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Set I
Truckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones
Set II
Sugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light
Set III
Comment
*with the Beach Boys
**Just the Beach Boys: Good Vibrations, I Get Around.
**Just the Beach Boys: Good Vibrations, I Get Around.
Last Changed By
old trader grandad
Sources
(2221) View Source
View Archive
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive
SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive
MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive
mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive
flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive
flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive
flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(2221) View Source
View Archive MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Alfred E. Neuman (1/5) | DAT / 1 | View | SBD | |||
| Justin D. (1/5) | CDR / 3 | A++ | A++ | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |
| Notes: | Farewell Fillmore show; Beach Boys during Set 2. A great Hard to Handle | |||||
| Xpanding man (1/5) | CDR / 3 | A | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| W D (1/5) | CDR / 3 | A- | View | |||
| Notes: | w/ the Beach Boys | |||||
| Alex Weiner (1/0) | CDR; SHN / 3 | View | 2221 | |||
| Notes: | with Beach Boys | |||||
| Mari (1/4.7) | cdr / 3 | View | ||||
| karlfox (1/0) | CDR / 1 | A | A | View | SBD | |
| Notes: | BEACH BOYS PORTION,HARD TO HANDLE | |||||
| Brian K (1/5) | CDR / 3 | A- | View | SBD | ||
| Greg LaFord (1/0) | CDR / 3 | View | most:SBD:MR>MR>CD some:SBD:MR>CD | |||
| Notes: | with the NRPS | |||||
| Chris Gallen (1/0) | SHN / 3 | A | A | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R |
| Daniel Shay (1/5) | CD-R / 3 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Brad (1/0) | / 0 | View | 2221 | |||
| Brad (1/0) | / 0 | View | 2221 | |||
| Mike Glumb (1/4.8) | shn / 3 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| zerbini mike (1/0) | cd-r / 3 | A | View | |||
| Charlie Earthman (1/0) | SHN / 2 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Jim Mimna (1/4.8) | CD-R / 3 | A | A | View | SBD | |
| Notes: | W/ BEACH BOYS GUEST | |||||
| Ron Tavernier (1/0) | CDR / 3 | A | A | View | SBD:MR>RR>DAT>CDR | |
| Notes: | With guest the Beach Boys | |||||
| Roger May (1/0) | SHN / 2 | View | 2221 | |||
| crazylegs69 (1/0) | / 3 | View | ||||
| Notes: | New York, NY w/ NRPS | |||||
| MGA (1/5) | CDR / 3 | View | 2221 | |||
| Notes: | Includes NRPS set! | |||||
| Cranky1 (1/5) | / 0 | View | ||||
| Dave (1/5) | SHN / 3 | View | ||||
| Notes: | SBD>MR>R>D>CD>SHN with NRPS | |||||
| Jim Sanderson (1/0) | / 0 | View | 5165 | |||
| Gregg Rutter (1/5) | CDR / 3 | A+ | View | SBD | ||
| Notes: | Beach Boys, NRPS opened. | |||||
| Rusty Stalnaker (1/5) | CDR / 3 | A | View | SBDTruckin Through loser: MR>CDR>SHN, Hard To Handle Through Lovelight MR>R>CDR>SHN | ||
| Notes: | Part of 2nd set w/ Beach Boys | |||||
| motsies (1/0) | CD-R / 3 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| Notes: | w/ NRPS (D1) & Beach Boys (D3) | |||||
| dogpochi (1/5) | CD-R / 3 | A | A | View | ||
| Notes: | Includes the Beach Boys' performance | |||||
| PC (1/5) | audio / 3 | A | A | View | sbd | |
| TPH (1/0) | CDR / 3 | A | A | View | ||