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Phish 11/02/96
Coral Sky Amphitheater, West Palm Beach, FL
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Set I
Ya Mar, Julius, Fee > Taste, Cavern > Stash, The Lizards, Free, Johnny B. Goode
Set II
Crosseyed And Painless > Run Like An Antelope, Waste, Harry Hood > A Day In The Life, Sweet Adeline*

E: Funky Bitch^
Set III
 
Comment
Entire Show With Karl Perazzo On Percussion

* - A cappella Performance
^ - w/ Butch Trucks On Drums And Jon Fishman On Trey's Drums

Official Release DVD

Official Release Audio CD
Last Changed By STLBlues
Sources
(642) View Source   
DSBD
(643) View Source   
pre-FM SBD> DAT> CD-R; broadcast 3/97; filler on S. Cardner-seeded 12/4/99 shns to PCP
(5880) View Source   
Pre-FM > DAT > CDR > EAC > SHN
(8155) View Source   
unknown source; via gdlive
(17551) View Source   
Microtech Gefell m300 > Sonosax > DA-P1; DA-20 > Mackie 1202-VLZ > BBE-862 Sonic Maximizer > SBLive > Soundforge 4.5 > CDWav > CDR > EAC > mkwACT; Transferred by Michael Wentzell; SHN Conversion by Doug Nawrocki
(22413) View Source   
Microtech Geffel m300 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
(77454) View Source   
DTS-Audio-CD 5.1 Mix (see info file for details)
(79981) View Source   
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
(121388) View Source   
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > M-audio microtrack II > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
John TG Leonard (4/0) CDR / 2 A View   DAUD (unknown) > SHN > CDR
Notes: *Sweet Adeline cut, inaudible
Josh (4/0) SHN / 2 View   unknown
Jonathan (4/0) CDR / 3 A View  
Ryan and Ollie (4/4.3) AUDIO/SHN / 3 A A View 643 SBD
Notes: ALSO HAVE IN SHN'S, 2 DISCS.
Chris Wright (4/0) SHN / 1 View 643 SBD-> DAT-> ?-> CD-> EAC-> SHN
Notes: Partial Show
Phil (4/0) Audio / 1 A A+ View 643
Jeffery Bowling (4/0) CDR / 2 View   Microtech Geffel M300 > DAP1 > D(1)
Notes: Microtech Geffel M300 > DAP1 > D(1)
Aaron Hertzel (4/0) CDR / 1 A+ View   FM-SBD
Notes: thru A Day in the Life. DISK skips
kb panic (3/5) CD-R / 3 B View   SBD
john zicconi (3/5) CDR / 3 View   SBD or FM
Carl (3/0) CD-R / 1 View 643 SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Notes: 01 [09:38] Yamar 02 [23:50] Crosseyed and Painless > 03 [13:45] Run Like an Antelope 04 [05:59] Waste 05 [14:19] Harry Hood > 06 [04:53] A Day in the Life TT [72:26] *All songs feature Santana percussionist Karl Perazzo --------------------------------------------------------- Source Info SBD Pre-FM SBD > DAT> CD-R > SHN AUD Microtech Geffel M300 > DAP1 > D(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades/sample rate/rendered w/ UV22HR) > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix - Mixed by [email protected] - FLAC conversion done 29-SEP-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes Incomplete show. Version #4 - SBD+AUD DTS-Audio-CD 5.1 Surround Sound The AUD recording punches at zero consistently throughout the recording. Or it did and then someone dropped the levels by 1 or 2db. This recording tiptoes along the edge of distortion but I don't think it really becomes a problem. However, the extreme levels (or post production hard limiting) on this recording has really reduced the dynamic range. On the plus side it does have a really "in-your-face" sound quality. There were between song edits after Yamar, Antelope and Waste on the SBD source. The AUD recording was trimmed to match and a variety of edits (fades, crossfades and level adjustments) were performed to make this transitions as smooth as possible. They were a bit too quick to make this completely inaudible. There were several pops throughout the SBD recording. The kind that may have slipped by unnoticed unless you were knee deep into the recoding on an editing program like I was. I did my best to locate and remove most or all of these.
Michael (3/0) SHN / 1 View 5880
Notes: pre-FM, partial
zowie (3/5) cd / 2 a- View   aud
J (3/0) / 0 View 5880
J (3/0) / 0 View 121388
J (3/0) / 0 View 77454
J (3/0) / 0 View 79981
J (3/0) / 0 View 643
J (3/0) / 0 View 8155
J (3/0) / 0 View 17551
J (3/0) / 0 View 22413
J (3/0) / 0 View 642
j.j. (3/0) SHN / 2 View 5880 SBD
Will (3/4.7) CDR / 2 A B+ View 642 Live Phish Downloads
Pete Cory (3/0) SHN / 1 View 643 PARTIAL: PreFM>...>SHN
Notes: PARTIAL: End of I, Beg. of II. PreFM>...>SHN
Brian Connelly (3/0) / 0 View 22413
Rob Place (3/5) CDR / 2 A- View 8155 .shn source > mkw > .wav > CDR
Notes: 'crowd' sections not included from source SHN. Nice show
Rob Place (3/5) DTS-CDR / 1 A View 77454 FLAC source > xAct > aiff > CDr
Notes: DTS 5.1; partial show
Sparks (3/0) / 0 View 5880
Sparks (3/0) / 0 View 22413