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Grateful Dead 08/07/82
Alpine Valley Music Theatre, East Troy, WI
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Set I
The Music Never Stopped-> Sugaree-> The Music Never Stopped, Me & My Uncle-> Big River, It Must Have Been The Roses, CC Rider, Ramble On Rose, Beat It On Down The Line-> On The Road Again, Althea, Let It Grow
Set II
China Cat Sunflower-> I Know You Rider, Women Are Smarter, Ship of Fools, Playin' In The Band-> Drums-> The Wheel-> Playin' In The Band-> Morning Dew-> One More Saturday Night, E: U.S. Blues
Set III
 
Comment
Available as Dick's Picks Volume 32.
Last Changed By Matt Vernon
Sources
(6148) View Source    View Archive
sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
(7689) View Source    View Archive
SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
(7720) View Source    View Archive
SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
(83513) View Source    View Archive
flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci
(92183) View Source    View Archive
flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
(137625) View Source    View Archive
flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
(138622) View Source    View Archive
flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
(138623) View Source    View Archive
flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
(141795) View Source    View Archive
flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
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User (active/rating) Media / # Show Sound Details DB Source User Source
Zack Rasmussen (4/5) CD-R / 3 A View  
Leigh-Ann (4/0) CdR / 3 View  
Ryan and Ollie (4/4.3) AUDIO/SHN / 3 A A View 6148 SBD
Notes: ALSO HAVE IN SHN'S, 2 DISCS.
Jon Paulk (4/5) shn / 3 View 7720 SBD > PCM > ? > D > Serafin Station
Jen (4/0) CDR / 2 A View   SBD>MC>MR>DAT>CDR
Notes: Set 1: Music Never Stopped Sugaree The Music Never Stopped Me And My Uncle Big River It Must Have Been The Roses C.C. Rider Ramble On Rose Beat It On Down The Line On The Road Again Althea Let It Grow Set 2: China Cat Sunflower I Know You Rider Man Smart-Woman Smarter Ship Of Fools Playin' In The Band Drums The Wheel Playin' In The Band Morning Dew One More Saturday Night Encore: U.S. Blues
kb panic (3/5) / 2 A+ View   CD
Notes: DP 32
Gene Rider (3/0) Aud / 3 A+ View  
Gene Rider (3/0) WMA / 3 View 7720
Notes: Lineage: SBD > PCM > ? > D > Serafin Station Apparently at some point in this show's lineage, it was encoded on cassette with Dolby B NR, but subsequent dubs did not decode the Dolby B...the editing software took care of putting the proper EQ curve back into the show Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B Seeded to Etree by Patrick Murphy ([email protected]) February 2002 Thanks to Jay Serafin for the disks and the priviledge of seeding them! If there are any questions or problems please let me know. Enjoy! Jay's Personal Comments: This is a good show. Not the best I've ever worked with, but decent quality, good mix, etc. There are a few SBD technical flaws that originated at the venue, mainly heard at the ending of "Space" and into the beginning of "Morning Dew". It sounds almost like diginoise trying to "start", but it's actually a PCM master recording fault when the show was initially put onto PCM at the venue. It's not overload distortion, as it's mainly on the right channel (90% of it), and since the master I received had equal volume on both channels during this time period mentioned, it was most likely due to a flaw in the video tape that was used to record the PCM audio on, or in the output of the mixer going to the PCM deck. Otherwise, it's a pretty good show. This tape's lineage possibly included an analog cassette generation, as some of the songs were "cut" at the end of them, thus not leaving the between song lulls in the dub made. This irritates me, as it takes away from the show's overall enjoyment, and it's just audibly annoying. Luckily, with the professional editing and processing software I use, I can cross-fade the two songs so that's it's not a "jump" from one song to the next, but a gentler and more gradual transition. The only exception to this was at the end of Morning Dew, where there was a tape flip, and the very last few seconds were cut off, and the first 10 seconds of One More Saturday Night were also missing. Again, a 5 second crossfade between the two songs is much easier on the ears and such than a "jump" from the one song to the other. The show is slightly lacking on the Phil side, as he seems to be slightly more absent from the mix than usual. I could have brought him up more, but I limit the amount of EQ to a maximum of 2 dB, so the "Phil Zone" from about 625 Hz downward WAS brought up by 2 dB, thus leaving the music quality as natural as can be from this copy I received. The Dead always did good shows in the Chicagoland area, and this one was no exception. The energy level is upbeat, the shows opening 3 songs are from their "not the usual opening songs" group (the show begins with "The Music Never Stopped -> Sugagee -> Music Reprise". Quite a nice diversion, and enjoyable as well. Overall, not the best quality show as far as being "very natural sounding", but I attribute that to it's unknown lineage. But it's as good as it's going to get, and the sound is good. Not spetacular, but good. This is why it was given an AR-3 audio rating rather than an AR-2. Almost every trace of analog hiss has been digitally removed without affecting the music quality, both in the loud and soft passages. I personally enjoyed this show more for the out of the ordinary opening songs than the overall quality of the show audio itself. But, it's a clean copy (or it is NOW once I was finished working on it), and it may be a choice for you to consider. Patrick's Personal Comments: This was the very first Dead bootleg I ever got - from a close friend at my bachelor party. Check out this show if only for the great beginning (the transition from Music to Sugaree is sooo smooooth), the best Althea ever, and the terrific Space->Wheel->Playing->Morning Dew climax.
Jeff Hyman (3/5) cdr / 2 A+ View   SBD
Notes: DP 32
Dave Heenan (3/0) FLAC / 2 View 7689 SBD : MC > MR > DAT > CDR
Dave Heenan (3/0) FLAC / 0 View 137625 SBD > Cassette Master > Dat (44.1k)
john zicconi (3/5) CDR / 3 SBD View   SBD : MC > MR > DAT > CDR
MtnJammer (3/5) CDR / 3 A View   SBD
Scott Gesler (3/5) CD / 3 A A View  
joe m (3/5) shn / 2 View 7689
joe m (3/5) FLAC / 1 View   DP # 32
Notes: HD # 2
joe m (3/5) FLAC / 1 View 137625
joe m (3/5) FLAC / 1 View 141795
Michael (3/0) SHN / 2 View 7689
Albix (3/4.7) shn / 2 View 7720 SBD > PCM > ? > D > Serafin Station
Notes: Apparently at some point in this show's lineage, it was encoded on cassette with Dolby B NR, but subsequent dubs did not decode the Dolby B...the editing software took care of putting the proper EQ curve back into the show Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B Seeded to Etree by Patrick Murphy ([email protected]) February 2002 Thanks to Jay Serafin for the disks and the priviledge of seeding them! If there are any questions or problems please let me know. Enjoy!
Albix (3/4.7) flac / 1 View 92183 Set 2 - 2 Sony ECM-23F microphones (90 degrees, coincident) > Sony TC-D5M > 2 Maxell XLII-S...
Notes: Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
zowie (3/5) cd / 1 a View 7689 sdb
Notes: disc 2
cbass (3/5) / 0 View 7689
cbass (3/5) / 0 View 83513
cbass (3/5) FLAC / 0 View 92183
cbass (3/5) FLAC / 0 View 137625
Richard Warren (3/5) shn / 2 View 7689
Notes: 7689
Richard Warren (3/5) shn / 3 View 6148
Notes: 6148
Richard Warren (3/5) shn / 2 View 7720
Notes: 7720
Richard Warren (3/5) flac / 2 View 141795
Notes: 141795