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Grateful Dead 03/26/87
Hartford Civic Center, Hartford, CT
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Set I
In The Midnight Hour
Cold Rain & Snow
C.C. Rider
Row Jimmy
My Brother Esau
When Push Comes To Shove >
Desolation Row >
Bird Song >
Promised Land
Set II
China Cat Sunflower >
I Know You Rider >
Looks Like Rain >
He's Gone >
Drums >
Space >
I Need A Miracle >
Black Peter >
Around & Around >
Good Lovin'

Encore:
The Mighty Quinn (Quinn The Eskimo)
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(10923) View Source    View Archive
Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman
(81450) View Source    View Archive
flac16; Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
(89168) View Source    View Archive
flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(102131) View Source    View Archive
flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21
(106901) View Source    View Archive
flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 8, Row H, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09.
(124744) View Source    View Archive
flac24; Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen cassette. With kind thanks to Seaweed1010. Transfer: MXS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F.
(135547) View Source    View Archive
flac24; 2 nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(138162) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138166) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138162 24 > 16
(138700) View Source    View Archive
flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Mike Langen (2/4.9) cdr / 2 A View   sbrd
Notes: This is a wonderful show, super-high energy, with an absolutely bonkers crowd. (This was the first Northeast show following Garcia's 1986 coma.) The very end of Promised Land is clipped, missing perhaps 10 seconds. Very minor pop at 5:51 of China Cat. Super minor blip at 10:50 of He's Gone. Cassette flip at 2:07 of space. Slight static 4:30 - 5:00 of Black Peter. This is a very early Matrix recording, and contains quite a lot of crowd in the mix. Still, the up-front sound marks it as Healy's work. The second set came to me with serious problems, the worst of which was that it was much too fast. Thanks to Mister FTP Jeff Hawkins, the speed is now almost spot-on. However, the pitch shift naturally resulted in a sample rate of 40.6 KHz instead of the standard 44.1 KHz for CD, so everything was then resampled at 44.1. You won't notice. In addition, the Hartford Civic Center is known for lousy bass response, and as a result the bass on this set was almost unlistenably bloaty (unless, that is, you're one of those guys who always annoys me at stoplights with your "phat" bass to compensate for your ... no, I'd better not say that). Anyway, I equalized the bass rather steeply: -12 dB at 80 Hz and -18 dB at 30 Hz. There are still some artifacts of the compression (Looks Like Rain and Good Lovin' especially), but in general this is much better, and Phil is still stompin'. Thanks to Douglas Tunstall for the heroic effort in getting me the discs, and to Nick Scarano and Jeff Hawkins for their finely tuned ears. Seeded by Peter Braverman ([email protected]), July 2002. Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN........Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN
Lost Sailor (2/0) Shn / 0 View 10923 Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix...
Lost Sailor (2/0) Flac Mtx. / 0 View 124744 flac24; Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen...
Lost Sailor (2/0) Flac 24 / 0 View 138162 b>flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info:...
Lost Sailor (2/0) Flac / 0 View 138166 flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info:...
Lost Sailor (2/0) Flac / 0 View 138700 flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41...
Dave Sanders (2/5) shn / 2 View 10923
Bill Tetzeli (2/5) SHN / 2 View 10923 Set 1: MSC>DAT>WAV>SHN; Set 2: Ultramatrix>MC>DAT>CD>SHN
Michael McMullan (2/5) CDR / 2 A- View  
Michael McMullan (2/5) CDR/SHN / 2 A View 10923 SBD/Ultramix
Canyon (2/5) audio / 2 View   Set 1 SBD / Set2 Matrix
Chris_G (2/0) DD#71 / 2 View 10923
Chris_G (2/0) Hd2 / 2 View 10923
Scott (2/0) CDR(DAO) / 0 View  
Chris Hanson (2/0) / 0 View 89168
Scott Mauvais (lscott) (2/0) SHN / 0 SBD View 10923
Luke Bailey (2/0) SHN / 2 View 10923 Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source:...
Notes: Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN
Terrapanda (2/0) / 2 View 10923
Terrapanda (2/0) / 2 View 89168
MajorWoody (2/0) CDR / 2 A- A View   See Notes
Notes: Please see notes below; sets I and II have different source information. Disc 1 62:00 1. In the Midnight Hour 4:44 2. Cold Rain & Snow 6:43 3. C. C. Rider 8:18 4. Row Jimmy 10:54 5. My Brother Esau 4:34 6. When Push Comes to Shove 4:25 7. Desolation Row 8:28 8. Bird Song 9:53 9. Promised Land// 3:56 Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN Disc 2 77:54 1. China Cat Sunflower 6:01 2. I Know You Rider 5:22 3. Looks Like Rain 8:30 4. He's Gone 13:31 5. Drums 8:45 6. Space 5:02 7. I Need a Miracle 4:35 8. Black Peter 9:24 9. Around & Around 3:49 10. Good Lovin' 7:52 Encore 11. The Mighty Quinn 4:57 Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN This is a wonderful show, super-high energy, with an absolutely bonkers crowd. (This was the first Northeast show following Garcia's 1986 coma.) The very end of Promised Land is clipped, missing perhaps 10 seconds. Very minor pop at 5:51 of China Cat. Super minor blip at 10:50 of He's Gone. Cassette flip at 2:07 of space. Slight static 4:30 - 5:00 of Black Peter. This is a very early Matrix recording, and contains quite a lot of crowd in the mix. Still, the up-front sound marks it as Healy's work. The second set came to me with serious problems, the worst of which was that it was much too fast. Thanks to Mister FTP Jeff Hawkins, the speed is now almost spot-on. However, the pitch shift naturally resulted in a sample rate of 40.6 KHz instead of the standard 44.1 KHz for CD, so everything was then resampled at 44.1. You won't notice. In addition, the Hartford Civic Center is known for lousy bass response, and as a result the bass on this set was almost unlistenably bloaty (unless, that is, you're one of those guys who always annoys me at stoplights with your "phat" bass to compensate for your ... no, I'd better not say that). Anyway, I equalized the bass rather steeply: -12 dB at 80 Hz and -18 dB at 30 Hz. There are still some artifacts of the compression (Looks Like Rain and Good Lovin' especially), but in general this is much better, and Phil is still stompin'. Thanks to Douglas Tunstall for the heroic effort in getting me the discs, and to Nick Scarano and Jeff Hawkins for their finely tuned ears. Seeded by Peter Braverman ([email protected]), July 2002.
Tony Gianelli (2/0) CDR / 2 A View   SBD
easywind74 (2/0) / 0 View 10923
AAA Audio (2/4.8) shn / 2 View  
Dean Thole (2/0) SHN / 2 View 10923
William Ferdinandsen (2/5) CDR / 2 View  
chrislaughlin (2/5) / 3 View   FOB AUD
Scott Mauvais (2/0) SHN / 0 View 10923
John Fitzgerald (2/0) / 2 View  
thejerman02 (2/5) CDR / 2 A View   SBD
Notes: IST EAST COAST SHOW AFTER COMA
Hollis Tidwell III (2/0) cdr / 2 View   shn