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Set I
Ya Mar, Julius, Fee > Taste, Cavern > Stash, The Lizards, Free, Johnny B. Goode
Set II
Crosseyed And Painless > Run Like An Antelope, Waste, Harry Hood > A Day In The Life, Sweet Adeline*
E: Funky Bitch^
E: Funky Bitch^
Set III
Comment
Entire Show With Karl Perazzo On Percussion
* - A cappella Performance
^ - w/ Butch Trucks On Drums And Jon Fishman On Trey's Drums
Official Release DVD
Official Release Audio CD
* - A cappella Performance
^ - w/ Butch Trucks On Drums And Jon Fishman On Trey's Drums
Official Release DVD
Official Release Audio CD
Last Changed By
STLBlues
Sources
(642) View Source
DSBD
(643) View Source
pre-FM SBD> DAT> CD-R; broadcast 3/97; filler on S. Cardner-seeded 12/4/99 shns to PCP
(5880) View Source
Pre-FM > DAT > CDR > EAC > SHN
(8155) View Source
unknown source; via gdlive
(17551) View Source
Microtech Gefell m300 > Sonosax > DA-P1; DA-20 > Mackie 1202-VLZ > BBE-862 Sonic Maximizer > SBLive > Soundforge 4.5 > CDWav > CDR > EAC > mkwACT; Transferred by Michael Wentzell; SHN Conversion by Doug Nawrocki
(22413) View Source
Microtech Geffel m300 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
(77454) View Source
DTS-Audio-CD 5.1 Mix (see info file for details)
(79981) View Source
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
(121388) View Source
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > M-audio microtrack II > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
(642) View Source
DSBD
(643) View Source
pre-FM SBD> DAT> CD-R; broadcast 3/97; filler on S. Cardner-seeded 12/4/99 shns to PCP
(5880) View Source
Pre-FM > DAT > CDR > EAC > SHN
(8155) View Source
unknown source; via gdlive
(17551) View Source
Microtech Gefell m300 > Sonosax > DA-P1; DA-20 > Mackie 1202-VLZ > BBE-862 Sonic Maximizer > SBLive > Soundforge 4.5 > CDWav > CDR > EAC > mkwACT; Transferred by Michael Wentzell; SHN Conversion by Doug Nawrocki
(22413) View Source
Microtech Geffel m300 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
(77454) View Source
DTS-Audio-CD 5.1 Mix (see info file for details)
(79981) View Source
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
(121388) View Source
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > M-audio microtrack II > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Pappy Rob (0/0) | SHN / 1 | View | 5880 | |||
| Notes: | SBD | |||||
| denis (0/0) | / 2 | View | ||||
| keith allison (0/0) | / 0 | View | 22413 | |||
| ryan (0/0) | wav / 0 | View | ||||
| Ptchfork (0/5) | CDR / 3 | A+ | A+ | View | 642 | |
| Eamon (0/0) | CD-R / 1 | A++ | View | 36 min Crosseyed->Antelope | ||
| Dan O'Neill (0/0) | CD / 2 | View | 22413 | 2 Copies (Microtech Geffel & Set 2 SBD) | ||
| Notes: | PHiSH - 11/02/96 Coral Sky Ampitheatre, West Palm Beach, FL source: Microtech Geffel M300 > DAP1 > D(1) transfer: transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3 transfer by [email protected] on 02/05/2004 DISC ONE set I: 01. Yamar 02. Julius 03. Fee 04. Taste 05. Cavern 06. Stash 07. Lizards 08. Free 09. Stage Banter 10. Johnny B. Goode DISC TWO set II: 01. Crosseyed & Painless > 02. Run Like An Antelope 03. Waste 04. Harry Hood 05. A Day in the Life 06. Sweet Adeline encore: 07. Butch Trucks introduction 08. Funky Bitch show notes: Entire show with Karl Perazzo on percussion. Funky Bitch has a drum jam w/ Fishman/Perrazo/Trucks The only outdoor show of the Fall 96 arena tour. ================= Another Operation 96 seed from Lenny Stubbe's DAT collection. | |||||
| Dan O'Neill (0/0) | flac16 / 1 | View | DTS (Pre-FM SBD > DAT> CD-R > SHN & Microtech Geffel M300) | |||
| Notes: | Phish Coral Sky Amphitheater West Palm Beach, FL November 2, 1996 DTS-Audio-CD 5.1 Mix 01 [09:38] Yamar 02 [23:50] Crosseyed and Painless > 03 [13:45] Run Like an Antelope 04 [05:59] Waste 05 [14:19] Harry Hood > 06 [04:53] A Day in the Life TT [72:26] *All songs feature Santana percussionist Karl Perazzo --------------------------------------------------------- Source Info SBD Pre-FM SBD > DAT> CD-R > SHN AUD Microtech Geffel M300 > DAP1 > D(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades/sample rate/rendered w/ UV22HR) > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 8.