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Set I
Shakedown Street
Little Red Rooster
Friend Of The Devil
Victim Or The Crime
Built To Last
We Can Run
Stuck Inside Of Mobile With The Memphis Blues Again >
Deal
Little Red Rooster
Friend Of The Devil
Victim Or The Crime
Built To Last
We Can Run
Stuck Inside Of Mobile With The Memphis Blues Again >
Deal
Set II
Samson & Delilah >
Crazy Fingers >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Gimme Some Lovin' >
Standing On The Moon >
Throwing Stones >
Not Fade Away
Encore:
U.S. Blues
Crazy Fingers >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Gimme Some Lovin' >
Standing On The Moon >
Throwing Stones >
Not Fade Away
Encore:
U.S. Blues
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(15109) View Source
View Archive
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
(94240) View Source
View Archive
flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
(106238) View Source
View Archive
flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(120302) View Source
View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120303) View Source
View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(141850) View Source
View Archive
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(15109) View Source
View Archive SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
(94240) View Source
View Archive flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
(106238) View Source
View Archive flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(120302) View Source
View Archive flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120303) View Source
View Archive flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(141850) View Source
View Archive flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 365 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| William Ferdinandsen (2/5) | CDR / 3 | View | ||||
| Ben Larkin (2/5) | Audio CD-R / 3 | A | A | View | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | |
| Notes: | Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CDWave -> SHN | |||||
| Shawn Desmond (2/5) | CD-R / 3 | View | 15109 | SBD | ||
| John Fitzgerald (2/0) | / 3 | View | ||||
| Notes: | 2 discs data | |||||
| Ray Hansen (2/0) | CDR / 3 | View | SBD>DAT>Samplitude>Cool Edit Pro >SHN | |||
| jeff p (2/0) | CDR / 2 | A | A | View | AUD | |
| Jay von Lehe_SHN (2/5) | SHN / 2 | View | 15109 | SBD | ||
| Charissa (2/5) | cdr / 3 | A | A | View | ||
| Michael Goff (2/5) | cd / 3 | View | 15109 | |||
| Notes: | 89 dvd #5 | |||||
| Ken & Jessica (2/0) | / 3 | View | ||||
| Adam O. (2/5) | SHN / 3 | View | 15109 | SBD | ||
| jim mcguire (2/5) | shn/cdr / 2 | A- | View | 15109 | ||
| Ben Sokolowski (2/0) | cdr / 3 | A | View | Soundboard | ||
| scottyrubes (2/0) | / 0 | View | ||||
| Tripp Wojohn (2/0) | SHN / 2 | View | 15109 | |||
| Carter (1/5) | CDR / 3 | A | A | View | ||
| Charlie Yohe (1/5) | CDR / 3 | View | 15109 | |||
| Rick Childs (1/4.9) | CDR / 2 | A+ | A+ | View | 15109 | |
| Gary Field (1/5) | 141850 / 0 | View | 141850 | |||
| Gary Field (1/5) | SHN / 2 | View | 15109 | SBD | ||
| Notes: | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | |||||
| Gary Field (1/5) | 94240 / 2 | View | 94240 | AUD | ||
| Notes: | Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH) [080912.1] | |||||
| Gary Field (1/5) | 106238 / 2 | View | 106238 | AUD | ||
| Notes: | Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions) [100309.1] | |||||
| Gary Field (1/5) | 120303 / 2 | View | 120303 | AUD | ||
| Notes: | Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename [120529.wd001] | |||||
| Gary Field (1/5) | 120302 / 3 | View | 120302 | AUD | ||
| Notes: | flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename [120622.wd001] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 15109 | |||
| Notes: | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 94240 | |||
| Notes: | Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH) | |||||
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6... | |
| Brian C (1/4.7) | SHN / 2 | A | A | View | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller | |
| Notes: | w/jm 8/17/91 | |||||
| mike (1/5) | Shn / 2 | View | 15109 | |||
| Jim (1/5) | cdr / 3 | View | 15109 | |||