Artists
Dates
List Management
Help
Add Source
Reviews
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Morning Dew, Beat It On Down The Line, Ramble On Rose, Jack Straw, Wave That Flag#, Looks Like Rain, Box Of Rain, They Love Each Other, The Race Is On, Row Jimmy, El Paso, Bird Song, Playin' In The Band
Set II
Eyes Of The World > Stella Blue, Big River, Here Comes Sunshine, Around And Around, Dark Star > He's Gone > Wharf Rat > Truckin', Sugar Magnolia
Set III
It Takes A Lot To Laugh It Takes A Train To Cry*^, That's Alright Mama*^, Promised Land*, Not Fade Away* > Goin' Down The Road Feeling Bad* > Drums* > Not Fade Away*, Johnny B. Goode*
Comment
Wet Willie And The Allman Brothers Band Opened
* - w/ Butch Trucks, Dickey Betts And Merl Saunders
^ - First Time Played
# - Last Time Played
* - w/ Butch Trucks, Dickey Betts And Merl Saunders
^ - First Time Played
# - Last Time Played
Last Changed By
OldNeumanntapr
Sources
(174) View Source
View Archive
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
(89640) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates
(89681) View Source
View Archive
flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant
(89730) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
(90351) View Source
View Archive
flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry
(90771) View Source
View Archive
flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
(90794) View Source
View Archive
DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
(90796) View Source
View Archive
flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
(90979) View Source
View Archive
flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected
(121030) View Source
View Archive
flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
(121031) View Source
View Archive
flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
(131065) View Source
View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
(136252) View Source
View Archive
flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
(136253) View Source
View Archive
flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
(174) View Source
View Archive SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
(89640) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates
(89681) View Source
View Archive flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant
(89730) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
(90351) View Source
View Archive flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry
(90771) View Source
View Archive flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
(90794) View Source
View Archive DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
(90796) View Source
View Archive flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
(90979) View Source
View Archive flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected
(121030) View Source
View Archive flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
(121031) View Source
View Archive flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
(131065) View Source
View Archive flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
(136252) View Source
View Archive flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
(136253) View Source
View Archive flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 301 - 330 | 601 - 630 | 901 - 930 | 1201 - 1230 | 1501 - 1530 | 1531 - 1560 | 1561 - 1590 | 1591 - 1620 | 1621 - 1650 | 1651 - 1680 | 1681 - 1710 | 1711 - 1740 | 1741 - 1770 | 1771 - 1800 | 1801 - 1830 | 1831 - 1860 | 1861 - 1890 | 1891 - 1920 | 1921 - 1950 | 1951 - 1980 | 1981 - 2010 | 2011 - 2040 | 2041 - 2070 | 2071 - 2100 | 2101 - 2130 | 2131 - 2160 | 2161 - 2190 | 2191 - 2220 | 2221 - 2250 | 2251 - 2280 | 2281 - 2310 | 2311 - 2340 | 2341 - 2370 | 2371 - 2400 | 2401 - 2430 | 2701 - 2730 | 3001 - 3030 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John Peters (1/0) | SHN / 1 | View | 174 | SBD: MR > DAT > CD > EAC > SHN | ||
| John Peters (1/0) | FLAC / 1 | View | 89730 | SBD: MR > DAT > CD; CD > Samplitude Professional v10.01 > FLAC | ||
| John Peters (1/0) | FLAC / 1 | View | 90979 | SBD: MR > DAT > CD; CD > Samplitude Professional v10.01 > FLAC | ||
| michael rosenberg (1/5) | CDR / 4 | A | A | View | 174 | SBD |
