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Set I
Truckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones
Set II
Sugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light
Set III
Comment
*with the Beach Boys
**Just the Beach Boys: Good Vibrations, I Get Around.
**Just the Beach Boys: Good Vibrations, I Get Around.
Last Changed By
old trader grandad
Sources
(2221) View Source
View Archive
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive
SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive
MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive
mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive
flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive
flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive
flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(2221) View Source
View Archive MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| jay o'brien (0/0) | aud / 3 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Dave Winters (0/0) | CDR / 3 | A | View | MSR>REEL>DAT>CD | ||
| rich (0/0) | / 3 | View | ||||
| Mary Jane (0/0) | SHN / 2 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| Notes: | Envelope 1.2 MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R. Includes NRPS Set | |||||
| jim slome (0/0) | / 0 | View | ||||
| Marty (0/0) | mp3 / 3 | A | A | View | ||
| Tom Sheran (0/0) | SHN / 2 | View | ||||
| jason zeinert (0/3) | shn / 2 | View | ||||
| deadone38 (0/0) | cdr / 3 | View | ||||
| Notes: | sbd | |||||
| Jamie Ippolito (0/5) | CDR / 3 | A | View | 2221 | ||
| Curtis Hasty (0/5) | SHN / 2 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Notes: | Includes NRPS Set. | |||||
| Rob Robar (0/0) | shn / 2 | View | 2221 | |||
| Rick (0/0) | shn / 3 | A+ | A+ | View | 2221 | MSR [7 inch (7.5 ips) Revox A 77] > Alesis Masterlink > CDR > ? > SHN |
| Notes: | The new Vault release, "Ladies and Gentlemen, the Grateful Dead" is a compilation of all five shows from the April, '71 Fillmore run. LAGTGD is from the multitrack masters and is commercially available on Arista, or from GDM at http://mars.dead.net For the obsessive completist collectors, here are the complete 4-27-71 NRPS & Dead Sets directly from two-track masters. Errata: Lodi fades in already in progress. Hard To Handle starts late and has some sound fluctuations in the first minute or two. Sugar Magnolia fades in already in progress. There is a splice in the segue between Uncle John's Band and Lovelight. The faults listed above are consistent with previous versions. shn conversion and ftp uploading by Bob Murphy | |||||
| Burner Ben (0/0) | CDR / 3 | View | 2998 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CDR>SHN>CDR | ||
| Notes: | Includes New Riders Opening Set | |||||
| Steve Mashington (0/0) | CD-R / 3 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| Notes: | 1st Set NRPS | |||||
| George (0/3) | CD-R / 3 | View | ||||
| Ubiqridiculous (0/0) | CDR / 3 | A | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Notes: | Beach Boys make an appearance in Set II. | |||||
| Tom Reedy (0/0) | cdr / 3 | A+ | View | |||
| Notes: | sdb | |||||
| Alan Croft (0/2.7) | SHN / 2 | View | ||||
| Notes: | Includes NRPS set | |||||
| Glen W. (0/0) | CD-R / 3 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| Notes: | The new Vault release, "Ladies and Gentlemen, the Grateful Dead" is a compilation of all five shows from the April, '71 Fillmore run. LAGTGD is from the multitrack masters and is commercially available on Arista, or from GDM at http://mars.dead.net For the obsessive completist collectors, here are the complete 4-27-71 NRPS & Dead Sets directly from two-track masters. Errata: Lodi fades in already in progress. Hard To Handle starts late and has some sound fluctuations in the first minute or two. Sugar Magnolia fades in already in progress. There is a splice in the segue between Uncle John's Band and Lovelight. The faults listed above are consistent with previous versions | |||||
| Sean Murphy (0/4.8) | SHN / 2 | View | 2221 | |||
| Fletcher (0/0) | SHN / 0 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| David Raymond (0/0) | C / 0 | View | sbd | |||
| Greg Wellemeyer (0/0) | CD-R / 3 | A | View | MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink > CD-R | ||
| Dan Klepinger (0/0) | CDR / 4 | A | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R>SHN>WAV>CDR | ||
| Notes: | begins with 7 tracks of the NRPS set for that night. w/ Beach Boys | |||||
| Chad & Taryn King (0/3.7) | cdr / 1 | View | ||||
| Notes: | beach boys set | |||||
| Zach (0/0) | Tape / 1 | B | View | |||
| Notes: | Mixed Sets | |||||
| Jason (0/0) | cdr / 3 | View | ||||
| Warren Anderson (0/0) | CD-R SHN / 3 | A | A | View | ||
| Robert (0/0) | / 0 | View | ||||