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Set I
Phil Practices Base Line By Himself
"it Would Really Help To Have Vinny Here...bob Did You Give That Disc To Steve?"
Mostly Dead Air, Drummers Start To Come In
Phil, Vince, And Drummers Practice
Phil Gives Directions
Vince: "let Me Here The Groove Of The Body Of The Song"
Phil To Bobby "i Want To Do It In Philadelphia Man"
Let's Do The Verses From A-minor C - Take 1
More From The A-minor C - Take 2
Phil: "that Tempo Is Too Fast"
Next Take From Same Spot - Take 3
Phil: "if I Have To Go "lookin Fo Famila Fafes""
Take 4
Vince: "is There One Of Those Elevens At The End Of The Threes"
Phil Counts Out The Changes
Learning The Part After The First Verse
Vince: "where In The Bar Are You Starting That Three"
Back To The Intro - Take 1
Intro - Take 2
Intro - Take 3 - Phil Explains The Timing
Phil Works With Steve On The Tele-prompter
"well Then Get Your God Damn Earphones Tunred Up Man"
Take 4 Intro - Whole Song
Phil Explains Ending
Ending - Take 2
What Are The Stumbling Blocks -- Jerry "not Knowing It"
Let's Do Something Else For A While
Here Comes Sunshine - Take 1
Here Comes Sunshine - Take 2
Total
"it Would Really Help To Have Vinny Here...bob Did You Give That Disc To Steve?"
Mostly Dead Air, Drummers Start To Come In
Phil, Vince, And Drummers Practice
Phil Gives Directions
Vince: "let Me Here The Groove Of The Body Of The Song"
Phil To Bobby "i Want To Do It In Philadelphia Man"
Let's Do The Verses From A-minor C - Take 1
More From The A-minor C - Take 2
Phil: "that Tempo Is Too Fast"
Next Take From Same Spot - Take 3
Phil: "if I Have To Go "lookin Fo Famila Fafes""
Take 4
Vince: "is There One Of Those Elevens At The End Of The Threes"
Phil Counts Out The Changes
Learning The Part After The First Verse
Vince: "where In The Bar Are You Starting That Three"
Back To The Intro - Take 1
Intro - Take 2
Intro - Take 3 - Phil Explains The Timing
Phil Works With Steve On The Tele-prompter
"well Then Get Your God Damn Earphones Tunred Up Man"
Take 4 Intro - Whole Song
Phil Explains Ending
Ending - Take 2
What Are The Stumbling Blocks -- Jerry "not Knowing It"
Let's Do Something Else For A While
Here Comes Sunshine - Take 1
Here Comes Sunshine - Take 2
Total
Set II
Set III
Comment
Unbroken Chain soundcheck
Last Changed By
Matt Vernon
Sources
(1366) View Source
View Archive
Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
(13400) View Source
View Archive
AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
(16057) View Source
View Archive
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
(17951) View Source
View Archive
Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
(91840) View Source
View Archive
flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
(92087) View Source
View Archive
flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
(97658) View Source
View Archive
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(141179) View Source
View Archive
flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
(141505) View Source
View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
(142982) View Source
View Archive
flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
(1366) View Source
View Archive Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
(13400) View Source
View Archive AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
(16057) View Source
View Archive Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
(17951) View Source
View Archive Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
(91840) View Source
View Archive flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
(92087) View Source
View Archive flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
(97658) View Source
View Archive flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(141179) View Source
View Archive flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
(141505) View Source
View Archive flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
(142982) View Source
View Archive flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Everett (5/4) | / 1 | View | 17951 | Phil's Ear Monitor Feed | ||
| BudChief (5/5) | cdr / 1 | View | ||||
| BudChief (5/5) | cdr / 1 | View | 1366 | |||
| Charles Bandrofcheck (5/5) | SHN / 2 | View | 17951 | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| David Perry (5/4.9) | CDR / 1 | A- | View | Phil's FM monitor signal intercepted with portable boom box; FM Analog > DAT > Macromedia... | ||
| sean hite (5/0) | SHN / 0 | View | 17951 | |||
| Notes: | 17951 Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol | |||||
| Rick Martin (5/5) | Flac / 1 | A- | View | Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue)... | ||
| Notes: | Unbroken Chain Rehearsal & Soundcheck | |||||
| SpacedDeadhead (5/4.8) | CDR / 1 | View | SBD | |||