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both sources. Soundforge 8.0 was used to remove many pops that ran throughout the SBD source. CEP2.0 used to adjust the volume for the center, LFE and surround channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 29-SEP-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel +2db Pre-FM SBD Right Channel +2db Pre-FM SBD Center Mixed to Mono -6db Pre-FM SBD Surround Left Channel -1.5db Geffel M300 Right Channel -1.5db Geffel M300 Sub/LFE Mixed to Mono -5db Pre-FM SBD --------------------------------------------------------- Notes Incomplete show. Version #4 - SBD+AUD DTS-Audio-CD 5.1 Surround Sound The AUD recording punches at zero consistently throughout the recording. Or it did and then someone dropped the levels by 1 or 2db. This recording tiptoes along the edge of distortion but I don't think it really becomes a problem. However, the extreme levels (or post production hard limiting) on this recording has really reduced the dynamic range. On the plus side it does have a really "in-your-face" sound quality. There were between song edits after Yamar, Antelope and Waste on the SBD source. The AUD recording was trimmed to match and a variety of edits (fades, crossfades and level adjustments) were performed to make this transitions as smooth as possible. They were a bit too quick to make this completely inaudible. There were several pops throughout the SBD recording. The kind that may have slipped by unnoticed unless you were knee deep into the recoding on an editing program like I was. I did my best to locate and remove most or all of these. SBD source was a bit low, I raised the levels approx +2db. AUD source was a bit high, I lowered the levels approx -1.5db. In my experience consistently louder levels in the rear channels is an undesirable effect. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The straight Pre-FM SBD and Microtech Geffel M300 AUD 2. SBD + AUD Matrix Mix at 16/44 CD-Audio 3. SBD + AUD Matrix Mix at 24/96 DVD-Audio 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound 5. SBD + AUD DVD-Audio 5.1 Surround Sound --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- FLAC fingerprint phish1996-11-02-dts-t01.flac:95b943debef66b1b1659a428fc278346 phish1996-11-02-dts-t02.flac:ba3c124c308c2d05e463d3745a535226 phish1996-11-02-dts-t03.flac:6f88c9f690a9d60eb90a76fa4bb1ee64 phish1996-11-02-dts-t04.flac:3dec082ac107eb07920679ecf6e81c97 phish1996-11-02-dts-t05.flac:3d550d494d613f3740711041d5966fcd phish1996-11-02-dts-t06.flac:71205b20b03478e7ca233f88e0fad039 | |||||
| Don (0/0) | / 0 | View | 5880 | |||
| Zachary Paul (0/0) | SHN / 3 | View | 8155 | unknown source; via gdlive | ||
| andy (0/0) | DAT / 0 | View | Operation Everyshow Source | |||
| David Nazaret (0/0) | / 0 | View | 8155 | |||
| Matt Kern (0/0) | CDR / 2 | A | View | |||
| dgordo (0/4) | CDR / 1 | View | 643 | SBD-> DAT-> ?-> CD-> EAC-> SHN | ||
| dgordo (0/4) | CDR / 3 | View | unknown, from gdlive.com | |||
| Notes: | Phish 11-02-96 Coral Sky Ampitheatre, West Palm Beach, FL Source: Unknown disc 1: 1.Ya Mar 2.Julius 3.Fee 4.Taste 5.Cavern 6.Stash 7.Lizards 8.Free 9.Johnny B. Goode disc 2: 1.crowd 2.Crosseyed and Painless-> 3.Run Like an Antelope 4.Waste 5.Harry Hood 6.A Day in the Life 7.crowd disc 3: 1.Sweet Adeline 2.crowd 3.E: Funky Bitch* 4.crowd Karl Perazzo (percussionist from Santana) played the entire show. *With Butch Trucks (Allman Brothers) on drums and Fish on Trey's mini-kit. | |||||
| tyler spindle (0/0) | flac / 0 | View | SBD | |||
| Notes: | missing a few songs in the first set | |||||
| hennemong (0/5) | cd-r / 1 | A | View | SBD* | ||
| Notes: | set II only | |||||
| Madison Roberts (0/0) | SHN / 2 | A | A | View | 8155 | |
| Satoshi Take (0/0) | 90mDAT / 1 | View | unknown | |||
| Notes: | unknown | |||||
| Jesse (0/0) | CDR / 2 | View | 17551 | |||
| Jesse (0/0) | CDR / 1 | View | 643 | |||
| Tyler (0/0) | cdr / 0 | View | 22413 | Microtech Geffel M300 > DAP1 > D(1 | ||
| Notes: | transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3 | |||||
| DJ Kevin (0/0) | MP3 / 1 | View | ||||
| kyle reece (0/0) | cdr / 3 | View | ||||
| Tim (0/0) | cd-r / 2 | View | ||||
| bldad (0/5) | CD-R / 2 | B+ | View | |||
| Notes: | couple tracks of crowd noise deleted to fit on 2 discs | |||||
| Jackson (0/0) | / 1 | View | 5880 | |||
| Notes: | Source: SBD-> DAT-> ?-> CD-> EAC-> SHN | |||||
| Jackson (0/0) | / 2 | View | 22413 | |||
| Notes: | source: Microtech Geffel M300 > DAP1 > D(1) transfer: transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3 | |||||
| Steve Glidewell (0/0) | SHN / 2 | View | 17551 | Microtech Gefell m300 > Sonosax > DA-P1 | ||
| Steve Glidewell (0/0) | SHN / 1 | View | 5880 | Pre-FM | ||