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Set I
Truckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones
Set II
Sugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light
Set III
Comment
*with the Beach Boys
**Just the Beach Boys: Good Vibrations, I Get Around.
**Just the Beach Boys: Good Vibrations, I Get Around.
Last Changed By
old trader grandad
Sources
(2221) View Source
View Archive
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive
SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive
MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive
mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive
flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive
flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive
flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(2221) View Source
View Archive MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
(2998) View Source
View Archive SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
(4331) View Source
View Archive MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
(5165) View Source
View Archive mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
(106550) View Source
View Archive flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(106562) View Source
View Archive flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
(114094) View Source
View Archive flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
(114461) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(141129) View Source
View Archive flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| openpath (1/5) | FLAC / 0 | View | 106562 | flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master... | ||
| openpath (1/5) | FLAC / 0 | View | 141129 | flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape) | ||
| J Parzych (1/5) | FLAC / 0 | View | 106562 | |||
| J Parzych (1/5) | FLAC / 0 | View | 114461 | SBD -> Master Reel -> CD | ||
| J Parzych (1/5) | FLAC / 0 | View | 114094 | Lineage:MR@ 7.5 ips>R @ 7.5 ips | ||
| J Parzych (1/5) | FLAC / 0 | View | 141129 | |||
| ojo (1/2.3) | cdr / 3 | View | ||||
| OldNeumanntapr (1/5) | FLAC / 3 | A | View | 106550 | Soundboard: Shure Line Mixers->Advent Advocate Dolby B Unit->Master Reel (Sony Deck-BASF... | |
| Notes: | Trade CDs >FLAC (Level 8) Via xACT 2.36 | |||||
| Joe (1/5) | SHN / 0 | View | 5165 | |||
| Imetdork (1/0) | FLAC / 0 | View | 106550 | |||
| aikox2 (1/4.9) | / 0 | View | ||||
| John Peters (1/0) | SHN / 1 | View | 2221 | SBD: MR (7.5 ips) > Revox A 77 > Alesis Masterlink > CD-R > EAC > SHN | ||
| John Peters (1/0) | FLAC / 1 | View | 114461 | SBD: MR > CD; CD > Samplitude Professional v11.2 > Adobe Audition v3.0 > FLAC | ||
| michael rosenberg (1/5) | flac / 1 | A | A | View | 114461 | Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape) |
| Notes: | With the Beach Boys | |||||
| Geoff MacNaughton (1/5) | 2 / 3 | A | View | 2221 | SBD | |
| Richard Markley (1/5) | SHN / 2 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
| Notes: | includes NRPS set DVD2 | |||||
| Richard Markley (1/5) | SHN / 2 | View | 2221 | |||
| Notes: | DVD391 | |||||
| Richard Markley (1/5) | flac / 2 | View | 106550 | |||
| Notes: | HD3 | |||||
| Richard Markley (1/5) | flac / 2 | View | 114461 | |||
| Notes: | HD3 | |||||
| Richard Markley (1/5) | flac / 2 | View | 141129 | |||
| Notes: | HD3 | |||||
| Richard (1/5) | CD-R / 1 | A+ | View | S:R | ||
| Richard (1/5) | CD-R / 3 | View | 106550 | |||
| Notes: | GD/Garcia spindle I | |||||
| SIRMick (1/5) | SHN / 2 | View | 2221 | |||
| JOHNNY WINTER (1/5) | CDR / 2 | A | View | |||
| John Clexton (1/0) | Tape / 1 | View | ||||
| Notes: | Set 1 | |||||
| Matt Vernon (1/4.8) | SHN / 3 | B | B/A | View | 5165 | |
| Notes: | sbd - set 1 sounds a bit hissy with some minor static and volume modulation. The end of the set are strong perfomrnaces of H2H, CC->IKYR and Casey Jones played with conviction. Set 2 is marred by the Beach Boys with lots of delay getting them on stage and then the actual tunes are a noevlty at best. Lovelight is good but the mid set Beach Boy train wreck made it impossible to recover this night. | |||||
| Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 2998 | |
| Notes: | SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead | |||||
| Matt Vernon (1/4.8) | COMMERCIAL / 0 | View | ||||
| Notes: | "Ladies and Gentlemen..." used these songs from this date: Casey Jones, Uncle John's Band, Turn On You Lovelight | |||||
| Matt Vernon (1/4.8) | COMMERCIAL / 0 | View | ||||
| Notes: | "Skull and Roses" used these songs from this date: Bertha and Me And Bobby McGee | |||||
| Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 4331 | |
| Notes: | MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine? [2009-09-01]Upgrade in circ | |||||