: 39:28 compiled by Dan Stephens 06/25/2001 | |||||
| Gary Field (1/5) | SHN / 2 | View | 5971 | AUD | ||
| Notes: | Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW [060419.1] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 35122 | AUD | ||
| Notes: | Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r [060706.1] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 76663 | AUD | ||
| Notes: | Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE) [060914.3] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 76664 | AUD | ||
| Notes: | Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz files) [060914.3] | |||||
| Gary Field (1/5) | 91352 / 1 | View | 91352 | FM | ||
| Notes: | Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC [080414.1] | |||||
| Gary Field (1/5) | 115993 / 2 | View | 115993 | AUD | ||
| Notes: | First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper [120324.wd001] | |||||
| Gary Field (1/5) | 115992 / 6 | View | 115992 | AUD | ||
| Notes: | flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz [120413.wd001] | |||||
| Gary Field (1/5) | 120370 / 2 | View | 120370 | AUD | ||
| Notes: | Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart [120531.wd001] | |||||
| Gary Field (1/5) | 120371 / 2 | View | 120371 | AUD | ||
| Notes: | flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 );Taped by: Seth Breidbart [120822.wd001] | |||||
| Gary Field (1/5) | 141512 / 0 | View | 141512 | |||
| Gary Field (1/5) | 141999 / 0 | View | 141999 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 5971 | |||
| Notes: | Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 76663 | |||
| Notes: | FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC | |||||
| Marc Deardorff (1/5) | flac16/48 / 2 | View | 76664 | |||
| Notes: | flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens ([email protected]) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC | |||||
| Marc Deardorff (1/5) | flac / 1 | View | 91352 | |||
| Notes: | Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky | |||||
| Ed Izsak (1/5) | CDR / 2 | A | View | AUD | ||
| mike (1/5) | Flac / 2 | View | 76663 | |||