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Set I
How Sweet It Is (To Be Loved By You)
Stop That Train
The Maker
You Never Can Tell
Night They Drove Old Dixie Down
Lay Down Sally
Deal
Stop That Train
The Maker
You Never Can Tell
Night They Drove Old Dixie Down
Lay Down Sally
Deal
Set II
Shining Star
And It Stoned Me
Ain't No Bread In The Breadbox
Wonderful World
Tore Up Over You
Waiting For A Miracle
My Sisters And Brothers
Tangled Up In Blue
Encore
Werewolves Of London
And It Stoned Me
Ain't No Bread In The Breadbox
Wonderful World
Tore Up Over You
Waiting For A Miracle
My Sisters And Brothers
Tangled Up In Blue
Encore
Werewolves Of London
Set III
Comment
Jerry Garcia Band; Vince and The Affordables opened. setlist courtesy thejerrysite.com
Last Changed By
old trader grandad
Sources
(4351) View Source
Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin
(13230) View Source
Jerry Garcia Band: MSC > DAT > CD > SHN
(14310) View Source
Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show.
(76460) View Source
Jerry Garcia Band: set II: FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS" project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding).
(83474) View Source
Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC
(97988) View Source
Jerry Garcia Band: set II: unknown taper, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.
(102196) View Source
Jerry Garcia Band: flac1644; complete show from same source as shnid 97988. Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.
(107738) View Source
flac16; Matrix 2 Source Mix - SBD (shn id 13230) MSC > DAT > CD > SHN + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - matrix mixing by Kevin Tobin
(107741) View Source
DTS-Audio-CD 5.1 Mix; SBD (shn id 14310) SBD>CM?>DAT>?>DAT>CDR + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - dts mixing by Kevin Tobin
(132279) View Source
JGB; flac1644; Jim Dupree's audience tape
(141463) View Source
JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).
(142802) View Source
JGB; flac1648; John Ammons, Rob Darroch FOB Recording: Schoeps MK4 capsules (modified, in hat) > Reutelhuber Power Source > DAT 48k (Panasonic SV255). Transfer from DAT clone of the Darroch Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel. Wave > Audacity > 16/48
(4351) View Source
Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin
(13230) View Source
Jerry Garcia Band: MSC > DAT > CD > SHN
(14310) View Source
Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show.
(76460) View Source
Jerry Garcia Band: set II: FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS" project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding).
(83474) View Source
Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC
(97988) View Source
Jerry Garcia Band: set II: unknown taper, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.
(102196) View Source
Jerry Garcia Band: flac1644; complete show from same source as shnid 97988. Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.
(107738) View Source
flac16; Matrix 2 Source Mix - SBD (shn id 13230) MSC > DAT > CD > SHN + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - matrix mixing by Kevin Tobin
(107741) View Source
DTS-Audio-CD 5.1 Mix; SBD (shn id 14310) SBD>CM?>DAT>?>DAT>CDR + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - dts mixing by Kevin Tobin
(132279) View Source
JGB; flac1644; Jim Dupree's audience tape
(141463) View Source
JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).
(142802) View Source
JGB; flac1648; John Ammons, Rob Darroch FOB Recording: Schoeps MK4 capsules (modified, in hat) > Reutelhuber Power Source > DAT 48k (Panasonic SV255). Transfer from DAT clone of the Darroch Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel. Wave > Audacity > 16/48
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.