| Geoff MacNaughton (1/5) | 3 / 4 | A- | View | 174 | SBD | |
| Richard Markley (1/5) | SHN / 3 | View | 174 | |||
| Notes: | DVD77 | |||||
| Richard Markley (1/5) | flac / 3 | View | 90771 | |||
| Notes: | HD1 | |||||
| Richard Markley (1/5) | flac / 3 | View | 89640 | |||
| Notes: | DVD625 | |||||
| Richard Markley (1/5) | flac / 3 | View | 89730 | |||
| Notes: | DVD628 | |||||
| Richard Markley (1/5) | flac / 2 | View | 90979 | |||
| Notes: | HD1 | |||||
| James (1/0) | / 0 | View | ||||
| upstateDB (1/5) | cdr / 4 | A | A | View | ||
| Richard (1/5) | CD-R / 4 | A+ | View | S:R | ||
| SIRMick (1/5) | SHN / 3 | View | 174 | |||
| SIRMick (1/5) | FLAC / 1 | View | 89681 | |||
| SIRMick (1/5) | FLAC / 3 | View | 89640 | |||
| JOHNNY WINTER (1/5) | CDR / 4 | A | View | |||
| Matt Vernon (1/4.8) | SHN / 4 | A- | A- | View | 174 | |
| Notes: | Note: Some bass distortion gives reduced sound rating even though its a soundboard. This show gets a high rating by many because it has almost all of the great jam songs in one show. Morning Dew as opener, Bird Song and Playin' in set 1. Set 2 has Eyes, Stella, Dark Star, Truckin, Wharf Rat, HCS, He's Gone. I would say that all renditions are good average Dead. None of them stand out. Wharf Rat comes across the best in terms of communicating emotion through sound. Have to give this show the award for the killer set list though. The set 3 jam with the Allmans and Merl is fun but with this many people mixing it up I didn't hear anything that made me want to get up and hear it again. | |||||
| Matt Vernon (1/4.8) | FLAC / 2 | A- | A- | View | 89681 | |
| Notes: | lac16; Recording by Bill Gadsen partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant [2008-02-08]A surprising nice aud that has a good soundfield and not too much distractive audience noise - well worth a listen for enthusiasts of early aud recordings. | |||||
| Matt Vernon (1/4.8) | FLAC / 4 | A- | A- | View | 89730 | |
| Notes: | lac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 [2008-02-08]This show gets hight marks because it has all the heavy hitters (Dark Star, PITB, EOTW, TOO, etc..) along with a set 3 jam with the ABB folks. To me the gd sets are quite good but I don't rank them that high because none of them are epic versions compared to other dates this year - the set 3 jam just has too many people participating - i've not found a case where guest artists bring much tothe gd because it interferes with the normal tight ensemble playing to make room for the guest, except for Branford in 1990 | |||||
| Matt Vernon (1/4.8) | FLAC / 4 | A- | A- | View | 90796 | |
| Notes: | flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin [2008-04-08]Classic show which many consider a best for 1973 - features Bird Song, Dark Star, Eyes, HCS etc. The newly circulating aud from deadhead-monte captures the echo from the delayed towers for that aural "3D" effect - nice aud for the time. | |||||
| Matt Vernon (1/4.8) | FLAC / 4 | A- | A- | View | 90979 | |
| Notes: | flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected [2009-01-07]After hearing a half dozen versions of this show, it still comes across as a very tight performance with a hall-of-fame setlist. Nice sound. The only gripe is that it lacks some of the amazing true improv jams of the best of 73. | |||||
| Matt Vernon (1/4.8) | FLAC / 4 | X | X | View | 90351 | |
| Notes: | flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry [2008-05-24]This has been upgraded by Tobin's composite audience. | |||||
| Matt Vernon (1/4.8) | FLAC / 4 | A- | A- | View | 90771 | |
| Notes: | flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin [2008-04-10]If you want to hear the sbd of teh show, this is probably what you should get - the added audience ambiance makes for a nice listen, the aud mix isn't very high so overall you get a sbd listen. | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | MTX | View | 90771 | ||
| Notes: | MTX TB4 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | MTX | View | 131065 | ||
| Notes: | MTX TB11 | |||||
| Bev Madara (1/0) | Audio / 4 | View | ||||
| Mark Diamond (1/3) | / 4 | View | 89730 | |||
| Brian (1/0) | FLAC / 0 | View | 131065 | |||
| gone (1/4.9) | shn / 4 | View | 174 | |||