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Set I
Truckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones
Set II
Sugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light
Set III
Comment
*with the Beach Boys
**Just the Beach Boys: Good Vibrations, I Get Around.
**Just the Beach Boys: Good Vibrations, I Get Around.
Last Changed By
old trader grandad
Sources
(2221) View Source
View Archive
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive
SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive
MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive
mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive
flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive
flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive
flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(2221) View Source
View Archive MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Mike D (3/3.5) | CDR / 3 | A | View | Lineage: SBD > RTR (7.5 i.p.s.) > D > DAT > Sony PCM-R300 > CD > EAC > FLAC | ||
| Notes: | Featuring The Beach Boys | |||||
| matthew (3/0) | cdr / 3 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Corey (3/5) | Shn / 2 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| marc geanoules (3/5) | / 3 | A | View | AUD | ||
| Rolfe (3/5) | CD / 3 | View | ||||
| Rich Willis (3/0) | CDR / 3 | View | 2221 | |||
| Notes: | SBD; Inludes NRPS set (partial); Beach Boys sit in. | |||||
| AlanZ (3/0) | FLAC / 2 | View | SBD>MR>D>CDR | |||
| Reggie (3/5) | CD-R / 3 | A | B | View | ||
| Notes: | w/ Beach Boys | |||||
| peachabbshn (3/3) | FLAC / 2 | A | A | View | 5165 | MR>C>CDRx?>SHN |
| Notes: | http://db.etree.org/shn/5165 | |||||
| Jersey (3/5) | SHN / 0 | SBD | View | 2221 | ||
| Notes: | with the Beach Boys | |||||
| Nick (3/5) | CD-R / 3 | A | View | |||
| Andrew (3/0) | CDR / 3 | View | ||||
| Notes: | NRPS opening set included | |||||
| bear bridges (3/4.8) | shn / 2 | View | ||||
| Justin Whitlock (3/4.8) | CDR / 3 | A | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |
| Notes: | Includes NRPS Set; portion of Dead Set with the Beach Boys | |||||
| Matty (3/4.9) | SHN / 2 | View | 2221 | |||
| Notes: | Archived with 04/26/71 | |||||
| Jeremy Workman (3/5) | CD / 3 | View | 2221 | |||
| Notes: | have shns (2x80min) | |||||
| Bob Witcher (3/0) | cdr / 3 | A | View | Sbd Mr>Dat>Cdr | ||
| Notes: | with Beach Boys also New Riders set | |||||
| Bob Witcher (3/0) | / 0 | View | Ladies and Gentlemen... The Grateful Dead | |||
| Notes: | Not For Trade - Ladies and Gentlemen... The Grateful Dead | |||||
| Darryl Kniaz (3/5) | / 0 | View | ||||
| Monkmoose (3/5) | cdr / 3 | View | ||||
| Eric Handler (3/5) | SHN / 2 | View | 2221 | SBD > MR (7 inch (7.5 ips) Revox A 77) > Alesis Masterlink > CD-R | ||
| JMB (3/5) | DAT / 1 | View | SB->?->DAT | |||
| Bill Adams (3/5) | / 3 | View | SBD | |||
| Jeff MacLaren (3/5) | shn / 2 | A | View | 2221 | ||
| Notes: | complete 4-27-71 NRPS & Dead Sets directly from two-track masters | |||||
| John Daly (3/0) | cdr, shn / 3 | View | 2221 | |||
| Notes: | Includes NRPS set | |||||
| Curtis Haines (3/5) | cdr / 3 | View | ||||
| PrideofCucamonga (3/0) | SHN / 3 | View | 2221 | |||
| Dan Sodikoff (3/0) | / 3 | View | SBD | |||
| Notes: | W/ BEACH BOYS | |||||
| erik jorgensen (3/0) | shn / 2 | View | 2221 | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | ||
| Philzone (3/4.9) | Cdr / 3 | A | A- | View | MSR 7inch (7.5 ips)Revox A77>Alesis Masterlink>CDR | |
| Notes: | wsg The Beach Boys | |||||