| Notes: | Soundcheck - from Phil's ear Monitor | |||||
| Gary (5/4.3) | CDR / 1 | View | 17951 | |||
| Notes: | SBD>MC>C>SHN [17951] Soundcheck | |||||
| Marc Dreilinger (5/2.3) | SHN / 1 | View | 17951 | Unbroken Chain Sound check Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded... | ||
| Notes: | Archived Box 1 Disc 191 | |||||
| Michael Mersand (5/0) | / 0 | View | 1366 | |||
| Jeff Mitchell (5/0) | / 0 | View | 17951 | |||
| trailmix (5/5) | shn / 0 | View | 17951 | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | ||
| Clay Hart (5/4.9) | CD / 1 | A | View | |||
| wrs2lig (5/0) | / 0 | View | 17951 | |||
| Steve Blanchard (5/5) | SHN / 1 | View | 17951 | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | ||
| Notes: | Soundcheck | |||||
| Steve Swartz (5/0) | / 0 | View | 17951 | |||
| captain_trip_420 (5/0) | / 1 | View | 17951 | SBD - Soundcheck | ||
| Notes: | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol | |||||
| Rich Pucci (5/4.7) | DVD (shn) / 1 | View | ||||
| tomas J and a fistful of music (5/5) | cdr, shn / 1 | A | A- | View | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | |
| harryhood3441 (5/0) | / 0 | View | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | |||
| Notes: | This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot. It was taped by the crewmember himself. I cannot reveal his name because I don't want to get him in any shit. I am not exactly sure how it was taped inside the venue. He told to me the story verbally about 4 years ago, and I cannot remember exactly what he said. But one thing I remember for sure, it came from him inside, not from the parking lot scanner. I met this guy when I was taping a GD member's ?post-dead? band in 1998. They happened to be playing at a venue where I know the soundman. I was taping off the board that night. I got into a conversation with one of the band?s crew. (this tape?s source) In talking I found out he was a former crewmember for the GD. On this particular night, the GD member?s band did not bring their own DAT deck. So this guy wanted a DAT clone of what I taped. We exchanged info but I did not get around to making his copy for a long while. During that time, he called me a couple of times and told me about this 95 sound check tape he had. We agreed and he sent me this tape in exchange for the DAT. He made my tape from his cassette master. I had the 1st gen tape in late 1999 and made a copy for my roommate at the time. We?ve since parted ways. Unfortunately, in the 2001 move I lost my copy. I was at my former roommates house the other night and the topic of this tape came up. He dug out his copy and We listened to it. I realized it was a major upgrade to the currently circulating shn seed. So I?ve converted it. Enjoy This version is much better sounding without the distortion of the existing seed. It also contains more then the original seed including a few takes of Here Come Sunshine. On the B side of the tape was an ear monitor feed from the Omni in Atlanta for the second live performance of Unbroken Chain from 3/29/95 complete with the band talking to each other in the ear monitors. That content will be seeded separately. | |||||
| barney rubble (5/3.5) | cdr/shn / 1 | View | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | |||
| Notes: | Unbroken Chain Sound check This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot. It was taped by the crewmember himself. http://db.etree.org/shninfo_detail.php?shnid=17951 | |||||
| martin rordam (5/5) | SHN / 2 | View | ||||
| Notes: | DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space. | |||||
| Steve (5/5) | CDR / 1 | A | View | Phil's Ear Monitor Feed> Crew Member's Cassette Master (recorded inside venue)> 2nd gen... | ||
| Notes: | Phil's Ear Monitor Feed | |||||
| Jason (5/3.5) | CDR / 3 | View | ||||
| john acquafredda (5/0) | SHN / 0 | View | FM Analog>DAT>Macromedia Sound Edit>SHN> [WAV resampled from 11mono to 44stereo w/... | |||
| Notes: | This recording, until now, was coveted by only 4 tapers that I know of. It was recorded using a portable boom box with a FM radio. The band was using a low frequency FM signal to power the monitors. What we have here is Phil's signal intercepted by our Boom box! It was then mastered to DAT. Enjoy this rare treat, take notice of the banter between band members and sound people. It will give you a glimps of the dynamics of the worlds greatest band! | |||||
| Scott Moen (4/0) | CDR / 1 | View | Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd... | |||
| Ryan Polansky (4/5) | cdr / 1 | A+ | View | Phils Ear Monitor Feed > Crew Members Cassette Master (recorded inside venue) > 2nd Gen... | ||
| Laika (4/0) | CD / 1 | View | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | |||
| joe m (3/5) | SHN / 1 | View | 17951 | |||
| Notes: | DVD#242 | |||||